Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her house stood on a rise of ground, and before she got into her car she looked at the houses below.

Her legs hung down long and thin as she sat on the high stool.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her effort to put the home of living Presidents on the same basis as Mount Vernon and Monticello recognizes no party lines.

Her father's attention would be on the road ahead and it wouldn't deviate an inch until he crossed the bridge at the Falls and took the River Road to LaSalle and, finally, turned in at their own driveway at 387 Heather Heights.

Her mother would be fast asleep curled up against that wonderful, big, safe, solid shoulder next to her on the front seat.

Her husband, who is the son of Alton John Mason of Shreveport, La., and the late Mrs. Henry Cater Parmer, was president of Alpha Tau Omega and a member of Delta Sigma Pi at Lamar Tech, and did graduate work at Rhodes University in Grahamstown, South Africa, on a Rotary Fellowship.

Her husband was lying on the kitchen floor, police said.

`` Her basic hull form ( a teardrop ) and her nuclear power plant will be used for almost all new submarines, including the potent Polaris missile submarines '', the statement went on.

Her bouffant coiffure was fortunately combed on the left which happened to be the direction from which a brisk breeze was blowing.

Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.

Her hand tightened on the receiver.

Her Cousin Emma Carraway had written it, in her loose high old lady's script -- t's carefully crossed, but l's inclined to wobble like an old car on the downward slope.

Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.

Her producer was present and suggested she include a version of it on her 1970 album Whales & Nightingales.

Her practice of accompanying Germanicus on campaigns was considered inappropriate, and her tendency to take command in these situations was viewed with suspicion as subversively masculine.

Her marriage to Claudius was not based on love, but on power.

Her property was confiscated, she left Italy and on Agrippina's orders, she committed suicide.

Her body was cremated that night on a dining couch.

Her household later on gave her a modest tomb in Misenum.

Her hair was a very pretty light brown, and fell on her neck in graceful curls.

Her father had no private income and the parsonage would revert to the church on his death.

Her views on the subject appear to have hardened over time.

In Doris Day: Her Own Story, Day asserts " I was named by my mother in honor of her favorite actress, Doris Kenyon, a silent screen star of that year 1924.

Her first screen appearance was at the age of 10, when she appeared briefly in Frank Capra ’ s It Happened One Night.

Her many memorable screen roles include a supporting role as Joan Crawford's wise-cracking friend in Mildred Pierce ( 1945 ) for which she received an Academy Award nomination as Best Supporting Actress, and James Stewart's wistful secretary in Otto Preminger's then-explicit murder mystery, Anatomy of a Murder ( 1959 ).

Her son-in-law is Glenn Wilhide the producer and screen writer.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

Her final screen appearance was in the 1991 film The Shepherd and the Women, directed by her ex-husband Ali Badrakhan.

Her final screen appearance was in 1991, with the movie Al Ra ' i We El Nissa.

Her screen test with Macnee showed that the two immediately worked well together, and a new era in Avengers history began.

Her screen persona as " a cold, remote erotic object which dreams are made on " reached a peak, according to the critic Philip French, in her second Buñuel film Tristana ( 1970 ).

Her game concept included animated color graphics, a pseudo 3D-perspective where the main character was visible on the screen, a more competent text parser that would understand advanced commands from the player, and music playing in the background through the PCjr sound hardware.

Her first professional screen experience was as an extra in the three part TF1 television series Dorothée, danseuse de corde ( 1983 ) directed by Jacques Fensten, which was followed by a similarly small role in the provincial television film Fort bloque directed by Pierrick Guinnard.

Her reticence and fear of strangers perpetuated the mystery and mystique that she projected both on screen and in real life.

Her first screen role was in 1967 in The Happening.

Hannah and Her Sisters opened on February 7, 1986 in 54 theatres, where it gained a stellar $ 1, 265, 826 ($ 23, 441 per screen ) in its opening weekend.

Her big screen debut was in Hue and Cry, in 1947, followed with performances in Nicholas Nickleby, The Winslow Boy, The History of Mr Polly, Scott of the Antarctic, Mother Riley Meets the Vampire and Dickens ' The Pickwick Papers.

Her earliest theatrical influences were the teenaged actress Deanna Durbin, screen star Irene Dunne and Lansbury's mother, who encouraged her daughter's ambition by taking her to plays at the Old Vic.

" Her screen test was directed by Harold S. Bucquet, and she later recalled that she was hired because of a close-up he took of her.

Her inaugural screen performance was popular with both the public and critics alike and was the catalyst for not only a sequel, Claudia and David ( both movies co-starring Robert Young ), but also for numerous other film roles.

Her entrepreneurial spirit became evident as she began to screen and distribute her films in the United States, Canada, and Cuba, lecturing and writing on avant-garde film theory, and Vodoun as well.

On the big screen she became a Bond girl in On Her Majesty's Secret Service ( 1969 ), playing Tracy Bond, James Bond's only wife.

Her other notable screen roles included Academy Award-nominated performances in Tennessee Williams ' Summer and Smoke, Sweet Bird of Youth, You're a Big Boy Now, Pete ' n ' Tillie, Woody Allen's Interiors, and The Pope of Greenwich Village.

Her distinctive warbling voice and round cheeks made her a familiar and much-loved personality to British theatre and film audiences at the beginning of World War II, but her popularity waned in the 1940s after several years ' absence from the screen followed by an unsatisfactory thriller, Candles at Nine.

Her screen debut however was as the lead in the Anna Campion directed film Loaded, and has subsequently stated that she had a " miserable time with the director ( Anna Campion )... it was my first film job, I needed to be mollycoddled, I needed to be helped through it, and I wasn't.

Her screen name is often translated as Stainless Steel Mouse.