Her spiritual songs were referred to by contemporaries as " concerts in the Spirit.

Her contemporaries thought she was spoilt by her parents, especially her father, who allowed her to take liberties not usually permissible, such as being allowed to stay up to dinner at the age of 13.

Her father, King Philip, known as " le Bel " ( the Fair ) because of his good looks, was a strangely unemotional man ; contemporaries described him as " neither a man nor a beast, but a statue "; modern historians have noted that he " cultivated a reputation for Christian kingship and showed few weaknesses of the flesh ".

Her style, characterised by its economy and emotional restraint, was strikingly original and distinctive to her contemporaries.

Her work exemplifies Modernism, and with such contemporaries as Ivon Hitchens, Henry Moore, Ben Nicholson, Naum Gabo she helped to develop modern art ( sculpture in particular ) in Britain.

Her contemporaries, like the metropolitan Bishop of Ephesus, Georgios Tornikes, regarded Anna as a person who had reached " the highest summit of wisdom, both secular and divine.

Her published diary and letters contain many minute and interesting particulars of her father's public and private life, and of his friends and contemporaries, including his initial opposition to her marriage to the French refugee Alexandre D ' Arblay in 1793 and to her sister Charlotte's remarriage to the pamphleteer and stockjobber Ralph Broome in 1798.

Her style represented a departure from her contemporaries, in that she preferred a more casual, natural tone.

Her work was cited by her contemporaries such as Henrik Ibsen.

Her name was frequently abbreviated by her contemporaries as " Л. Ю.

Her work, like the work of her contemporaries in the 1970s New York milieu of which she was a vital part — writers like Alice Notley and Bernadette Mayer, to name only two — is more diverse in its influences and ambitions.

Her exquisite acting and ladylike carriage were the delight of her contemporaries, and her beauty and generosity found innumerable eulogists, as well as sneering detractors.

Her mother's name was Ellen ( or a variant ) and she was referred to by contemporaries as " Old Madam ", " Madam Gwyn ", and " Old Ma Gwyn ".

Her contemporaries included André Derain, Alberto Giacometti, Pablo Picasso and Francis Bacon.

Her contemporaries include Barbara Kruger, Cindy Sherman, Sarah Charlesworth, and Louise Lawler.

Her time at university was one where a substantial number of contemporaries became Australian politicians.

Her name did not appear in the book, but her identity was soon discovered and her rhetorical style was much lauded by contemporaries.

Her manners and speech became refined to an extent that contemporaries referred to her as " Queenly ".

Her contemporaries included Elsie de Wolfe and Lady Sybil Colefax.

Her work is related to French Tachisme, American Abstract expressionism, and Surrealism — as were many of her contemporaries who were painting in Post-War Paris during the mid to late 1940s and early 1950s.

Her actions were perceived by her contemporaries as a challenge to gender-identity.

Her most famous portrait of a child Girl with Chrysanthemums fascinated her contemporaries by its symbolist atmosphere and psychological insight.

Her beauty appeared to her contemporaries to be equalled only by her childish silliness ; but her letters to her husband, preserved in the British Museum, are not devoid of good sense and feeling.

Her fans and contemporaries are deeply saddened when she dies of her injuries September 4 at a Nashville hospital.

Her education included how to spin and weave and she was forbidden to say or do anything, either in public or private.

Her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her books in the late 1920s included the semi-autobiographical The Fairy Caravan, a fanciful tale set in her beloved Troutbeck fells.

Her feast day, at the time, was not included in the Roman Calendar.

Her popularity as a radio performer and vocalist, which included a second hit record " My Dreams Are Getting Better All the Time ", led directly to a career in films.

Her movie career included a bit part in It Happened One Night ( 1934 ) and roles in Outlaw Women ( 1952 ), Glen or Glenda ( 1953 ), Body Beautiful ( 1953 ), The Blue Gardenia ( 1953 ), Count the Hours ( 1953 ), Mesa of Lost Women ( 1953 ), College Capers ( 1954 ), Jail Bait ( 1954 ), The Raid ( 1954 ), This Is My Love ( 1954 ), The Opposite Sex ( 1956 ), The Ironbound Vampire ( 1997 ), and Dimensions in Fear ( 1998 ).

Her reading matter included Tennyson, Wordsworth, Milton, Coleridge, Trollope, Thackeray and George Eliot.

Her stories have been included in numerous anthologies and a few have had radio and television adaptations.

Her later film assignments included Father Goose ( 1964 ), with Cary Grant ; Ken Russell's Valentino ( 1977 ), in the role of silent-screen legend Alla Nazimova ; and Louis Malle's Damage ( 1992 ).

Her major initiatives included education and women's health.

The 583-item Collection La Caze donated in 1869, included works by Chardin ; Fragonard ; Rembrandt – such as Bathsheba at Her Bath – and Gilles by Watteau.

Her sections included Stoechas, Spica, Subnudae, Pterostoechas, Chaetostachys and Dentatae.

Her repertoire included working with such artists as Barry Humphries.

Her brothers included Cesare Borgia, Giovanni Borgia, and Gioffre Borgia.

Her entry would be included in the encyclopedia until 1969, becoming readily accessible to the public, and it was for this reason that her ideas on the subject had such a significant impact.

Her godparents included her father's cousin, Prince Rupert of the Rhine.

Her godparents included her great-aunt the Countess of Devon, Lord Chancellor Thomas Wolsey, and the Duchess of Norfolk.

Her expenses included fine clothes and gambling at cards, one of her favourite pastimes.

Her wardrobe included red so often that the fire-engine shade became known as " Reagan red ".

Her subsequent roles in the 1990s and 2000s included Open Your Eyes ( 1997 ), The Hi-Lo Country ( 1999 ), The Girl of Your Dreams ( 2000 ) and Woman on Top ( 2000 ).

Her cults included agrarian magic, dancing, and rituals.

Her collaborators included Laurindo Almeida, Harold Arlen, Sonny Burke, Cy Coleman, Duke Ellington, Dave Grusin, Quincy Jones, Francis Lai, Jack Marshall, Johnny Mandel, Marian McPartland, Willard Robison, Lalo Schifrin and Victor Young.

Her family pointed out that, although she had been omitted, R & B singer / actress Aaliyah, who died a few months earlier, was included though having been in only one moderately successful film, Romeo Must Die ( Queen of the Damned had yet to be released ).