Her temper sparked like charcoal when it first lights up.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her first class wasn't until ten, but she always got up to have breakfast with me.

Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.

Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).

Her first appearance in a full-length novel was in The Murder at the Vicarage in 1930.

Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.

Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.

Her goal was to become the first Christian singer-songwriter who was also successful as a contemporary pop singer.

Her father's grandfather had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that country's first railway.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her first school was located in a 17th-century house.

Her first act surprises Odrade greatly.

Her mother, Kay Calista, reversed her own first and middle names in naming her Calista Kay.

Her report, Work Accidents and the Law ( 1910 ), became a classic and resulted in the first workers ' compensation law, which she drafted while serving on a New York state commission.

Her first stories appeared in pulp magazines in the 1930s, including two significant series in Weird Tales.

Her first name, Drew, was the maiden name of her paternal great-grandmother, Georgie Drew Barrymore ; her middle name, Blyth, was the original surname of the dynasty founded by her great-grandfather, Maurice Barrymore.

Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.

Her first country single, " Dumb Blonde " ( one of the few songs during this era, that she recorded but did not write ), reached number twenty-four on the country music charts in 1967, followed the same year with Something Fishy, which went to number seventeen.

Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.

In Doris Day: Her Own Story, Day asserts " I was named by my mother in honor of her favorite actress, Doris Kenyon, a silent screen star of that year 1924.

Her first screen appearance was at the age of 10, when she appeared briefly in Frank Capra ’ s It Happened One Night.

Her many memorable screen roles include a supporting role as Joan Crawford's wise-cracking friend in Mildred Pierce ( 1945 ) for which she received an Academy Award nomination as Best Supporting Actress, and James Stewart's wistful secretary in Otto Preminger's then-explicit murder mystery, Anatomy of a Murder ( 1959 ).

Her son-in-law is Glenn Wilhide the producer and screen writer.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

Her final screen appearance was in the 1991 film The Shepherd and the Women, directed by her ex-husband Ali Badrakhan.

Her final screen appearance was in 1991, with the movie Al Ra ' i We El Nissa.

Her on screen chemistry with Alec Baldwin was either criticized or praised, with Eye For Film commenting, " The film works best when Baldwin and Gellar are together – aside from the fact that Gellar seriously needs to eat a bun or two ".

Her screen test with Macnee showed that the two immediately worked well together, and a new era in Avengers history began.

Her screen persona as " a cold, remote erotic object which dreams are made on " reached a peak, according to the critic Philip French, in her second Buñuel film Tristana ( 1970 ).

Her game concept included animated color graphics, a pseudo 3D-perspective where the main character was visible on the screen, a more competent text parser that would understand advanced commands from the player, and music playing in the background through the PCjr sound hardware.

Her first professional screen experience was as an extra in the three part TF1 television series Dorothée, danseuse de corde ( 1983 ) directed by Jacques Fensten, which was followed by a similarly small role in the provincial television film Fort bloque directed by Pierrick Guinnard.

Her reticence and fear of strangers perpetuated the mystery and mystique that she projected both on screen and in real life.

Hannah and Her Sisters opened on February 7, 1986 in 54 theatres, where it gained a stellar $ 1, 265, 826 ($ 23, 441 per screen ) in its opening weekend.

Her big screen debut was in Hue and Cry, in 1947, followed with performances in Nicholas Nickleby, The Winslow Boy, The History of Mr Polly, Scott of the Antarctic, Mother Riley Meets the Vampire and Dickens ' The Pickwick Papers.

Her earliest theatrical influences were the teenaged actress Deanna Durbin, screen star Irene Dunne and Lansbury's mother, who encouraged her daughter's ambition by taking her to plays at the Old Vic.

" Her screen test was directed by Harold S. Bucquet, and she later recalled that she was hired because of a close-up he took of her.

Her inaugural screen performance was popular with both the public and critics alike and was the catalyst for not only a sequel, Claudia and David ( both movies co-starring Robert Young ), but also for numerous other film roles.

Her entrepreneurial spirit became evident as she began to screen and distribute her films in the United States, Canada, and Cuba, lecturing and writing on avant-garde film theory, and Vodoun as well.

On the big screen she became a Bond girl in On Her Majesty's Secret Service ( 1969 ), playing Tracy Bond, James Bond's only wife.

Her other notable screen roles included Academy Award-nominated performances in Tennessee Williams ' Summer and Smoke, Sweet Bird of Youth, You're a Big Boy Now, Pete ' n ' Tillie, Woody Allen's Interiors, and The Pope of Greenwich Village.

Her distinctive warbling voice and round cheeks made her a familiar and much-loved personality to British theatre and film audiences at the beginning of World War II, but her popularity waned in the 1940s after several years ' absence from the screen followed by an unsatisfactory thriller, Candles at Nine.

Her screen debut however was as the lead in the Anna Campion directed film Loaded, and has subsequently stated that she had a " miserable time with the director ( Anna Campion )... it was my first film job, I needed to be mollycoddled, I needed to be helped through it, and I wasn't.

Her screen name is often translated as Stainless Steel Mouse.