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Page "Gilligan's Island" ¶ 9
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Her and character
Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.
Her little speech was totally out of character with the sort of person I thought she was.
Her character as mother-goddess is identified in the second element of her name meter () derived from Proto-Indo-European * méh₂tēr ( mother ).
Her name is an anagram of Grundy ( from Mrs. Grundy, a character in Thomas Morton's play Speed the Plough ).
Her almost 60-year career crossed most media frontiers with both supporting and leading roles, but she may be best-remembered for playing the sardonic but engaging title character, a high school teacher, on Our Miss Brooks, and as the Rydell High School principal in the films Grease and Grease 2.
Her Stage Door portrayal of a fast-talking, witty supporting character, gained Arden considerable notice and was to be a template for many of Arden's future roles.
Her character is usually renamed in film adaptations because of difficulties with pronunciation.
** Adeline in The Romance of the Forest-“ Her wicked Marquis, having secretly immured Number One ( his first wife ), has now a new and beautiful wife, whose character, alas!
Anish Khanna of Planet Bollywood wrote " Her character has a gamut of emotions to run through-childish immaturity, obsession, evil, anger, anguish-and Madhuri really sinks her teeth into each one.
Her character design shows influences from shoujo and art nouveau.
Her voice reminded me of Tanya Tucker, it had strength and character, a lot of feeling.
One character, identifying him, says that it is " just like On Her Majesty's Secret Service ", which was Lazenby's only Bond film.
Her strength lay in good common sense and directness of character ; she expressed the qualities of the British nation which at that time made it preeminent in the world.
Her character stood out as a positive portrayal of a Jewish woman and at the height of her popularity, she fell in love with another woman, a witch named Tara Maclay.
Her nickname, Murasaki, was most probably given at a court dinner in an incident she recorded in her diary: in c. 1008 the well-known court poet Fujiwara no Kintō inquired after the " Young Murasaki "— an allusion to the character named Murasaki in Genji — which would have been considered a compliment from a male court poet to a female author.
Her attacks are mainly related to the Phoenix Force itself, and is arguably the most powerful playable character in the game.
Her appeal to the general populace was based in her protective character, as exemplified by the magical healing spells.
She is the main character of Jan Westcott's Set Her on a Throne ( 1972 ).
Her game concept included animated color graphics, a pseudo 3D-perspective where the main character was visible on the screen, a more competent text parser that would understand advanced commands from the player, and music playing in the background through the PCjr sound hardware.
Her character was based on the protagonist of the ancient Chinese legend, " The Ballad of Hua Mulan.
For example, in Love ( 1927 ) a title card reads, " I like to be alone "; in The Single Standard ( 1929 ) her character says, " I am walking alone because I want to be alone "; in Susan Lenox ( Her Fall and Rise ) ( 1931 ) she says to a suitor, " This time I rise ... and fall ... alone "; in Inspiration ( 1931 ) she tells a fickle lover, " I just want to be alone for a little while "; in Mata Hari ( 1931 ) she says to her new amour, " I never look ahead.
Her image was considered with more care ; although she continued to play character roles, she was often filmed in close-ups that emphasized her distinctive eyes.
Her exact double is his visitor aboard the space station and becomes an important character.
Her exit from the picture was also the most sympathetic when, after helping to assist two children to escape the disaster, her character fell 110 stories to her death from a scenic elevator on the outside of the building which was derailed following an explosion.
Her real-life coming out was echoed in the sitcom Ellen in " The Puppy Episode " in which the eponymous character Ellen Morgan played by DeGeneres outs herself over the airport public address system.

Her and was
Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.
Her mouth, which had been so much in my thoughts, was warm and moist and tender.
Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.
Her white blond hair was clean and brushed long straight down to her shoulders.
Her thick hair was the color and texture of charcoal.
Her laugh was hard.
Her face was pale but set and her dark eyes smoldered with blame for Ben.
Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.
Her name was L'Turu and she told me many things.
( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.
Her mother was a good manager and established a millinery business in Milwaukee.
Her name was Esther Peter.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Her action was involuntary.
Her name was Mollie.
Her speech was barren of southernisms ; ;
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.
Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.

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