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Her classical training gave her an advantage over the many theremin performers who lacked this background.
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Her and classical
Her classical education left its mark ; Christopher Stray has observed that " George Eliot's novels draw heavily on Greek literature ( only one of her books can be printed correctly without the use of a Greek typeface ), and her themes are often influenced by Greek tragedy ".
Other prominent academics associated with the University include Geoffrey Bennington, the creator of the MA programme in Modern French Thought ( Derrida, Lyotard ); Homi K. Bhabha ( postcolonialism ); Rachel Bowlby ( feminism, Woolf, Freud ); Geoff Cloke FRS ( Inorganic Chemistry ); Jonathan Dollimore ( Renaissance literature, gender and queer studies ); Katy Gardner ( social anthropology ); Gabriel Josipovici ( Dante, the Bible ); Michael Land FRS ( Animal Vision-Frink Medal )); Michael Lappert FRS ( Inorganic Chemistry ); Alan Lehmann FRS ( Genetics and Genome Stability ); ( Laura Marcus ( Woolf ); John Murrell FRS ( Theoretical Chemistry ); Peter Nicholls ( Pound, modernism ); John Nixon FRS ( Inorganic Chemistry )); Laurence Pearl FRS ( Structural Biology ); Guy Richardson FRS ( Neuroscience ); Jacqueline Rose ( feminism, psychoanalysis ); Nicholas Royle ( modern literature and theory ; deconstruction ); Alan Sinfield ( Shakespeare, sexuality, queer theory ); Norman Vance ( Victorian, classical reception ); Richard Whatmore & Knud Haakonssen ( intellectual historians ); Gavin Ashenden ( Senior Lecturer in English, University Chaplain, and Chaplain to Her Majesty Queen Elizabeth II ; Cedric Watts ( Conrad, Greene ); Marcus Wood ( postcolonialism ).
Her pose is impossible: although she stands in a classical contrapposto stance, her weight is shifted too far over the left leg for the pose to be held.
Her classical educational background is clearly seen in her poetry, which captures her literary talent.
Central to fertility rites in classical Greece was ' Demeter, goddess of fertility ... Her rites celebrated the procession of the seasons, the mystery of the plants and the fruits in their annual cycle of coming to be and passing away '.
Her theory was based upon the morphological data of classical embryology, and has since been confirmed by molecular sequence analysis.
Her paternal grandfather was Arthur Charles Ziegler, a classical musician and the first violinist for the Chicago Symphony Orchestra.
Her paternal grandfather Antonio Cansino was renowned as a Spanish classical dancer ; he popularized the bolero and his dancing school in Madrid was world famous.
Her mother is not named ; according to classical rabbinical literature, Serach's mother was named Hadurah, and was a descendant of Eber, but although Hadurah was a wife of Asher, it was her second marriage, and Serach's father was actually Hadurah's first husband, who had died.
In reviewing her performance for the Christian Science Monitor, David Sterritt said, " Her body sways like a reed in the emotional storms of her own scatter-brained creation, and her off-hand manner becomes still more off-handed when the most explosive matters are at stake ... Miss Loudon gives a comic characterization in the most classical tradition.
Her first album, Voice of an Angel, was a collection of arias, sacred songs, and traditional pieces that sold millions worldwide and made her the youngest artist with a No. 1 album on the British classical crossover charts.
Her grandfather Colin Wall was a classical pianist, her father Derek worked as a railway signalman and then as a schoolteacher at Hatfield Woodhouse Primary School, eventually going on to become a headmaster.
Her style of play is solid, but aggressive and well grounded in classical principles ; it was influenced by Eduard Gufeld, a top Soviet trainer, who was her coach early in her career.
Her skill as a translator consist of translating classical Japanese into modern Japanese, for example books such as the Man ' yōshū and the Taketori Monogatari.
Ginette Neveu was born in Paris into a musical family: Her brother Jean-Paul Neveu became a classical pianist, and the composer and organist Charles-Marie Widor was their great-uncle.
Her drawings from that period mainly depict casts of classical sculptures drawn in pencil or ink ( two of these drawings survived and are kept on display at the Croatian School Museum at Marshal Tito Square in Zagreb ).
Her father was a newspaper publisher who composed music on the side, and her mother was a classical pianist.
Her parents provided a wide range of musical experience, " At home, we always had different styles of music playing ... y mom used to play classical music, traditional Turkish and pop music, but she was also into jazz and soul.
Her classical good looks won her a role as the Bond girl Melina Havelock in the 1981 movie For Your Eyes Only, but she also acted in a number of mainstream European films throughout the 1980s and continues to do so in France.
Her and training
Her European training did influence her palette, however, and she adopted more white and paler coloration in her oil painting, particularly in depicting female subjects, an approach favored by Sargent as well.
Her first course began in January 1925, and it offered to " prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization.
Her academic training emphasized development of an alla prima technique and painting out of doors, which inspired her to produce bold impasto works quickly.
" Her teacher was Anita " Neta " Snook, a pioneer female aviator who used a surplus Curtiss JN-4 " Canuck " for training.
Her training was in history and political thought, a subject she was forced to study by her father, although her passion was literature and writing.
Her funds began to run low, and although her training was not yet complete she began to look for work to help support her schooling.
Her plan to rejoin the tour at the beginning of 2005 was delayed when she fractured her kneecap in a December 2004 training session.
Her initial mission, killing a foreign diplomat in a crowded restaurant and escaping back to the Centre from his well-armed bodyguards, doubles as the final test in her training.
Her successful Channel swim-this time training with Tom Burgess ( who had successfully swam the Channel )-began approximately one year later at Cape Gris-Nez in France at 07: 08 on the morning of August 6, 1926.
Her superiors held mixed opinions on her suitability for secret warfare, and her training was incomplete.
Her parents opted for local training, hiring Ernst Perabo and later Carl Baermann as piano teachers.
Her concerns about white guilt led her to move from black-white group encounters to all-white groups in her anti-racism training.
Her previous dance training is also called into play, not only in the two dance numbers she performs with Astaire but also for a Bohemian-style solo dance in a nightclub, which has since often been replayed in retrospectives of her career.
Her role in The Matrix: Path of Neo is relatively similar to her appearances with Neo in the films ; she has a spar with him during his sword-fighting training, accompanies him during the raid on the military building to rescue Morpheus ( subsequently helping him to defeat an Agent on the rooftop ), and is later rescued by him from some attacking Agents after the last meeting with the assorted ship captains.
Her lectures and arguments were specifically designed to introduce prophylaxis as a subject within the teachers ' training syllabus.
Her work included teacher training and syllabus implementation, bi-centenary and other special music projects such as regional bands and choirs, and special arts projects including working with indigenous Australians on the far west border of NSW.
Her involvement with fleet is indirect but extensive from both these training commands as she is also tasked with modeling and simulating the mix of advanced weapons that have suddenly become available from development of a small fusion reactor that can ride on a missile or other small platform.
Her training led to appearances in Max Reinhardt's The Miracle in London and Fifinella, directed by Basil Dean, for the Liverpool Repertory Theatre.
Her mission training included six months of experiment training in Germany, France, Switzerland, and The Netherlands.