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`` I don't know much about them '', Owen admitted, `` but I suppose they have their own religion and they probably resent outsiders coming in and telling them what to do and what not to do ''.
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Brown Corpus
Some Related Sentences
I and don't
`` I mean, we don't have any way to get there and we can't expect you to quit work just to take us to town ''.
He stopped, embarrassed, and Morgan said, `` I understand that, but I don't savvy why you'd go off and leave your jobs in the first place ''.
I don't know what makes you think you can get away with this kind of business, and I don't care about that, either.
But there's one thing I never seen or heard of, one thing I just don't think there is, and that's a sportin' way o' killin' a man ''!!
I and know
He caught up with me once and grabbed me, but I was all covered with zing -- it's very slippery, you know ''.
True, she was my Aunt, married to an Uncle related to me only by marriage, but why she had married a man twice her age, and more, perhaps, I did not know or much care.
I and much
Rod shifted his eager eyes from the milling group out in the circle long enough to reply, `` I ain't much of a hand for Dare-Base and Farmer-in-the-Dell, but I'd sure like to get in on the handhold and wrestles ''.
Seeming much relieved, she smiled one of those worth-waiting-for smiles, and I smiled all the way into the bedroom.
You must forgive me if I seem to dwell too much on her physical aspects but I am an artist, accustomed to studying the physical body.
and I have heard many say that they are content to earn a half or a third as much as they could up North because they so much prefer the quieter habits of their home town.
In spots such as the elbows and knees the second skin is worn off and I realized the aborigines were much darker than they appeared ; ;
In taking account of seventeen years of law practice, Adams concluded that `` no lawyer in America ever did so much business as I did '' and `` for so little profit ''.
And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.
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