Her sexual life story then continues featuring various boys, her husband, ministers, other women's husbands, boyfriends, swinging sessions, and the adult Lazarus Long / Theodore Bronson.

Her husbands were French, Dreux of the Vexin and Count Eustace of Boulogne.

Her husbands, in chronological order, are:

* His / Her Excellency-Governor-General and his or her spouse, and all state Governors ( but not their wives / husbands )

Her husbands were John Young ( 1942 – 43 ), George Jenkins ( 1946 ), Robert Grayson ( 1947 ), Walter Buchanan ( 1950 ), saxophonist Eddie Chamblee ( 1957 ), Rafael Campos ( 1961 ), and pro football player Dick " Night Train " Lane ( 1963 ).

Her two successive husbands were Theobald II de Verdun ( Of the Butler Family ) and Roger D ' Amory.

Her second husband, Louis of Taranto, was crowned as co-king in 1353, the only one of her husbands to whom she willingly accorded that status.

Her two husbands were Piers Gaveston and Hugh de Audley, 1st Earl of Gloucester.

Her husband in the core stories of the cycle is Ailill mac Máta, although she had several husbands before him who were also kings of Connacht.

Her father's treatment of her mother and the latter's subsequent exile led to Kaikeyi harboring a deep distrust of men in general and husbands in particular, and to considering their love as " fickle " and " passing " in nature.

Examples include Brigid O ' Shaughnessy, portrayed by Mary Astor, who murders Sam Spade's partner in The Maltese Falcon ( 1941 ); Gene Tierney as Ellen Brent Harland in Leave Her to Heaven ( 1945 ), and the cabaret singer portrayed by Rita Hayworth in Gilda ( 1946 ), narcissistic wives who manipulate their husbands ; Phyllis Dietrichson ( Barbara Stanwyck ) in Double Indemnity ( 1944 ), Ava Gardner in The Killers and Cora ( Lana Turner ) in The Postman Always Rings Twice, both based on novels by James M. Cain, manipulate men into killing their husbands.

Her first three husbands were southern California real estate developer Joseph Bolker ( whom Christina was pressured by her father to divorce ), Alexandros Andreadis and Sergei Kauzov.

Her mother was one of six wives per regiment permitted to accompany their husbands.

Her first two husbands and her son Bill preceded her in death.

Her Alcinous made his wife, and honored her as no other woman on earth is honored, of all those who in these days direct their households in subjection to their husbands ; so heartily is she honored, and has ever been, by her children and by Alcinous himself and by the people, who look upon her as upon a goddess, and greet her as she goes through the city.

Her husbands were:

Her critics see Doyle as advocating that women should be submissive to their husbands.

Her servants, entourage and husbands all come under suspicion.

Her first two husbands used her great wealth to their advantage, especially the extremely abusive Count Kurt Haugwitz-Reventlow, with whom she had her only child, a son named Lance.

From her marriage till the time of her husbands accession to the throne in 1750, she was styled Her Royal Highness the Princess of Brazil.

Her husbands reign was dominated by the influence of the Marquis of Pombal who had was a favourite of the Queen mother.

Her husbands reign was marred by the devastating 1755 Lisbon earthquake of 1 November 1755 which killed 100, 000.

Her first husband, Victor N. Malcolm, was a grandson of Lillie Langtry, while her second and third husbands ( Nigel Tangye and David Lean ) were first cousins.

Her eyes were glazed as if she didn't hear or even see him.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;

Her glance swung past the trailer where the two drivers were standing.

Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her thoughts were not discrete.

Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.

Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.

Her eyes were bright with anticipation.

Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.

Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.

Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.

Her bright eyes were twinkling.

Her hair never seemed to be in place and her skirts were never quite the correct length.

Her eyes were wild.

Her dark cool caresses were sweeter than any woman's ; ;

Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.

Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.

Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.

Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.

Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.