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Her and story
Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).
Her nickname appears as a store name in the story " Christmas in Duckburg ", featured on page 1 of Walt Disney ’ s Christmas Parade # 9, published in 1958.
Her function as bestower of authority to rule is also attested in the story related by Livy in which a Sabine man who sacrifices a heifer to Diana wins for his country the seat of the Roman empire.
Her story is the basis for the celebration of Purim in Jewish tradition.
Her story The Land of Far-Beyond is a Christian parable along the lines of John Bunyan's Pilgrim's Progress, with modern children as the central characters.
Her story was greatly developed, during the Middle Ages, in the tradition of Aggadic midrashim, the Zohar and Jewish mysticism.
Her story " The Autobiography of My Mother " was one of the 1977 O. Henry Prize stories.
Her story is told in Cortez and Marina ( 1963 ), by Edison Marshall.
Her story soon becomes one of Japan's most notorious scandals.
Her first story, Atlanta Girl Sees Italian Revolution, by Margaret Mitchell Upshaw, appeared on December 31, 1922.
** " Her Majesty's Servants " ( originally titled " Servants of the Queen ") ( short story )
* THE MOURNER: In a Landscape of Sadness, Offering Just Her Presence, New York Times, 10 / 1 / 2001 the story of Carol O ' Neill, wife of a founder of Sandler O ' Neill
Her dependence on magic becomes so consuming that it develops into a dark force that takes her on a redemptive journey in a major story arc when she becomes the sixth season's main villain, threatening to destroy the world in a fit of grief and rage.
Her story of the doomed trumpet player Rick Martin was inspired, she wrote, by " the music, but not the life " of Beiderbecke, but the image of Martin quickly became the image of Beiderbecke: His story is about " the gap between the man's musical ability and his ability to fit it to his own life.
Her sexual life story then continues featuring various boys, her husband, ministers, other women's husbands, boyfriends, swinging sessions, and the adult Lazarus Long / Theodore Bronson.
Her latest book, Child No More, is the heartfelt story of losing her mother.
Her legacy survives in numerous works of art and the many dramatizations of her story in literature and other media, including William Shakespeare's tragedy Antony and Cleopatra, Jules Massenet's opera Cléopâtre and the film Cleopatra ( 1963 ).
Her recent biographers, however, question the veracity of this story.
Her favorite fairy tale, which she reads to her younger brother at the beginning of the film is " Rigoletto ", the story of a cursed fairy prince who must live as an ugly monster until he can find someone who can see through his appearance to the heart within.
Her story is used as a means to teach relative pronouns to the students.
Her scenes are mostly what happened in times other than shown in the pilot episode " Encounter at Farpoint "; the story diverges from the " normal " time-frame as events in the finale occur.
Her personal account of the struggles of women artists is documented in her published journals, which are a revealing story of the bourgeoisie.
Her story was popularised in Euripides's tragedy Alcestis.
Her story was also put to the stage in the verse tragedy Canace ( 1588 ), by Italian playwright Sperone Speroni.

Her and was
Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.
Her mouth, which had been so much in my thoughts, was warm and moist and tender.
Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.
Her white blond hair was clean and brushed long straight down to her shoulders.
Her thick hair was the color and texture of charcoal.
Her laugh was hard.
Her face was pale but set and her dark eyes smoldered with blame for Ben.
Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.
Her name was L'Turu and she told me many things.
( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.
Her mother was a good manager and established a millinery business in Milwaukee.
Her name was Esther Peter.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Her action was involuntary.
Her name was Mollie.
Her speech was barren of southernisms ; ;
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.
Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.

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