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Hogarth's friend, the magistrate Henry Fielding, may have enlisted Hogarth to help with propaganda for a Gin Act: Beer Street and Gin Lane were issued shortly after his work An Enquiry into the Causes of the Late Increase of Robbers, and Related Writings and addressed the same issues.
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Hogarth's and friend
Hogarth's truthful, vivid full-length portrait of his friend, the philanthropic Captain Coram ( 1740 ; formerly Thomas Coram Foundation for Children, now Foundling Museum ), and his unfinished oil sketch of The Shrimp Girl ( National Gallery, London ) may be called masterpieces of British painting.
For his friend William Hogarth he even carved a portrait of Hogarth's dog " Trump ".
His friend, J. T. Smith, related that plates of Hogarth's Industry and Idleness hung in the schoolroom ; once a month Adams read a lecture on these examples and then rewarded the industrious boys and caned the idle.
Hogarth's and Henry
He restored it with the help of Frederick William Peel ARIBA and Henry Austin Dobson, Hogarth's biographer.
Hogarth's and may
" and was immortalised in a detail of Plate II of William Hogarth's " A Rake's Progress " ( she may also appear in Plate IV of his series " Marriage à la mode " of 1745 ).
It may also be seen as a vanitas or memento mori, foreshadowing Hogarth's death six months later.
Hogarth's and have
Hogarth's paintings and prints have provided the subject matter for several other works.
Hogarth's and Hogarth
Hogarth's second album with the band, Holidays In Eden, was the first he wrote in partnership with the band, and includes the song " Dry Land " which Hogarth had written and recorded in a previous project with the band How We Live.
Notable Hogarth engravings in the 1740s includeThe Enraged Musician ( 1741 ), the six prints of Marriage à-la-mode ( 1745 ; executed by French artists under Hogarth's inspection ), and The Stage Coach or The Country Inn Yard ( 1747 ).
Hogarth's work were a direct influence on John Collier, who was known as the " Lancashire Hogarth ".
The spread of Hogarth's prints throughout Europe, together with the depiction of popular scenes from his prints in faked Hogarth prints, influenced Continental book illustration through the 18th and early 19th century, especially in Germany and France.
Hogarth's House in Chiswick, west London, is now a museum ; it abuts one of London's best known road junctions – the Hogarth Roundabout.
He was sometimes called the " Scottish Hogarth ", although he lacked Hogarth's satirical qualities.
In 1764, William Hogarth published his last engraving, The Bathos, or the Manner of Sinking in Sublime Paintings inscribed to Dealers in Dark Pictures, depicting Father Time lying exhausted in a scene of destruction, parodying the fashion at that time for " sublime " works of art, and satirising criticisms made of Hogarth's own works.
William Hogarth | Hogarth's Cunicularii, or The Wise Men of Godliman in Consultation ( 1726 ).
William Hogarth | William Hogarth's 1763 cartoon targeting Churchill
His Epistle to William Hogarth ( 1763 ) was in answer to the caricature of Wilkes made during the trial, in it Hogarth's vanity and envy were attacked in an invective which Garrick quoted as shocking and barbarous.
In the mid-1940s Williamson continued to pursue his interest in cartooning and began to take art classes with Tarzan cartoonist Burne Hogarth, and later at Hogarth's Cartoonists and Illustrators School.
Hogarth's House is the former country home of the 18th century English artist William Hogarth in Chiswick.
He provided a collection of Hogarth's works, commissioned replica furniture based on pieces in Hogarth prints and even took the photographs for the first guide book himself.
Following this, In 1947, Ayers studied under Burne Hogarth in the first class of Hogarth's new institution, New York City's Cartoonists and Illustrators School ( renamed the School of Visual Arts 1956 ).
Hogarth's and with
* March 1 – Caroline of Ansbach, queen of George II of Great Britain ( d. 1737 ); her birthdate was associated with Saint David's Day, for example in plate 4 of William Hogarth's A Rake's Progress
In 1703 his father Richard opened a coffee house there, ' Hogarth's Coffee House ', offering Latin lessons together with the coffee.
Hogarth's picture shows her in one of the scenes, with the Duke of Bolton in a box.
The collection consists of nearly 2, 000 paintings and 100 sculptures, with an emphasis, reflecting Mellon's interest, in the interval between William Hogarth's birth ( 1697 ) to J. M. W. Turner's death ( 1851 ).
Hogarth's and for
Canvassing for Votes, part of William Hogarth's Humours of an Election series, depicts the political corruption endemic in election campaigns prior to the Great Reform Act.
* ' Hogarth's London ', lecture by Robin Simon at Gresham College, 8 October 2007 ( available for download as MP3, MP4 or text files )
March of the Guards to Finchley ( 1750 ), William Hogarth's satirical masterpiece, donated by the artist to the Foundling Hospital. The Committee Room, one of the original eighteenth century interiors, is the room where mothers intending to leave their babies would be interviewed for suitability.
Headed Tail Piece, it was intended as the tailpiece for a bound edition of Hogarth's engravings.
A " hack " poet desperate for money, from William Hogarth's 1741 print, The Distrest Poet.
Gregory, who has been regularly involved in Steve Hogarth's h-Band, has also contributed to works by Porcupine Tree, including string arrangements on their sixth album, Lightbulb Sun, and for Dublin group Pugwash.
William Hogarth's Gin Lane is not entirely caricature, for in 1750, over a fourth of all houses in St Giles were gin shops, all unlicensed.
Hayman provided most of the subjects, which were rapidly executed by students and assistants ; Hubert Gravelot provided designs for two others, and Hogarth's designs were pressed into service in hastily dashed-off copies that filled the back of every box.
Hogarth's and Gin
Hogarth's Gin Lane
* William Hogarth's " Gin Lane "
The tower is depicted in William Hogarth's well-known engraving " Gin Lane " ( 1751 ).
When highly potent, inexpensive distilled spirits were introduced, matters worsened, and authors and artists protested the innovation of gin ( see, e. g. William Hogarth's Gin Lane ).
Hogarth's engraving Gin Lane is a well known image of the gin craze.
Hogarth's and Act
Independent shops were risky in the 1740s because no strict copyright laws, other than the Engraving Copyright Act of 1734 ( known as " Hogarth's Act "), had yet been instituted.
Hogarth's and Beer
William Hogarth's Beer Street ( 1751 )
Hogarth's and Street
The Distrest Poet, William Hogarth's portrait of a Grub Street poet starving to death and trying to write a new poem to get money.
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