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Page "Margaret of York" ¶ 27
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Her and eyes
Her eyes were glazed as if she didn't hear or even see him.
) Her Nicolas lay curled in the sun like a fawn, black hair falling over his eyes.
Her eyes had opened, she had caught a glimpse of a new faith.
Her face was pale but set and her dark eyes smoldered with blame for Ben.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her eyes flashed angrily.
Her eyes became bright as she talked about her father and mother, aunts and uncles, cousins.
Her eyes were bright with anticipation.
Her bright eyes were twinkling.
Her little brown face wrinkled up, her brown eyes gleamed, and with her little gestures she said all the courteous things.
Her eyes were wild.
Her eyes opened as soon as she heard me, though, and once again, I felt an inward shiver.
Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.
James Hadley Chase wrote a few novels with private eyes as the main hero, including Blonde's Requiem ( 1945 ), Lay Her Among the Lilies ( 1950 ), and Figure It Out for Yourself ( 1950 ).
Her long, fine hair was dyed pale blonde, and her eyes, " brown as fir cones in autumn, scattered laughter ".
" Her combination of attractive appearance – centered around her large eyesand somewhat distant and understated manner made her hard at first for MGM to cast and publicize.
* Her eyes twinkled like stars.
" Her mouth is too large and her eyes too prominent and colourless for beauty ", wrote a Venetian envoy as Catherine approached forty, " but a very distinguished-looking woman, with a shapely figure, a beautiful skin and exquisitely shaped hands ".
Her face narrows between the eyes, and the lower part of her face is still more narrow and slender than the forehead.
Her eyes are blackish-brown and deep.
Her eyes had filled with tears.
In My Life, Chagall described his first meeting her: " Her silence is mine, her eyes mine.
Her image was considered with more care ; although she continued to play character roles, she was often filmed in close-ups that emphasized her distinctive eyes.
Her wavy hair was light brown in colour, and she had grey eyes and fair skin.

Her and were
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;
Her glance swung past the trailer where the two drivers were standing.
Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her thoughts were not discrete.
Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.
Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.
Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.
Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.
Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.
Her hair never seemed to be in place and her skirts were never quite the correct length.
Her dark cool caresses were sweeter than any woman's ; ;
Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.
Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.
Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.
Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.
Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

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