Her olive wreath was subsequently replaced by an Iron Cross.

Her headdress varied ; sometimes it included feathers reminiscent of a Native American headdress, sometimes it was a laurel wreath, but most often it was a cap of liberty.

Her powers work by creating strawberry vines from the ground.

Her most recent work, done in 2005 by Walt Clark of NOLA Tattoo, is a miniaturized version of the vines and flowers from her arms, which covers both hands.

Her image with sunbonnet and tray of grapes was updated in 1956 and again in 1970, using drawings made a decade earlier of company employee Delia von Meyer ( Pacheco ).

Her anxiety increases when a man from Trantridge, named Groby, recognizes her while she is out shopping with Angel and crudely alludes to her sexual history.

Her pen-names imply an Australian self-identification: ' Wickham ' was after a Brisbane street ; it followed her use of John Oland for her first collection, which alludes to the Jenolan Caves in New South Wales.

Her poem Signal at Red, written 1964, is addressed to her correspondent, John Cairns, and alludes to Ian Hamilton Finlay, with whom she had put on plays at the Falcon Theatre in 1962, hers being Punctuated Rhythms.

For the majority of the film where Broomfield is unable to get an interview with the Leader himself, his attention is drawn to the driver and his wife ( JP and Anita Meyer ), hence the title ( which alludes to the title of Peter Greenaway's 1989 film The Cook, the Thief, His Wife & Her Lover ).

Her mythic connections to Dionysus are minimal and late, but both cults focused on the foreigner-deity's arrival in a chariot, drawn by exotic big cats – Dionysus by tigers, Cybele by lions.

Her talents were varied, she wrote drinking songs ( scolia ), hymns and dithyrambs ( choral odes performed at festivals of Dionysus ).

Dionysus in 69 ( 1968 ), based on Euripides ' The Bacchae, text by Schechner based on group improvisations ; Makbeth ( 1969 ), ( based on Shakespeare ), text devised by Schechner ; Commune ( 1970 ), a group devised work with the text arranged by Schechner and the company, which won Joan MacIntosh an OBIE for Distinguished Performance in 1970 ; The Tooth of Crime ( 1972 ) by Sam Shepard ; Mother Courage and Her Children ( 1975 ) by Bertolt Brecht ; The Marilyn Project ( 1975 ), by David Gaard ); Oedipus ( 1977 ) by Seneca ; Cops ( 1978 ) by Terry Curtis Fox ; The Survivor and the Translator ( 1978 ) performed and directed by Leeny Sack ; The Balcony ( 1979 ) by Jean Genet.

Her mother Cassiopeia boasted that her daughter was more beautiful than the Nereids, the nymph-daughters of the sea god Nereus and often seen accompanying Poseidon.

Her brother was the Sun god Helios and her sister was Selene, the Moon goddess.

Her twin brother Helios is the sun god.

Her name was not allowed to be revealed to the not initiated, and she was daughter of Demeter, who was united with the god of the storms and rivers Poseidon Hippios ( horse ).

Her father, Julius Bassianus, descended from the royal house of Samsigeramus and Sohaemus, and served as a high priest to the local cult of the sun god Elagabal.

Her son was a god who died in order to be reborn.

Her father had already betrothed her to the fearsome river god Achelous, horned and bull-like.

Her conclusion was that the evidence testified to an ancient Celtic festival on 1 August that involved the following: solemn cutting of the first of the corn of which an offering would be made to the deity by bringing it up to a high place and burying it ; a meal of the new food and of bilberries of which everyone must partake ; a sacrifice of a sacred bull, a feast of its flesh, with some ceremony involving its hide, and its replacement by a young bull ; a ritual dance-play perhaps telling of a struggle for a goddess and a ritual fight ; an installation of a head on top of the hill and a triumphing over it by an actor impersonating Lugh ; another play representing the confinement by Lugh of the monster blight or famine ; a three-day celebration presided over by the brilliant young god or his human representative.

Her counterpart Dolos ( spelled Dolus in Latin ) was the god of trickery and was one of the spirits released from Pandora's Box as well.

Her spouse, the Old Father, was the god of fire.

Her father throws Sedna overboard in the hope that this will appease the angry god.

Her nature looks to be also associated with vegetation and nurture: G. Dumezil has proved that Helernus was a god of vegetation, vegetative lushiousness and orchards, particularly associated with vetch.

Her son with Enlil was the god Namtar.

Her name is Droughtghoul, daughter of the great god Yellow.

Her paredra was the Phoenician god Ba ' al, interpreted as Saturn.

Her male complement was a sky god such as Caelus ( Uranus ) or a form of Jupiter.

