Her known works include hymns to the goddess Inanna, the Exaltation of Inanna and In-nin sa-gur-ra.

Her works also include landscapes, portraits, garden settings and boating scenes.

Her success stems from a wide range of innovative writing and rhetorical techniques that critically challenged renowned male writers, such as Jean de Meun who incorporated misogynist beliefs within their literary works.

On the other hand, " Her grades are so good that she's either very bright or studies hard " allows for the possibility that the person is both bright and works hard.

Her works include:

Almost all the women who attended this service walked out with her, as well as a few men .” Her works include: The Church and the Second Sex ( 1968 ), Beyond God the Father ( 1973 ), Gyn / ecology: The Metaethics of Radical Feminism ( 1978 ), Pure Lust: Elemental Feminist Philosophy ( 1984 ), Webster ’ s First Intergalactic Wickedary of the English Language ( 1987 ), and Outercourse: The Be-Dazzling Voyage ( 1992 ).

Her frequent visits to the estate also allowed her to contrast the wealth in which the local landowner lived with the lives of the often much poorer people on the estate, and different lives lived in parallel would reappear in many of her works.

Her seminal works among laypeople are her memoir An Unquiet Mind, which details her experience with severe mania and depression, and Night Falls Fast: Understanding Suicide, providing historical, religious, and cultural responses to suicide, as well as the relationship between mental illness and suicide.

The 583-item Collection La Caze donated in 1869, included works by Chardin ; Fragonard ; Rembrandt – such as Bathsheba at Her Bath – and Gilles by Watteau.

Northern European works include Johannes Vermeer's The Lacemaker and The Astronomer ; Caspar David Friedrich's The Tree of Crows ; Rembrandt's The Supper at Emmaus, Bathsheba at Her Bath, and The Slaughtered Ox.

Her outspoken defense of capitalism in works like Capitalism: The Unknown Ideal ( 1967 ), and her characterization of her position as a defence of the ' virtue of selfishness ' in her essay collection of the same title published in 1964, also brought notoriety, but kept her out of the intellectual mainstream.

Her on screen chemistry with Alec Baldwin was either criticized or praised, with Eye For Film commenting, " The film works best when Baldwin and Gellar are together – aside from the fact that Gellar seriously needs to eat a bun or two ".

Her work was allied to the worldly tradition of Cremona, influenced greatly by the art of Parma and Mantua, in which even religious works were imbued with extreme delicacy and charm.

Her most notable works are listed here.

Her works are deeper than that, however.

* American — Bloch, Albert: Many works, including Harlequinade ( 1911 ), Piping Pierrot ( 1911 ), Harlequin and Pierrot ( 1913 ), Three Pierrots and Harlequin ( 1914 ); Bradley, Will: Various posters and illustrations ( see, e. g., " Banning " under Poetry below ); Heintzelman, Arthur William: Pierrot ( n. d .); Hopper, Edward: Soir Bleu ( 1914 ); Kuhn, Walt: The White Clown ( 1929 ); Parrish, Maxfield: Pierrot's Serenade ( 1908 ), The Lantern-Bearers ( 1908 ), Her Window ( 1922 ); Sloan, John: Clown Making Up ( 1909 ).

Her old house is now home to the writer and historian Geoffrey Ashe, who is known for his works on local legends.

Her works have been translated into many languages from Chinese to Russian.

Her legacy survives in numerous works of art and the many dramatizations of her story in literature and other media, including William Shakespeare's tragedy Antony and Cleopatra, Jules Massenet's opera Cléopâtre and the film Cleopatra ( 1963 ).

Her academic training emphasized development of an alla prima technique and painting out of doors, which inspired her to produce bold impasto works quickly.

Her life becomes entwined with theirs as she cares for Rosa during her pregnancy and works for Huma as her personal assistant and even acts in the play as an understudy for Nina during one of her drug abuse crises.

Her works include novels, plays, stories, libretti and poems written in a highly idiosyncratic, playful, repetitive, and humorous style.

Under Tree, however, Her ( later His ) Majesty's Theatre was most famous for its work with Shakespeare, building an international reputation as the premier British playhouse for his works during the Edwardian era, which had for so long belonged to Henry Irving at the Lyceum Theatre during the Victorian period.

Her second book, now the best known of her works, was Out of Africa, published in 1937, and its success firmly established her reputation as an author.

Her eyes were glazed as if she didn't hear or even see him.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;

Her glance swung past the trailer where the two drivers were standing.

Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her thoughts were not discrete.

Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.

Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.

Her eyes were bright with anticipation.

Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.

Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.

Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.

Her bright eyes were twinkling.

Her hair never seemed to be in place and her skirts were never quite the correct length.

Her eyes were wild.

Her dark cool caresses were sweeter than any woman's ; ;

Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.

Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.

Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.

Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.

Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.