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Her and final
Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.
Her final work was a poem eulogizing Joan of Arc, the peasant girl who took a very public role in organizing French military resistance to English domination in the early 15th century.
Her final feature, the comedy film With Six You Get Eggroll, was released in 1968.
Her final public appearance was at an after-party at the Sardi's restaurant in New York City, following the premiere of the documentary film Broadway: The Golden Age, by the Legends Who Were There.
* " Her stories and novels are humanistic, while her deep concern for male-female ( even human-alien ) harmony ran counter to the developing segregate-the-sexes drive amongst feminist writers ; What her work brought to the genre was a blend of lyricism and inventiveness, as if some lyric poet had rewritten a number of clever SF standards and then passed them on to a psychoanalyst for final polish.
Her final appearance aired Monday, May 5, 2008 (" Rock and a Hard Place ").
* In the final episode of the BBC time travel / cop show Ashes to Ashes ( Series 3, Episode 8 ), it is revealed that the world that Alex Drake awoke to after being shot, which Sam Tyler described and that other major characters inhabit, is a kind of Limbo, one seemingly specifically for members of the police force, who had died in violent or sudden ways, with Gene Hunt taking on a role similar to that of a Psychopomp or Charon of Greek mythology, helping " the troubled souls of Her Majesty's Constabulary " accept their deaths and move on to Heaven.
" Her final 2005 film was Don't Move playing Italia.
Her final screen appearance was in 1991, with the movie Al Ra ' i We El Nissa.
Her second and final album for Arista was 1999's Love in the Real World, led off by the No. 29 " Never Been Kissed ", which was followed by " Little Bird.
Her health gradually deteriorated in the final two decades of her life ; a heavy smoker all her adult life, she had a lung operation in 1985, a bout of pneumonia in 1993, and at least three strokes between 1998 and 2001.
Her sixth and final pregnancy ended in tragedy when her infant son died after only a day of life.
" Her final commercial campaign was for American Express, in which she was photographed by Annie Leibovitz.
Her final words to the German Lutheran prison chaplain, Paul Le Seur, were recorded as, " Ask Father Gahan to tell my loved ones later on that my soul, as I believe, is safe, and that I am glad to die for my country.
Her first performing experience on film was at age three where she appeared in the final scene of the 1949 musical In the Good Old Summertime.
Her final stage performance came in 1966 when she played Mrs Malaprop in The Rivals at the Haymarket Theatre, alongside Sir Ralph Richardson.
Although Caine also took better roles, including a BAFTA-winning turn in Educating Rita ( 1983 ), and an Oscar-winning one in Hannah and Her Sisters ( 1986 ) and a Golden Globe-nominated one in Dirty Rotten Scoundrels ( 1988 ), he continued to appear in notorious duds like the thinly veiled skin flick Blame It on Rio, the Dick Clement and Ian Le Frenais comedy Water and the critical-commercial flop Jaws: The Revenge ( 1987 ) ( in which he had mixed feelings about the production and the final cut ) and Bullseye!
Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 films, television and theater roles to her credit.
Her fifth and final husband was director and producer William Marshall.
Her alleged pre-contract of marriage with King Edward IV of England was of great significance to the final fate of the Plantagenet dynasty and outcome of the Wars of the Roses.
Her final gig with the Airplane took place at the Fillmore on October 15, 1966.
A portion of the final production sequence is used near the end of the Woody Allen film Hannah and Her Sisters to give Allen's character a motivation to carry on with life.
Her husband was present for her final confession.
Her final appearance on Broadway was as Miss Tina in the 1962 production of Michael Redgrave's adaptation of The Aspern Papers, from the Henry James novella.

Her and screen
In Doris Day: Her Own Story, Day asserts " I was named by my mother in honor of her favorite actress, Doris Kenyon, a silent screen star of that year 1924.
Her first screen appearance was at the age of 10, when she appeared briefly in Frank Capra ’ s It Happened One Night.
Her many memorable screen roles include a supporting role as Joan Crawford's wise-cracking friend in Mildred Pierce ( 1945 ) for which she received an Academy Award nomination as Best Supporting Actress, and James Stewart's wistful secretary in Otto Preminger's then-explicit murder mystery, Anatomy of a Murder ( 1959 ).
Her son-in-law is Glenn Wilhide the producer and screen writer.
Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.
Her on screen chemistry with Alec Baldwin was either criticized or praised, with Eye For Film commenting, " The film works best when Baldwin and Gellar are together – aside from the fact that Gellar seriously needs to eat a bun or two ".
Her screen test with Macnee showed that the two immediately worked well together, and a new era in Avengers history began.
Her screen persona as " a cold, remote erotic object which dreams are made on " reached a peak, according to the critic Philip French, in her second Buñuel film Tristana ( 1970 ).
Her game concept included animated color graphics, a pseudo 3D-perspective where the main character was visible on the screen, a more competent text parser that would understand advanced commands from the player, and music playing in the background through the PCjr sound hardware.
Her first professional screen experience was as an extra in the three part TF1 television series Dorothée, danseuse de corde ( 1983 ) directed by Jacques Fensten, which was followed by a similarly small role in the provincial television film Fort bloque directed by Pierrick Guinnard.
Her reticence and fear of strangers perpetuated the mystery and mystique that she projected both on screen and in real life.
Her first screen role was in 1967 in The Happening.
Hannah and Her Sisters opened on February 7, 1986 in 54 theatres, where it gained a stellar $ 1, 265, 826 ($ 23, 441 per screen ) in its opening weekend.
Her big screen debut was in Hue and Cry, in 1947, followed with performances in Nicholas Nickleby, The Winslow Boy, The History of Mr Polly, Scott of the Antarctic, Mother Riley Meets the Vampire and Dickens ' The Pickwick Papers.
Her earliest theatrical influences were the teenaged actress Deanna Durbin, screen star Irene Dunne and Lansbury's mother, who encouraged her daughter's ambition by taking her to plays at the Old Vic.
" Her screen test was directed by Harold S. Bucquet, and she later recalled that she was hired because of a close-up he took of her.
Her inaugural screen performance was popular with both the public and critics alike and was the catalyst for not only a sequel, Claudia and David ( both movies co-starring Robert Young ), but also for numerous other film roles.
Her entrepreneurial spirit became evident as she began to screen and distribute her films in the United States, Canada, and Cuba, lecturing and writing on avant-garde film theory, and Vodoun as well.
On the big screen she became a Bond girl in On Her Majesty's Secret Service ( 1969 ), playing Tracy Bond, James Bond's only wife.
Her other notable screen roles included Academy Award-nominated performances in Tennessee Williams ' Summer and Smoke, Sweet Bird of Youth, You're a Big Boy Now, Pete ' n ' Tillie, Woody Allen's Interiors, and The Pope of Greenwich Village.
Her distinctive warbling voice and round cheeks made her a familiar and much-loved personality to British theatre and film audiences at the beginning of World War II, but her popularity waned in the 1940s after several years ' absence from the screen followed by an unsatisfactory thriller, Candles at Nine.
Her screen debut however was as the lead in the Anna Campion directed film Loaded, and has subsequently stated that she had a " miserable time with the director ( Anna Campion )... it was my first film job, I needed to be mollycoddled, I needed to be helped through it, and I wasn't.
Her screen name is often translated as Stainless Steel Mouse.

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