After leaving Little House, she continued acting in television shows like The Equalizer, The New Alfred Hitchcock Presents, and Murder, She Wrote, and was the associate producer for the next to last TV project Michael Landon made before dying: Where Pigeons Go to Die ( 1990 ).

While Dietrich arguably never fully regained her former screen glory, she continued performing in the movies, including appearances for such distinguished directors as Billy Wilder, Fritz Lang, Alfred Hitchcock and Orson Welles, in films that included A Foreign Affair ( 1948 ), Stage Fright ( 1950 ), Rancho Notorious ( 1952 ), Witness for the Prosecution ( 1957 ), and Touch of Evil ( 1958 ).

During the 1960s, he continued his television career, with guest appearances on such series as The Barbara Stanwyck Show, Route 66 ( a moving portrayal of a doomed pilot in the two-part episode " Fly Away Home "); Alfred Hitchcock Presents ; Perry Mason ( one of four actors in four consecutive episodes substituting for series star Raymond Burr, who was recovering from surgery ); Wagon Train ( a 90-minute colour episode as an English big game hunter who, in a display of amazing marksmanship, is able to kill an Indian chief from a great distance ); The Great Adventure ( in an installment of this anthology series about remarkable events in American history, he portrayed Confederate president Jefferson Davis ); Daniel Boone, ( in episodes " The Sound of Wings " and " First in War, First in Peace "); Lost in Space ( another two-part episode — as an all-powerful alien zookeeper, " The Keeper ", he worked one last time with his Third Man costar Jonathan Harris ); The Time Tunnel ( as Captain Smith of The Titanic, in the series ' 9 September 1966 premiere episode ); Batman ( as the villainous Sandman, in league with Julie Newmar's Catwoman ); three episodes of The Invaders ( as a malign variation of the Klaatu persona, culminating in a parallel plot also involving an assembly of world leaders ); an episode of I Spy (" Lana "); and two episodes of The F. B. I.

" Hitchcock continued his conversation a few weeks later, this time dining at Chasen's with William Dozier, an RKO studio executive, and pitching it as " the story of a woman sold for political purposes into sexual enslavement.

Although Hitchcock continued to have Hedren in mind for several other films after Marnie, the actress declined any further work with him.

His career continued with TV guest star roles including an appearance in The New Alfred Hitchcock Presents and Mr. Jones ( aka Philip, codename ' Flavius ') in the series La Femme Nikita.

For the rest of the decade he continued recording and performing as a solo artist, releasing several albums on Warner Brothers Records, such as 1996's Moss Elixir ( which featured the contributions of violinist Deni Bonet and guitarist Tim Keegan ), and the soundtrack from the Jonathan Demme-directed concert film Storefront Hitchcock in 1998.

He continued collaborating with a series of different musicians, as on the album Spooked, which was recorded with country / folk duo ( and longtime Hitchcock fans ) Gillian Welch and David Rawlings.

Walsh continued to work as a character actress in films through the 1950s, including films with Alfred Hitchcock and Ronald Neame.

They then set up at a large private mansion owned by William Hitchcock in New York, known as Millbrook, where they continued their experiments.

Hitchcock continued her career at Boston's Tufts University, serving as the George A. Bates Professor of Histology and Chair of the Department of Anatomy and Cellular Biology in the Schools of Medicine, Dental Medicine, Veterinary Medicine and the Sackler School of Graduate Biomedical Sciences over a course of 15 years.

His association with Hitchcock continued into the 1930s, with Bennett writing some of the latter's most famous British films-The Man Who Knew Too Much ( 1934 ), The 39 Steps ( 1935 ), Secret Agent ( 1936 ), Sabotage ( 1936 ), and Young and Innocent ( 1937 ).

A perfect example of formalist criticism of auteur style would be the work of Alfred Hitchcock.

Hitchcock 2008 concludes that UNRRA was not perfect, for it was troubled by inefficiency, poor planning, shortages of supplies, and some incompetent personnel.

But there ’ s nothing dated about this perfect storm of talent, from Hitchcock and Grant to writer Ernest Lehman ( Sweet Smell of Success ), co-stars James Mason and Eva Marie Saint, composer Bernard Herrmann and even designer Saul Bass, whose opening-credits sequence still manages to send a shiver down the spine.

Kasey Rogers ( Miriam, credited as Laura Elliott ) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable.

The idea of a " motiveless " perfect murder is explored in the novel Strangers on a Train by Patricia Highsmith, famously adapted into a movie by Alfred Hitchcock.

Critic Bosley Crowther was not impressed with the atmospherics of the film and panned the film due to its screenplay, writing, " We wish we could recommend it as a perfect combination of the styles of the eminent Mr. Hitchcock and the old German psychological films, for that is plainly and precisely what it tries very hard to be.

Herrmann's most recognizable music is from another Hitchcock film, Psycho.

" The most recognizable figure from Fleet Street is Sir Jocelyn Hitchcock, Waugh's portrait of Sir Percival Phillips, working then for the Daily Telegraph.

During the film's title sequence, there are references to television's Alfred Hitchcock Presents and the films Batman, King Kong, The Sound of Music ( which starred Blake Edwards's wife, Julie Andrews ), Dracula AD 1972, Singin ' in the Rain, Steamboat Bill Jr., and Sweet Charity, putting the Pink Panther character and the animated persona of Inspector Clouseau into recognizable events from said movies.

Hitchcock, who often liked to specify the locales of his films by using on-screen titles or by using recognizable landmarks, deliberately left the story's location unspecific, using sites in both San Francisco and Los Angeles.

