Her impact in the zing commercials had led to her being considered for an excellent part in an upcoming TV series, Underwater Western Eye, a documentary-type show to be sponsored by Oatnut Grits.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.

Her work in choreographing the landmark 1986 production of Lully's 1676 tragedie-lyrique Atys was part of the national celebration of the 300th anniversary of Lully's death.

Her movie career included a bit part in It Happened One Night ( 1934 ) and roles in Outlaw Women ( 1952 ), Glen or Glenda ( 1953 ), Body Beautiful ( 1953 ), The Blue Gardenia ( 1953 ), Count the Hours ( 1953 ), Mesa of Lost Women ( 1953 ), College Capers ( 1954 ), Jail Bait ( 1954 ), The Raid ( 1954 ), This Is My Love ( 1954 ), The Opposite Sex ( 1956 ), The Ironbound Vampire ( 1997 ), and Dimensions in Fear ( 1998 ).

She was also the subject of the documentaries Helen Keller in Her Story, narrated by Katharine Cornell, and The Story of Helen Keller, part of the Famous Americans series produced by Hearst Entertainment.

Her strong stands on these issues have characterised her presidential term and shaped Finnish foreign policy, in part in cooperation with the like-minded former Minister for Foreign Affairs, Erkki Tuomioja.

Her dark side continues to be a part of Willow.

Her supposed Mustique indiscretions form an important part of the background of the quasi-historical 2008 film The Bank Job.

Her main competitor for the prize was Judy Garland's much heralded comeback performance in A Star Is Born ; playing not only the part of an up and coming actress-singer, but also ironically, the wife of an alcoholic movie star.

Her film debut was a small part in Francis Ford Coppola's 1982 film One from the Heart.

Her books, which include her autobiography, The Life of Teresa of Jesus, and her seminal work, El Castillo Interior ( The Interior Castle ), are an integral part of the Spanish Renaissance literature as well as Christian mysticism and Christian meditation practices as she entails in her other important work Camino de Perfección ( The Way of Perfection ).

Her memory was severely impaired and she could no longer take part in state affairs.

Her epitaph says, in part, " Her bright, energetic spirit, undaunted by suffering to the last, and ever working for the welfare of those around her, made a short life long.

Her visits initially provoked hostility ; rubbish was thrown at her and the crowds jeered, in part because she wore expensive clothes that served to alienate her from people suffering the deprivations of war.

Her face narrows between the eyes, and the lower part of her face is still more narrow and slender than the forehead.

Her family, part of the Swedish-speaking ( Swedish: finlandssvensk ) minority of Finland, was an artistic one: her father Viktor Jansson was a sculptor and her mother Signe Hammarsten-Jansson was a graphic designer and illustrator.

There he made several public appearances as a solo harpsichordist at benefit concerts for two local musicians, a singer and a harpist, and served as conductor ( from the keyboard ) at the King's Theatre ( Her Majesty's Theatre ), Haymarket, for at least part of this time.

Her first professional screen experience was as an extra in the three part TF1 television series Dorothée, danseuse de corde ( 1983 ) directed by Jacques Fensten, which was followed by a similarly small role in the provincial television film Fort bloque directed by Pierrick Guinnard.

Her father's earlier business venture had depended at least in part upon slave labour, and the outcome of the American Civil War caused the family to live in near-poverty for several years before Nancy was born.

Her mentor Stiller, who had persuaded her to take the part, was assigned to direct.

Her subsequent part as the doomed courtesan opposite Robert Taylor in George Cukor's Camille ( 1936 ) earned her a third Academy Award nomination.

Nevertheless, all Australian Senators and Members of the House of Representatives continued to swear " to be faithful and bear true allegiance to Her Majesty " before taking their seats in parliament ; as a part of the constitution, any changes to this oath could only be approved by a referendum.

Basie toured in several acts between 1925 and 1927, including Katie Krippen and Her Kiddies as part of the Hippity Hop show ; on the Keith, the Columbia Burlesque, and the Theater Owners Bookers Association ( T. O. B. A.

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.