Her tragic cycle Requiem documents her personal experience of this time ; as she writes, " one hundred million voices shout " through her " tortured mouth ".

Her tragic story makes one of the Love Romances of Parthenius of Nicaea.

Her nickname is " The tragic heroine ".

Her agony inspired Dumas fils to write about tragic female characters.

Her capacity for projecting pathos was an inspiration to playwrights Thomas Otway and Thomas Southerne in the three famous tragic roles they wrote for her: Monimia in Otway's The Orphan ( 1680 ), Belvidera in Otway's Venice Preserved ( 1682 ), and Isabella in Southerne's The Fatal Marriage ( 1694 ).

Her first film was The Goddess ( 1958 ), playing a tragic movie star modeled on Marilyn Monroe ( though she and director, John Cromwell, would forever deny Marilyn's influence, using Rita Hayworth as being more accurate ).

Her actions led to tragic consequences for her and Edgar decades later.

Her novel in verse Forsaking All Others ( 1933 ) about a tragic love affair, which many consider her greatest work, reflects this, though it is certainly not autobiographical.

Her audience remarks that it is romantic but she reflects that it is " violent, bitter, tragic ".

Her life became the inspiration for a tragic 1849 drama Adrienne Lecouvreur by Scribe and Legouvé on which Francesco Cilea's opera Adriana Lecouvreur and the operetta Adrienne ( 1926 ) by Walter Goetze are based.

Her beauty is renowned and reached even Chu O's ear, triggering the unfortunate events that led to her tragic death.

Her works lean toward the tragic, within a hostile society of vice and violence.

Her mother's tragic married life might have influenced Tar-Ancalimë's rejection of her husband.

Her sister Marie of Romania eulogized her sister in a letter after her death: " The whole thing was tragic beyond imagination, a tragic end to a tragic life.

Her modernist novels portray the restricted and often tragic lives of women in contemporary Scotland.

Her life was marred by several tragic losses and her own mental problems, which eventually led to her suicide at 48.

Her rather disagreeable way of doing things comes from a tragic event in her childhood where she was beaten in her " hometown " of Alberta after trying to sell apples with her self-made cart.

Her appearance in the play is brief: she and her son are introduced in Act IV Scene II, a climactic and tragic scene that ends with both her and her son ’ s life.

Her day starts early, but no matter how many pressing letters there are to be written ( and during May, which is National Salvation Army Week, there are plenty ), schedules to be made or problems to be solved, Mrs. Marr's office is always open and the welcome mat is out.

Her chief center of worship was at Paphos, where the goddess of desire had been worshipped from the early Iron Age in the form of Ishtar and Astarte.

Her husband died, apparently in the early years of her marriage, leaving her with two children, Athalaric and Matasuntha ( c. 517 – after 550 ), wife c. 550 of Germanus.

Her films of the early and mid 1950s were generally lightweight romantic dramas, some historical, in which she was cast as ingénue or siren, often in varying states of undress.

Her artistic talents were recognized early.

Her early pious activities in Siena attracted a group of followers, both women and men, while they also brought her to the attention of the Dominican Order, which called her to Florence in 1374 to interrogate her for possible heresy.

Her early courtly poetry is marked by her knowledge of aristocratic custom and fashion of the day, particularly involving women and the practice of chivalry.

Her early and later allegorical and didactic treatises reflect both autobiographical information about her life and views and also her own individualized and humanist approach to the scholastic learned tradition of mythology, legend, and history she inherited from clerical scholars and to the genres and courtly or scholastic subjects of contemporary French and Italian poets she admired.

Her final work was a poem eulogizing Joan of Arc, the peasant girl who took a very public role in organizing French military resistance to English domination in the early 15th century.

Her early stories were notable for their emphasis on the senses and emotions, which was highly unusual at the time.

Her distrust of the government showed in early 1968 when she was elected to carry the Eugene McCarthy banner, in support of the Eugene McCarthy Presidential Campaign, for her St. Louis County precinct.

Her early death may have inspired some of his writing.

Her poppet, her Sergius, was no chicken, with a dud arm that prompted hope of early retirement.

Her age at the time is unknown ; however, assumptions have been made that she was in her late teens or early twenties.

Her family moved frequently, so her early education alternated between home-schooling and traditional schools.

Her pediatrician was Benjamin Spock early in his career.

Her true age is unknown, but her appearance ( and actions ) is that of a girl in her early teens.

Her first child died early and the second was Atje ( c. 1834 – c. 1876 ), Laurence's sister, for whom he had great affection.

Her early performances brought her immediate success in Britain, but she remained largely unknown in other parts of the world until the release of Gone with the Wind.

Her conclusions were anticipated by William Henry Bragg, who published models of naphthalene and anthracene in 1921 based on other molecules, an early form of molecular replacement.

For example, Elvis Costello recorded a version of Ono's song " Walking on Thin Ice ," the B-52's who drew from her early recordings covered " Don't Worry, Kyoko ( Mummy's Only Looking for Her Hand in the Snow )" ( shortening the title to " Don't Worry ") and Sonic Youth included a performance of Ono's early conceptual " Voice Piece for Soprano " in their experimental album SYR4: Goodbye 20th century.

Her song, " Love in Store ", became the third single from the album peaking at # 22 in early 1983.

The Department for Education and Skills since announced a review into early years reading, headed by Sir Jim Rose, formerly Her Majesty's Inspector and Director of Inspection for Ofsted ( Office for Standards in Education, UK.