Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her conclusion has been borne out in the experience of many practitioners: `` short-contact interviewing is neither a truncated nor a telescoped experience but is of the same essential quality as the so-called intensive case work ''.

Her husband, who is the son of Alton John Mason of Shreveport, La., and the late Mrs. Henry Cater Parmer, was president of Alpha Tau Omega and a member of Delta Sigma Pi at Lamar Tech, and did graduate work at Rhodes University in Grahamstown, South Africa, on a Rotary Fellowship.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her husband left her no money, so she has tried different kinds of work, and now hopes to find some work that is not too strenuous.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her work is only now being properly evaluated.

Her work in choreographing the landmark 1986 production of Lully's 1676 tragedie-lyrique Atys was part of the national celebration of the 300th anniversary of Lully's death.

Her later work was more introspective in its lyrics as opposed to aggressive ; Hole's Celebrity Skin and Love's solo album, America's Sweetheart, focused more on celebrity life, Hollywood, and drug addiction, while also carrying on past themes of vanity and body image, and Nobody's Daughter was lyrically reflective of Love's past relationships and her struggle to sobriety, with the majority of its lyrics having been written while Love was in rehab in 2006.

Her other major work is The Dialogue of Divine Providence, a dialogue between a soul who " rises up " to God and God himself, and recorded between 1377 and 1378 by members of her circle.

Her final work was a poem eulogizing Joan of Arc, the peasant girl who took a very public role in organizing French military resistance to English domination in the early 15th century.

In 1975, Day released her autobiography, Doris Day: Her Own Story, an " as-told-to " work with A. E. Hotchner.

Her work has earned her four Grammy Awards and an Academy Award nomination.

Her health broke under the stress of the 17-hour work day and she returned home in April 1839.

Her work involves children's adventure stories, and fantasy, sometimes involving magic.

Her work has been translated into nearly 90 languages.

Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value.

Her 1872 work, Middlemarch, has been described as the greatest novel in the English language by Martin Amis and by Julian Barnes.

" Her fiction has been nominated for nine Nebula and three Hugo Awards, and her genre-related scholarly work was recognized with a Pilgrim Award in 1988.

Her work is widely taught in courses on science fiction and feminism throughout the English speaking world.

Some of her best-regarded work can be found in the collection Her Smoke Rose Up Forever, available in paperback as of 2004.

* " Her stories and novels are humanistic, while her deep concern for male-female ( even human-alien ) harmony ran counter to the developing segregate-the-sexes drive amongst feminist writers ; What her work brought to the genre was a blend of lyricism and inventiveness, as if some lyric poet had rewritten a number of clever SF standards and then passed them on to a psychoanalyst for final polish.

Her work at Jericho, from 1952 until 1958, made her world famous and established a lasting legacy in the archaeological methodology of the Levant.

Her father eventually allowed her to work in the temple, but asked the monks to give her the toughest chores in order to discourage her.

Her hat had come off and fallen behind her shoulders, held by the string, and he could see her face more clearly than he had at any time before.

Her own body protested, aching painfully where the blood in her veins had congealed, where cold demon wisps still clung and caressed.

Her impact in the zing commercials had led to her being considered for an excellent part in an upcoming TV series, Underwater Western Eye, a documentary-type show to be sponsored by Oatnut Grits.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her eyes had opened, she had caught a glimpse of a new faith.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her mother had done it before her, and even her old grandmother, who had collected money for smallpox and unwed mothers.

Her presence only made Letch more distant and irritable and, in the hurry of buying Chateau Belletch, I had neglected to consider a room for Baby-dear, so there was no place to put her, anyhow.

Her previous traumatic experiences flashed through her mind as if they had happened yesterday.

Her neighbors in the expensive Houston apartment building told reporters that the ash-blonde beauty had talked at times about her past as `` the Golden Girl of the Mickey Jelke trial ''.

Her skin crawled: Lolotte had told Maude that she was in the hall and the door was open.

Her estate had grown considerably.

Her entrance in Scene 2, Act 1, brought some disconcerting applause even before she had sung a note.

Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.

Her Cousin Emma Carraway had written it, in her loose high old lady's script -- t's carefully crossed, but l's inclined to wobble like an old car on the downward slope.

Her friends and professional associates would sympathize with her, not because she had lost a beloved husband, but because she had been married to a man who thought unrealistically.

Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.

Her chief center of worship was at Paphos, where the goddess of desire had been worshipped from the early Iron Age in the form of Ishtar and Astarte.

Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.

Her mother and her siblings had travelled with Agrippa.