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Her and version
Her version contained some new lyrics, as well as a small modification of the melody.
Her producer was present and suggested she include a version of it on her 1970 album Whales & Nightingales.
" The order of the dedications has changed with the relative power of the United States and Britain, and with relative sales ; the 1954 version of the 14th edition is " Dedicated by Permission to the Heads of the Two English-Speaking Peoples, Dwight David Eisenhower, President of the United States of America, and Her Majesty, Queen Elizabeth the Second.
" Consistent with this tradition, the 2007 version of the current 15th edition was " dedicated by permission to the current President of the United States of America, George W. Bush, and Her Majesty, Queen Elizabeth II ," while the 2010 version of the current 15th edition is " dedicated by permission to Barack Obama, President of the United States of America, and Her Majesty Queen Elizabeth II.
Her version is sometimes called the " Gaia Theory " ( note uppercase-T ).
Her autobiography Thank Heaven, was published in 2010 in the UK and US, and in 2011 in a French version.
Her debut at Teatro alla Scala took place in 1842 as " Neocle " in the Italian version of Le siège de Corinthe, which was followed by roles in operas by Marliani, Donizetti ( as " Maffio Orsini "), Salvi and Pacini.
Her performance was seen on the subsequent televised version of this concert, and can be seen on the CD and DVD releases.
For example, Elvis Costello recorded a version of Ono's song " Walking on Thin Ice ," the B-52's who drew from her early recordings covered " Don't Worry, Kyoko ( Mummy's Only Looking for Her Hand in the Snow )" ( shortening the title to " Don't Worry ") and Sonic Youth included a performance of Ono's early conceptual " Voice Piece for Soprano " in their experimental album SYR4: Goodbye 20th century.
Her career as the primary actress of Fox Studios continued with the advent of sound film, and she achieved a notable success in the original version of A Star Is Born ( 1937 ).
Women marrying sons and male-line grandsons of a Sovereign are normally styled Her Royal Highness followed by the feminised version of her husband's highest title.
Her name in Greek (" tender goddess ") is clearly an epithet, signifying the presence of an earlier nurturing goddess, whom the Hellenes, whose myths we know, knew to be located in Crete, where Minoans may have called her a version of " Dikte ".
Her middle name, Friday, corresponds to the 1887 version of the poem.
Her version of the Method is based on the idea that actors should conjure up emotion not by using their own personal memories, but by using the scene's given circumstances.
Her book, The Pavlova Story: A Slice of New Zealand ’ s Culinary History, states that the first Australian pavlova recipe was created in 1935 while an earlier version was penned in 1929 in the rural magazine.
Her family called her Stasia, a common Polish diminutive of her Christian name, which later gave birth to the American version of her name, Stella.
Her first film role was the part of Julie in the first talking picture version of Ferenc Molnár's Liliom, made by Fox Film Corporation in 1930, starring Charles Farrell in the title role, and directed by Frank Borzage.
Some of his most memorable film roles include knight Antonius Block in Ingmar Bergman's The Seventh Seal ( the first of his eleven films with Bergman, and the film that includes the iconic scenes in which he plays chess with Death ), Jesus in The Greatest Story Ever Told, Oktober in The Quiller Memorandum, Father Merrin in The Exorcist, Karl Oskar in The Emigrants, Joubert the assassin in Three Days of the Condor, Ming the Merciless in the 1980 version of Flash Gordon, the villain Blofeld in Never Say Never Again, Frederick in Hannah and Her Sisters, and Lassefar in Pelle the Conqueror, for which he received his first Academy Award nomination.
Her husband was Agenor or perhaps Phoenix in a version in which Cadmus and Europa and their brothers are children of Phoenix ( see Agenor and Phoenix ).
Her great love was Endymion, a shepherd / prince or the king of Elis depending on which version you read.
Her father put her in charge of the labyrinth where sacrifices were made as part of reparations ( either to Poseidon or to Athena, depending on the version of the myth ); however, she would later help Theseus in overcoming the Minotaur and saving the would-be sacrificial victims.
Her version of " Silent Night " was used in a Pampers commercial.

Her and was
Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.
Her mouth, which had been so much in my thoughts, was warm and moist and tender.
Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.
Her white blond hair was clean and brushed long straight down to her shoulders.
Her thick hair was the color and texture of charcoal.
Her laugh was hard.
Her face was pale but set and her dark eyes smoldered with blame for Ben.
Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.
Her name was L'Turu and she told me many things.
( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.
Her mother was a good manager and established a millinery business in Milwaukee.
Her name was Esther Peter.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Her action was involuntary.
Her name was Mollie.
Her speech was barren of southernisms ; ;
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.
Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.

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