Her temper sparked like charcoal when it first lights up.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her first class wasn't until ten, but she always got up to have breakfast with me.

Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.

Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).

Her first appearance in a full-length novel was in The Murder at the Vicarage in 1930.

Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.

Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.

Her goal was to become the first Christian singer-songwriter who was also successful as a contemporary pop singer.

Her father's grandfather had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that country's first railway.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her first school was located in a 17th-century house.

Her first act surprises Odrade greatly.

Her mother, Kay Calista, reversed her own first and middle names in naming her Calista Kay.

Her report, Work Accidents and the Law ( 1910 ), became a classic and resulted in the first workers ' compensation law, which she drafted while serving on a New York state commission.

Her first stories appeared in pulp magazines in the 1930s, including two significant series in Weird Tales.

Her first name, Drew, was the maiden name of her paternal great-grandmother, Georgie Drew Barrymore ; her middle name, Blyth, was the original surname of the dynasty founded by her great-grandfather, Maurice Barrymore.

Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.

Her first country single, " Dumb Blonde " ( one of the few songs during this era, that she recorded but did not write ), reached number twenty-four on the country music charts in 1967, followed the same year with Something Fishy, which went to number seventeen.

Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.

Her own studies were mostly self-directed.

On the other hand, " Her grades are so good that she's either very bright or studies hard " allows for the possibility that the person is both bright and works hard.

Other prominent academics associated with the University include Geoffrey Bennington, the creator of the MA programme in Modern French Thought ( Derrida, Lyotard ); Homi K. Bhabha ( postcolonialism ); Rachel Bowlby ( feminism, Woolf, Freud ); Geoff Cloke FRS ( Inorganic Chemistry ); Jonathan Dollimore ( Renaissance literature, gender and queer studies ); Katy Gardner ( social anthropology ); Gabriel Josipovici ( Dante, the Bible ); Michael Land FRS ( Animal Vision-Frink Medal )); Michael Lappert FRS ( Inorganic Chemistry ); Alan Lehmann FRS ( Genetics and Genome Stability ); ( Laura Marcus ( Woolf ); John Murrell FRS ( Theoretical Chemistry ); Peter Nicholls ( Pound, modernism ); John Nixon FRS ( Inorganic Chemistry )); Laurence Pearl FRS ( Structural Biology ); Guy Richardson FRS ( Neuroscience ); Jacqueline Rose ( feminism, psychoanalysis ); Nicholas Royle ( modern literature and theory ; deconstruction ); Alan Sinfield ( Shakespeare, sexuality, queer theory ); Norman Vance ( Victorian, classical reception ); Richard Whatmore & Knud Haakonssen ( intellectual historians ); Gavin Ashenden ( Senior Lecturer in English, University Chaplain, and Chaplain to Her Majesty Queen Elizabeth II ; Cedric Watts ( Conrad, Greene ); Marcus Wood ( postcolonialism ).

Her research interests are in feminism, African American studies, critical theory, Marxism, popular music and social consciousness, and the philosophy and history of punishment and prisons.

In 1962, Greenaway began studies at Walthamstow College of Art, where a fellow student was musician Ian Dury ( later cast in The Cook, the Thief, His Wife & Her Lover ).

Her ancestors were learned people, fluent in many languages, known authorities on sacred Jewish texts and founders of a school of Talmudic studies.

Her studies at the Faculty of Science were interrupted by World War I.

This was first in an attempt to gain funding to continue with his studies and then also to make Her Majesty's Colonial Government aware of the need to preserve Bushman folklore as an important part of the nation's heritage and traditions.

Her paintings have, since 1961, been executed by assistants from her own endlessly edited studies.

Her teaching career and her own studies ended when she married Almanzo Wilder, whom she called Manly, on August 25, 1885, when she was eighteen and he was twenty-eight.

Her work is widely recognized as a formative influence on hundreds of other academic studies, government policy initiatives, and international agreements.

Her " sexual ( or sensual ) aggression " is noted by Buffy studies writers.

Her sociological studies showed that in areas where buskers regularly perform, crime rates tended to go down, and that those with higher education tended to appreciate and support buskers more than those of lesser learning.

Her essays and introductory studies to the other poets ( Roberto Juarroz, Michele Obit, Gašper Malej ) mark quite different approach from other Slovenian literary critics.

Her practical experience and desire to help others is now backed by her continuing studies towards a Health Science degree at the Australian College of Natural Medicine.

Her studies there exposed her to mime, which helped develop her physical sensibilities.

Her painting can be divided into several distinct phases: her early work, before her studies in Paris ; her early paintings under the Fauvist influence of her time in Paris ; a post-impressionist middle period before her encounter with the Group of Seven ; and her later, formal period, under the post-cubist influences of Lawren Harris and American artist and friend, Mark Tobey.

While in Paris she obtained a Diploma in Group Leadership from the same University. Her Ph. D studies in Development Economics at the University of Paris were interrupted when she returned to Sri Lanka to enter politics, where her mother ’ s government had launched a wide ranging programme of socialist reform and development.

Her work The Ladder of Vision was acclaimed as a breakthrough in Dantean studies, upon its publication in the 1960s.

Her meta-analysis reveals that sex-differences are almost exclusively found in forced-choice studies.

Her technique may have been influenced by the music of Schoenberg, although they met only briefly during her studies in Germany.

Additionally, Iorga produced the first of several studies dealing with Balkan geopolitics in the charged context leading up to the Balkan Wars ( România, vecinii săi şi chestia Orientală, " Romania, Her Neighbors and the Eastern Question ").

Her areas of interest include semiotics, psychoanalysis, film theory, literary theory, feminism, lesbian and queer studies.

Her niece, Sonia Baig Mirza, studies there.

Her body studies, she insists, have always been concerned primarily with the body as the unit of an individual, a tendency she traces to her parents ' military pasts.