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Her marriage to Claudius was not based on love, but on power.
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Her and marriage
Her unhappiness with her marriage caused Aphrodite to seek out companionship from others, most frequently Ares, but also Adonis.
Her father ’ s marriage to Julia was his third marriage.
Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.
Her husband died, apparently in the early years of her marriage, leaving her with two children, Athalaric and Matasuntha ( c. 517 – after 550 ), wife c. 550 of Germanus.
Her son only venerated Ares and was fully devoted to war, neglecting love and marriage.
Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.
Her only child, son Terry Melcher, resulted from this marriage.
* Her fourth and last marriage was to Barry Comden ( born 1935 – died 2009 ), who was roughly a decade younger, from April 14, 1976 until 1981.
Her parents ' marriage had been arranged by Dangereuse with her paternal grandfather, the Troubadour.
Her older half-sister, Mary, had lost her position as a legitimate heir when Henry annulled his marriage to Mary's mother, Catherine of Aragon, in order to marry Anne and sire a male heir to ensure the Tudor succession.
Her family stopped speaking to her ; his family connection was bruised, as his children felt his marriage was a repudiation of their mother.
Her one route of social mobility out of her working-class origin was through the traditional way of marriage.
Her father Thomas refused marriage because of Stephenson's lowly status as a miner.
Her scheduled marriage is mentioned in the text as the third union between Stilicho's family and the Theodosian dynasty, following those of Stilicho to Serena and Maria, their daughter, to Honorius.
Her chief function was as the goddess of women and marriage.
Her father Jobst initially opposed a marriage despite Kepler's nobility ; though he had inherited his grandfather's nobility, Kepler's poverty made him an unacceptable match.
Her 1951 marriage to Charles Dye ended in divorce a year later, but during that time, one of her stories was published under Dye's name.
Her third and longest-lasting marriage ( 1936 – 1950 ) was to the British Anthropologist Gregory Bateson with whom she had a daughter, Mary Catherine Bateson, who would also become an anthropologist.
Her fairytale marriage to Brad Silver comes crashing down when she realizes that he's unfaithful to her, leading her to reconsider choosing him over Katchoo.
Her father then reveals that his wedding with her mother, which Mary had always seen as the perfect marriage, was actually arranged and only became a loving relationship months later, leaving Mary feeling very confused.
Her sister Mary's marriage to Philip brought great contempt to the country, for many of her subjects despised Spain and Philip and feared that he would try to take complete control.
Her and Claudius
Her husband, Pompeianus, was not involved, but two men alleged to have been her lovers, Marcus Ummidius Quadratus Annianus ( the consul of 167, who was also her first cousin ) and Appius Claudius Quintianus, attempted to murder Commodus as he entered the theatre.
Her other film roles included the Queen of Hearts in Alice in Wonderland ( 1972 ), Livia in the abortively-attempted I, Claudius ( 1937 ), Miss Milchrest in Murder at the Gallop ( 1963 ).
Her father married her to Tiberius Claudius Nero, her cousin of patrician status who was fighting with him on the side of Julius Caesar's assassins against Octavian.
Her husband Caecina Paetus was ordered by the emperor Claudius to commit suicide for his part in a rebellion but was not capable of forcing himself to do so.
Her long career has included many films and television programmes, but she is probably best known for starring as Livia in the popular BBC adaptation of Robert Graves's novel, I, Claudius ( BBC2, 1976 ), for which she won the 1977 BAFTA Television Award for Best Actress, and for many appearances on the original run of Call My Bluff.
Her maternal grandparents were Gaius Claudius Marcellus Minor and Octavia Minor, sister of Augustus.
Her father, Marcus Valerius Messala Barbatus Appianus was a son of consul Appius Claudius Pulcher, Consul in 38 BC.
Her grandmother was possibly Valeria Messalina ( not to be confused with the third wife of the emperor Claudius ), a daughter of Marcus Valerius Messalla Corvinus, consul in 31 BC.
Her first marriage was to a Claudius Pulcher, by adoption Marcus Valerius Messalla Appianus ( Consul in 13 BC ), who died in the early months of his consulship.
Her relationship with Hamlet is somewhat turbulent, since he resents her for marrying her husband's brother Claudius after he murdered the King ( young Hamlet's father, King Hamlet ).
Her worry over him continues into the second act, as she sides with King Claudius in sending Rosencrantz and Guildenstern to raise the spirits of her son.
Her paternal grandparents were the Pontian Greek Roman Senator and Peripatetic Philosopher, Gnaeus Claudius Severus and his second wife, the Roman Princess Annia Aurelia Galeria Faustina.
Her paternal half-uncle was Marcus Claudius Ummidius Quadratus, who had been adopted by the Roman Consul Marcus Ummidius Quadratus Annianus, the nephew of the Roman Emperor Marcus Aurelius.
Her paternal great-grandparents were the Roman Emperor Marcus Aurelius ; Roman Empress Faustina the Younger ; the Roman Senator, Philosopher Gnaeus Claudius Severus Arabianus and his unnamed wife.
Her and was
Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.
Her mouth, which had been so much in my thoughts, was warm and moist and tender.
Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.
Her white blond hair was clean and brushed long straight down to her shoulders.
Her thick hair was the color and texture of charcoal.
Her laugh was hard.
Her face was pale but set and her dark eyes smoldered with blame for Ben.
Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.
Her name was L'Turu and she told me many things.
( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.
Her mother was a good manager and established a millinery business in Milwaukee.
Her name was Esther Peter.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Her action was involuntary.
Her name was Mollie.
Her speech was barren of southernisms ; ;
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.
Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.
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