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Émile and Zola's
He also supported Émile Zola's position in the Dreyfus affair.
Connick wrote the score for Susan Stroman's Broadway musical Thou Shalt Not, based on Émile Zola's novel Thérèse Raquin, in 2000 ; it premiered in 2001.
* 1898 – Émile Zola's J ' accuse exposes the Dreyfus affair.
Émile Zola's " J ' Accuse " accused the highest levels of the French Army of obstruction of justice and antisemitism by having wrongfully convicted Alfred Dreyfus to life imprisonment on Devil's Island.
On 13 January 1898 Clemenceau, as owner and editor of the Paris daily newspaper L ' Aurore, published Émile Zola's " J ' accuse " on the front page.
L ' Aurore's front page on 13 January 1898 features Émile Zola's J ' accuse ( letter ) | open letter to the French President Félix Faure.
Temperance drama would even reach as far as the West Coast, as David Belasco's adaptation of Émile Zola's novel " Drink " premiered at the Baldwin Theatre in San Francisco in 1879.
* Émile Zola's house ( Médan )
The controversy surrounding the paintings was described in Émile Zola's novel L ' Œuvre ( 1886 ).
The Fortune of the Rougons ( French: La Fortune des Rougon ), originally published in 1871, is the first novel in Émile Zola's monumental twenty-volume series Les Rougon-Macquart.
La Curée ( 1871 – 72 ; English: The Kill ) is the second novel in Émile Zola's twenty-volume series Les Rougon-Macquart.
La Conquête de Plassans ( 1874 ) is the fourth novel in Émile Zola's twenty-volume series Les Rougon-Macquart.
In Émile Zola's novel Thérèse Raquin, Thérèse Raquin and her second husband Laurent accidentally reveal to Thérèse's aunt, Madame Raquin ( who has suffered from locked-in syndrome after a stroke ), that they have killed Camille Raquin ( Madame Raquin's son ).
His more serious novels include Madelon ( 1863 ), L ' Infâme ( 1867 ), the three that form the trilogy of the Vieille Roche ( 1866 ), and Le roman d ' un brave homme ( 1880 ) – a kind of counterblast to the view of the French workman presented in Émile Zola's L ' Assommoir.
Naturalistic works often include uncouth or sordid subject matter ; for example, Émile Zola's works had a frankness about sexuality along with a pervasive pessimism.
In 1944, she returned to Mexican films starring in an adaptation of Émile Zola's novel Nana, which was well received.
Germinal ( 1885 ) is the thirteenth novel in Émile Zola's twenty-volume series Les Rougon-Macquart.
Le Ventre de Paris ( 1873 ) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart.
La Faute de l ' Abbé Mouret ( 1875 ) is the fifth novel in Émile Zola's twenty-volume series Les Rougon-Macquart.
L ' Assommoir ( 1877 ) is the seventh novel in Émile Zola's twenty-volume series Les Rougon-Macquart.
The literary creations of Émile Zola were a noted source of inspiration, and the parallel led George Călinescu to propose him and Barbu Ştefănescu Delavrancea as the main representatives of Zola's style in local literature.
Émile Zola's Rougon-Macquart cycle is a family saga, a format that later became a popular fictional form, going beyond the conventional three-volume novel.
On the other hand, he was a Dreyfusard and argued in favour of placing Émile Zola's remains in the Panthéon for Zola's part in the Dreyfus Affair.

Émile and short
During his early years, Émile Zola wrote several short stories and essays, four plays and three novels.
In 1912 Émile Durkheim, building on Feuerbach, considered religion " a projection of the social values of society ," " a means of making symbolic statements about society ," " a symbolic language that makes statements about the social order "; in short, " religion is society worshiping itself ".
Among her most celebrated roles with Irving were Ophelia, Pauline in The Lady of Lyons by Edward George Bulwer-Lytton ( 1878 ), Portia ( 1879 ), Queen Henrietta Maria in William Gorman Wills's drama Charles I ( 1879 ), Desdemona in Othello ( 1881 ), Camma in Tennyson's short tragedy The Cup ( 1881 ), Beatrice in Much Ado About Nothing, another of her signature roles ( 1882 and often thereafter ), Juliet in Romeo and Juliet ( 1882 ), Jeanette in The Lyons Mail by Charles Reade ( 1883 ), the title part in Reade's romantic comedy Nance Oldfield ( 1883 ), Viola in Twelfth Night ( 1884 ), Margaret in the long-running adaptation of Faust by Wills ( 1885 ), the title role in Olivia ( 1885, which she had played earlier at the Court Theatre ), Lady Macbeth in Macbeth ( 1888, with incidental music by Arthur Sullivan ), Queen Katherine in Henry VIII ( 1892 ), Cordelia in King Lear ( 1892 ), Rosamund de Clifford in Becket by Alfred Tennyson ( 1893 ), Guinevere in King Arthur by J. Comyns Carr, with incidental music by Sullivan ( 1895 ), Imogen in Cymbeline ( 1896 ), the title character in Victorien Sardou and Émile Moreau's play Madame Sans-Gêne ( 1897 ) and Volumnia in Coriolanus ( 1901 ).
In 1879 in Paris, Louis Émile Javal observed that reading does not involve a smooth sweeping of the eyes along the text, as previously assumed, but a series of short stops ( called fixations ) and quick saccades.
* 1955: Émile Zola ( short ) by Jean Vidal

