Hogarth's engravings also inspired the BBC radio play " The Midnight House " by Jonathan Hall, based on the M. R. James ghost story " The Mezzotint " and first broadcast on BBC Radio 4 in 2006.

Hogarth's House in Chiswick, west London, is now a museum ; it abuts one of London's best known road junctions – the Hogarth Roundabout.

In 1703 his father Richard opened a coffee house there, ' Hogarth's Coffee House ', offering Latin lessons together with the coffee.

Hogarth's House.

Alfred Dawson, whose family home at The Cedars adjoined Hogarth's and whose printing works was nearby, rescued the House in 1890 and restored it.

The furnishing includes Shipway's replica pieces and the new exhibition presents the House as a home, as well as celebrating Hogarth's life and work.

* Images of Hogarth's House at the National Monuments Record, English Heritage

* Images of Hogarth's House at the Country Life Picture Library

In Great Britain, one of Hogarth's set of paintings forming a melodramatic morality tale titled Marriage à la Mode, engraved in 1745, shows the parade rooms of a stylish London house, in which the only rococo is in plasterwork of the salon's ceiling.

Russell Banks ' short story " Indisposed " is a fictional account of Hogarth's infidelity as told from the viewpoint of his wife, Jane.

March of the Guards to Finchley ( 1750 ), William Hogarth's satirical masterpiece, donated by the artist to the Foundling Hospital. The Committee Room, one of the original eighteenth century interiors, is the room where mothers intending to leave their babies would be interviewed for suitability.

In Dennis Todd's Three Characters in Hogarth's Cunicularii and Some Implications the author concludes that figure " G " is Mary Toft's sister-in-law, Margaret Toft.

He is depicted in William Hogarth's 1761 engraving Five Orders of Periwigs.

There is a preposterous tone at times, but Steve Hogarth's voice is lovable, tear-jerking and even beautiful ..."

The track " This Strange Engine " is an autobiographical account of Steve Hogarth's life.

I should think myself honored by the opinion of any gentleman on this point ; but until I shall by better informed, shall conclude this general proportion of two and one to be the most pictoresque medium in all cases of breaking or otherwise qualifying straight lines and masses and groupes, as Hogarth's line is agreed to be the most beautiful, ( or, in other words, the most pictoresque ) medium of curves.

The tower is depicted in William Hogarth's well-known engraving " Gin Lane " ( 1751 ).

William Hogarth's Gin Lane is not entirely caricature, for in 1750, over a fourth of all houses in St Giles were gin shops, all unlicensed.

The tree in front is a mulberry which was present in Hogarth's time, and has some local fame.

The earliest pictorial representation of Tyers ' Spring Gardens, Vauxhall, is the " Vauxhall fan " ( 1736 ), an etching printed in blue designed to be pasted to a fan ; it shows the earliest groups of pavilions, in a sober classical taste, but the interiors of the supper boxes were painted by members of Hogarth's St. Martin's Lane Academy, prominent among them Francis Hayman.

William Hogarth's A Rake's Progress displays in graphical form the downwardly spiralling fortunes of a wealthy but spendthrift son and heir who loses his money, and who as a consequence is imprisoned in the Fleet Prison and ultimately Bedlam.

Hogarth's engraving Gin Lane is a well known image of the gin craze.

Le Sopha is visible as the title of a book in The Toilette, one of William Hogarth's series of satirical paintings Marriage à-la-mode, made 1743-1745

Probably the most prestigious comic version, however, was illustrator and former Tarzan comic strip artist Burne Hogarth's 1972 adaptation of the first half of the book into his showcase graphic novel Tarzan of the Apes.

William Hogarth's famous print of Night shows a drunken Mason being helped home by the Tyler, from one of the four original Lodges in 1717 at the Rummer & Grapes tavern.

William Hogarth's 18th century English cartoons include both narrative sequences, such as A Rake's Progress, and single panels.

The spread of Hogarth's prints throughout Europe, together with the depiction of popular scenes from his prints in faked Hogarth prints, influenced Continental book illustration through the 18th and early 19th century, especially in Germany and France.

In the 18th century, music was considered to be so far outside the realm of aesthetic theory ( then conceived of in visual terms ) that music was barely mentioned in William Hogarth's treatise, The Analysis of Beauty.

Hogarth's influence lives on today as artists continue to draw inspiration from the artist.

William Hogarth's plate 1 from A Rake's Progress, " The Young Heir Takes Possession Of The Miser's Effects " as his inheritance.

* March 1 – Caroline of Ansbach, queen of George II of Great Britain ( d. 1737 ); her birthdate was associated with Saint David's Day, for example in plate 4 of William Hogarth's A Rake's Progress

Canvassing for Votes, part of William Hogarth's Humours of an Election series, depicts the political corruption endemic in election campaigns prior to the Great Reform Act.

* William Hogarth's " Gin Lane "

William and Jane Hogarth's tomb

* William Hogarth's biography, style, artworks and influences

Last image in William Hogarth's A Rake's Progress.

Engraving of the eighth print of William Hogarth's A Rake's Progress depicting Inmates at Bethlem Royal Hospital | Bedlam Asylum

" and was immortalised in a detail of Plate II of William Hogarth's " A Rake's Progress " ( she may also appear in Plate IV of his series " Marriage à la mode " of 1745 ).

William Hogarth's engraving of him prior to his execution

The idea came from one of William Hogarth's engravings.

Ink copies made by him of figures from William Hogarth's plates led to his being employed by Charles Knight on several of his illustrated publications.

In 1764, William Hogarth published his last engraving, The Bathos, or the Manner of Sinking in Sublime Paintings inscribed to Dealers in Dark Pictures, depicting Father Time lying exhausted in a scene of destruction, parodying the fashion at that time for " sublime " works of art, and satirising criticisms made of Hogarth's own works.

William Hogarth | Hogarth's Cunicularii, or The Wise Men of Godliman in Consultation ( 1726 ).

* John Joshua Kirby publishes the pamphlet Dr. Brook Taylor's Method of Perspective made Easy both in Theory and Practice containing William Hogarth's Satire on False Perspective.

He also published from 1794 to 1799 an Ausführliche Erklärung der Hogarthischen Kupferstiche, in which he described the satirical details in William Hogarth's prints.

The rake became the butt of moralistic tales in which his typical fate was debtor's prison, venereal disease, or, in the case of William Hogarth's A Rake's Progress, insanity in Bedlam.

William Hogarth | William Hogarth's 1763 cartoon targeting Churchill

His Epistle to William Hogarth ( 1763 ) was in answer to the caricature of Wilkes made during the trial, in it Hogarth's vanity and envy were attacked in an invective which Garrick quoted as shocking and barbarous.

A " hack " poet desperate for money, from William Hogarth's 1741 print, The Distrest Poet.

William Hogarth's 1736 engraving, Scholars at a Lecture