Her ravishing beauty so much captured the fancy of the moon god that he could not help descending to earth to meet her.

Her powerful mind was programmed into the artificial environment's control system, and the religion concocted by the aliens to control humanity worships her as a god.

Her consort was the weather god, Teshub ; they and their children were all derived from the former Hattic pantheon.

Her powers are similar to Wonder Woman's, though she carries a lasso that expels Zeus's lightning, which was given to her by her half-brother, Ares, the Greek god of war.

Her memories were weak, and even though she easily uses her powers to magnetically levitate trains over destroyed tracks, destroy alien attackers with an electromagnetic pulse, and absorb the powers of a self-proclaimed " god of war ", she still wasn't sure who she really was.

Her body is placed upon Hringhorni with Baldr, the ship is set aflame, and the god Thor hallows the pyre with his hammer Mjöllnir.

Her husband is the weather god Teshub ; they and their children were all derived from the former Hattic pantheon.

In South Indian temples, often each god will have His or Her own shrine, each contained in a minitature house ( specifically, a mandir ).

Mary Cassatt, Lydia Leaning on Her Arms ( in a theatre box ), 1879

Her second husband was British theatre director Peter Hall.

Her performance in the West End production of A Streetcar Named Desire, described by the theatre writer Phyllis Hartnoll as " proof of greater powers as an actress than she had hitherto shown ", led to a lengthy period during which she was considered one of the finest actresses in British theatre.

It was first performed in England on 24 May 1856 in Italian at Her Majesty's Theatre in London, where it was considered morally questionable, and " the heads of the Church did their best to put an injunction upon performance ; the Queen refrained from visiting the theatre during the performances, though the music, words and all, were not unheard at the palace ".

Her husband, Pompeianus, was not involved, but two men alleged to have been her lovers, Marcus Ummidius Quadratus Annianus ( the consul of 167, who was also her first cousin ) and Appius Claudius Quintianus, attempted to murder Commodus as he entered the theatre.

Her post-war theatre credits included Miss Prism in The Importance of Being Earnest again at the Haymarket Theatre in 1946 and Lady Bracknell when the same play transferred to New York in 1947.

Her father, a physician, was also the GP for the York theatre, and her mother was its wardrobe mistress.

The King's Opera House ( now rebuilt as Her Majesty's Theatre ) ( 1816 – 1818 ) where he and George Repton remodelled the theatre, with arcades and shops around three sides of the building, the fourth being the still surviving Royal Opera Arcade.

Her reason for this was opposition toward the theatre among the clergy.

Their work at miniature scale has translated into large-scale decors for the theatre and opera productions of director Richard Jones: Prokofiev's The Love for Three Oranges ; Feydeau's " A Flea in Her Ear "; Tchaikovsky's Mazeppa ; and Molière's " Le Bourgeois Gentilhomme ".

Her career also faced turmoil as a result of her marriage to Parks, and the two spent much of the 1950s doing theatre and musical variety shows.

Her poetry has been set to music, and adapted for theatre, CD, film, video, radio, television, multimedia performance, and dance.

Her theatre career flourished with her portrayals of Elizabeth Bennet in Pride and Prejudice ( 1940 ) and the second Mrs. de Winter in Rebecca ( 1940 ); the production of the latter was halted when the theatre was destroyed by a bomb in September 1940.

With Nicol on board, the band released the album They Called Her Babylon early in 2004, and extensively toured the UK, Europe and Australia, and their relatively prolific output continued with the release of the Christmas album ' Winter ' later the same year, as the band ended a busy year of touring with a gala performance in London's Palladium theatre.

Her successes in theatre include the Royal Court Theatre and Broadway productions of Home.

Her first professional theatre appearance was in a 1967 stage adaptation of Chekhov ’ s Three Sisters, at the Royal Court Theatre, London, in which she played Irina, co-starring with Glenda Jackson and Avril Elgar.

Her career began in theatre during the late 1950s, and over the next decade included several films and television series.

Her career in film, television and the theatre has been wide-ranging, including roles in the Royal Shakespeare Company between 1959 and 1964.

Her father introduced her to theatre when he took her to see Flora Robson in a 1938 production of Mary Tudor ; she later recalled that after the performance " I made up my mind then and there I was going to be an actress ...

Her celebrity status has been called " mythical " and " monumental ," and by " the mid-1780s Siddons was established as a cultural icon, along with Hannah Murphy, another theatre great of the time.

: Her aunt went off to the theatre

Her distinctive warbling voice and round cheeks made her a familiar and much-loved personality to British theatre and film audiences at the beginning of World War II, but her popularity waned in the 1940s after several years ' absence from the screen followed by an unsatisfactory thriller, Candles at Nine.