Émile and story
The story also anticipated Rousseau's Émile in some ways, and is also similar to the later story of Mowgli in Rudyard Kipling's The Jungle Book as well the character of Tarzan, in that a baby is abandoned in a deserted tropical island where he is taken care of and fed by a mother wolf.
The famous play, Le Gendre de M. Poirier, is one of several which he wrote in collaboration with Émile Augier -- the novelist usually contributing the story and the dramatist the theatrical form.

Émile and La
fr: La Vie d ' Émile Zola
It was not until 1836 that he experienced a jump in his career when he was hired by Émile de Girardin as an art and theatre columnist for La Presse.
Although the award may only be given to an author once, Romain Gary won it twice, in 1956 for Les racines du ciel and again under the pseudonym Émile Ajar in 1975 for La vie devant soi.
Gary, who had already received the prize in 1956 for Les racines du ciel, published La vie devant soi under the pseudonym of Émile Ajar in 1975.
* Émile Coué ( 1857 – 1926 ) pharmacist, hypnotist, and creator of La méthode Coué (" Every day, in every way, I'm getting better and better ').
This was followed by another cinematic success: The Human Beast ( La Bête Humaine ) ( 1938 ), a film noir tragedy based on the novel by Émile Zola and starring Simone Simon and Jean Gabin.
* Jules Émile Alaux, La Philosophie de M. Cousin ( Paris, 1864 )
* La Terre or The Earth, a novel by Émile Zola
Auguste Émile Faguet (; 17 December 1847, La Roche-sur-Yon, Vendée – 7 June 1916, Paris ) was a French author and literary critic.
Émile, his wife Suzanne, and their son André sailed first class from La Havre to New York City.
These would potentially have included Mendès ' play, another version of La femme de Tabarin by Paul Ferrier, and an opera composed by Émile Pessard, Tabarin, based on Ferrier's play.
On 29 July 1937 line 10 was extended from Duroc to La Motte-Picquet-Grenelle and the section of line 8 between La Motte-Picquet-Grenelle and Porte d ' Auteuil, including Avenue Émile Zola was transferred to line 10.
For Hincmar's political and ecclesiastical theories see preface to Maurice Prou's edition of the De ordine palatii ( Paris, 1885 ), and the abbé Émile Lesne, La hiérarchie épiscopale en Gaule et en Germanie ( Paris, 1905 ).
This was followed by another one of Renoir's great successes: La Bête Humaine ( The Human Beast ), a film noir tragedy based on the novel by Émile Zola and starring Gabin and Simone Simon, as well as Le Quai Des Brumes ( Port of Shadows ), one of director Marcel Carné's most acclaimed films.
* March – Émile Zola's psychological novel with a railway setting, La Bête Humaine, is published in book form.
* Momo, character from the novel The Life Before Us ( La Vie devant soi ), by Romain Gary ( as Émile Ajar ).
* Momo, UK title of the novel The Life Before Us ( La Vie devant soi ), by Romain Gary ( as Émile Ajar ).
The editors of La Croix observed another centennial on January 12, 1998 ( the publication of Émile Zola's J ' Accuse !, the opening salvo in the defence of Dreyfus ) by examining its role in the Dreyfus Affair.
Her later repertoire included Le Demi-monde, Capus's La Châtelaine, Charles Maurice Donnay's Retour de Jerusalem, La Princesse Georges by Dumas fils, and Émile Bergerat's Plus que reine.

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