His artistry in directing and use of cinematography and suspense in several of his films has often been compared to the work of Alfred Hitchcock.

After directing episodes for the revitalized version of ' 50s /' 60s anthology horror series Alfred Hitchcock Presents and Shelley Duvall's Faerie Tale Theatre, Burton received his next big project: Beetlejuice ( 1988 ), a supernatural comedy horror about a young couple forced to cope with life after death, and the family of pretentious yuppies who invade their treasured New England home.

With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public.

By the premiere of the show on October 2, 1955, Hitchcock had been directing films for over three decades.

Hitchcock admonished Friedkin for not wearing a tie while directing.

Pollack found initial success in television in the 1960s by directing episodes of series such as The Fugitive and Alfred Hitchcock Presents.

Her directing efforts during these years were almost exclusively television productions such as Alfred Hitchcock Presents, Thriller, The Twilight Zone, Have Gun – Will Travel, The Donna Reed Show, Gilligan's Island, 77 Sunset Strip, The Ghost & Mrs. Muir, The Rifleman, The Virginian, Sam Benedict, The Untouchables, The Fugitive and Bewitched.

When Alfred Hitchcock saw the film, he was apparently impressed enough to give Altman a job directing episodes of Alfred Hitchcock Presents, which led to more television work for Altman over the next decade.

Historically the role of an assistant to the director ( not the same as an Assistant director ) was a stepping stone to directing work ; Alfred Hitchcock was an AD, as was James McTeigue.

Balcon gave Hitchcock his first directing opportunity, and Gainsborough gained a reputation for producing high-quality films.

Michael Toshiyuki Uno is a film and television director, credited with directing television programs such as Alfred Hitchcock Presents ( the remake series that began in 1985 ), China Beach, The Outsiders, Early Edition, and Dawson's Creek.

Ultimately, however, he settled in television, directing episodes of such popular series as Bonanza, The Alfred Hitchcock Hour, The Outer Limits, and The Man from U. N. C. L. E.

Foreign Correspondent is a 1940 American spy thriller film directed by Alfred Hitchcock which tells the story of an American reporter who tries to expose enemy spies in Britain, a series of events involving a continent-wide conspiracy that eventually leads to the events of a fictionalized World War II.

This achievement was matched by Alfred Hitchcock with his 1940 films Foreign Correspondent and Rebecca.

The Campanile Bell Tower of Westminster Cathedral was featured prominently in the Alfred Hitchcock film Foreign Correspondent, at which the attempted murder of a journalist played by Joel McCrea took place.

* Foreign Correspondent ( film ), an Alfred Hitchcock film

He has a small but hugely memorable role as a Cockney assassin in another American Hitchcock film, Foreign Correspondent ( 1940 ), the year he moved to Hollywood.

Bennett left England to work with Hitchcock on his second American film, Foreign Correspondent ( 1940 ).

Hitchcock primarily made thrillers, which, according to the Cahiers du cinema crowd, were popular with the public but were dismissed by the critics and the award ceremonies, although Hitchcock's Rebecca won the Oscar for Best Picture at the 1940 Academy Awards.

", The Big Sleep directed by Howard Hawks ( 1946 ), The Lady Eve directed by Preston Sturges ( 1941 ), The Shop Around the Corner directed by Ernst Lubitsch ( 1940 ), White Heat directed by Raoul Walsh ( 1949 ), Yankee Doodle Dandy directed by Michael Curtiz ( 1942 ), and Notorious directed by Alfred Hitchcock, ( 1946 ).

* Rebecca ( 1940 film ), a 1940 film directed by Alfred Hitchcock based on the du Maurier novel

In 1940, he produced his second Best Picture Oscar winner in a row, Rebecca, the first Hollywood production for British director Alfred Hitchcock.

Carroll is perhaps best known for his roles in six Alfred Hitchcock films: Rebecca ( 1940 ), Suspicion ( 1941 ), Spellbound ( 1945 ), The Paradine Case ( 1947 ), Strangers on a Train ( 1951 ), and North by Northwest ( 1959 ).

Franz Waxman worked with the director Alfred Hitchcock in four films, including Rebecca ( 1940 ), Suspicion ( 1941 ), The Paradine Case ( 1947 ), and Rear Window ( 1954 ).

The design was taken from both the description in Du Maurier's book and the depiction from the film Rebecca, a 1940 adaptation of the novel by Alfred Hitchcock.

Robert E. Sherwood worked with Alfred Hitchcock and Hitchcock's assistant Joan Harrison in Rebecca ( 1940 ).

The most notable of these was the Academy Award winning 1940 Alfred Hitchcock film version Rebecca, the first film Hitchcock made under his contract with David O. Selznick.

He acted in two adaptations of A. J. Cronin's novels, The Citadel ( 1938 ) and The Stars Look Down ( 1940 ), in addition to appearing in The Lady Vanishes ( 1938 ) and Under Capricorn ( 1949 ), both of the later films were directed by Alfred Hitchcock.

In the 1930s he worked as a scriptwriter, most notably with Frank Launder on The Lady Vanishes ( 1938 ) for Alfred Hitchcock, and its sequel Night Train to Munich ( 1940 ), directed by Carol Reed.

However, he only won once, for his work on the Alfred Hitchcock film Rebecca ( 1940 ).

A penny dreadful, Irma Vep is a satire of several theatrical and film genres, including Victorian melodrama, farce and the Alfred Hitchcock film Rebecca ( 1940 ).