Her later work was more introspective in its lyrics as opposed to aggressive ; Hole's Celebrity Skin and Love's solo album, America's Sweetheart, focused more on celebrity life, Hollywood, and drug addiction, while also carrying on past themes of vanity and body image, and Nobody's Daughter was lyrically reflective of Love's past relationships and her struggle to sobriety, with the majority of its lyrics having been written while Love was in rehab in 2006.

Her prominent, protagonist role in Heroes was supported by a strong fan-base and provided a positive image for high school cheerleading.

Her image with the dead Memnon across her knees, like Thetis with the dead Achilles are icons that inspired the Christian Pietà.

Her image appears in a number of oils, though he painted her portrait only three times, the most notable appearing in My studio ( 1867 ).

Her story of the doomed trumpet player Rick Martin was inspired, she wrote, by " the music, but not the life " of Beiderbecke, but the image of Martin quickly became the image of Beiderbecke: His story is about " the gap between the man's musical ability and his ability to fit it to his own life.

Her 100th birthday was celebrated in a number of ways: a parade that celebrated the highlights of her life included contributions from Norman Wisdom and John Mills ; her image appeared on a special commemorative £ 20 note issued by the Royal Bank of Scotland ; and she attended a lunch at the Guildhall, London, at which George Carey, the Archbishop of Canterbury, accidentally attempted to drink her glass of wine.

Her Hollywood image was one of a generic Latinness that blurred the distinctions between Brazil, Portugal, Argentina, and Mexico as well as between samba, tango and habanera.

Her image was much satirized and taken up as camp, and today, the " Carmen Miranda " persona is popular among drag performers.

Her refusal to love him more than a husband is often interpreted as a resistance from incest, but Kahn also inserts the image of a rejecting mother.

An image of the Queen and / or the Arms of Her Majesty in Right of Canada is always displayed in Canadian federal courtrooms.

Her initial saintly image — as shown in her first starring role — was a stark contrast three years later when she was cast as a provocative bi-racial woman in Selznick ’ s controversial film Duel in the Sun ( 1946 ).

Her image has appeared on such magazines as Marie Claire, Harper's Bazaar, Vanity Fair, and ELLE.

Her role in 1983's Trading Places helped Curtis shed her horror queen image, and garnered her a BAFTA award as best supporting actress.

Her image is shown as a young virgin dressed in white.

Her material dealt with her difficulties breaking into show business because of her ethnicity and weight and her resulting struggle with and triumph over body image issues and drug and alcohol addiction.

Her image also rears up from the staff of the " flag " poles that are used to indicate deities, as seen in the hieroglyph for uraeus above and for goddess in other places.

Her image formed the royal crown, the Uraeus, worn by the rulers of Lower Egypt.

Her new sexy cabaret dancer image was demonstrated to the French TV audience in the " Jolie poupée " show on 4 December 1968.

Her public appearances beside her husband as First Lady were a novelty at home and went a long way in humanizing the country's image.

Her use of body-sculpting undergarments, nonsurgical temporary facelifts, expert makeup and wigs, combined with careful stage lighting helped to preserve Dietrich's glamorous image as she grew older.

" Her public image and some of her movies included strong sexual undertones, including bisexuality.

Her image appears on the base of the column of Antoninus Pius.

Her sexy image inside the group, initially more delicate ( as for instance in the video of No, No, No, Say My Name or Independent Women ) he strengthens and it becomes more provocative beginning from the last singles of the album " Survivor.

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.