The cast stone sculpture, by Arthur Putnam, was completed in 1909, cast between 1916-1917 and installed in 1918 when the mission was remodeled.

Withdrawing to the new line was not an easy decision and the German high command prevaricated over it during the winter of 1916-1917.

* Charles Siringo-Famous Pinkerton detective was assigned to Carrizozo to catch cattle thieves ( 1916-1917 ).

Also known as " the Bank that was sent by Mail ", the Bank of Vernal was constructed in 1916-1917 by William H. Coltharp, a Vernal businessman and entrepreneur.

Felix Graf von Luckner ( born Dresden, Germany, 9 June 1881, died Malmö, Sweden, 13 April 1966 ) was a German nobleman, navy officer, author and noted sailor who earned the epithet Der Seeteufel ( the Sea-Devil ) -- and his crew that of Die Piraten des Kaisers ( the Emperor's Pirates ) -- for his exploits in command of the sailing commerce raider SMS Seeadler ( Sea Eagle ) in 1916-1917.

The ballet was composed 1916-1917 for Serge Diaghilev's Ballets Russes.

From 1916-1917, he was chief Gunnery Officer on Akitsushima.

During a Serbian kangaroo court in French-occupied Salonika in 1916-1917, Chief of Serbian Military Intelligence Dragutin Dimitrijević Apis testified that he had organized the assassination of Archduke Franz Ferdinand of Austria, in Sarajevo on June 28th, 1914, ( the assassin was Gavrilo Princip ).

The plant, originally built as the Dixie Crystals sugar refinery in 1916-1917, was acquired by Imperial Sugar in 1997.

He was captain of the 1916-1917 football team, where he played as a tackle, a punter, and also played in the backfield.

From 1916-1917, the base was commanded by Charles Young, the first African American to be promoted to colonel.

Kemer was called Eski Köy ( Old Village ) until in 1916-1917, a long stone wall was built to channel the mountain stream water and protect the town from flooding, which until then had been a persistent problem.

She was adviser on staff welfare to the Ministry of Munitions 1916-1917 and in the latter year was awarded an OBE.

A second lieutenant in the Canadian field artillery from 1916-1917 ( he enlisted when he was nineteen ).

Episode one of the series was also based on a large cache of pirated outtakes from the Mutual Film Corporation period of Chaplin's career ( 1916-1917 ), made available by private film collector Raymond Rohauer.

* Niemeyer, E. Victor, Jr. Revolution at Querétaro: the Mexican constitutional convention of 1916-1917 Austin: University of Texas Press, c1974.

Burke attended Ohio State University for only a semester, then studied at Columbia University in 1916-1917 before dropping out to be a writer.

In addition to the Western Front, battalions of the 6th also saw action in Italy 1917-1918, at Gallipoli 1915-1916, Mesopotamia 1916-1917 and Persia 1916-1919.

As the result of not having enough men at any particular battle, the unit received only the general " Great War 1916-1917 " battle honour.

* D. H. 1A: 1916-1917 ( for escort work with B. E. 2 )

He graduated from the University of Michigan in 1916 and enlisted in the Michigan National Guard, serving with its 33rd Infantry Regiment on the Mexican border, 1916-1917.

Revolving doors, 1916-1917: 10 planches.

* 1916-1917 George M. Stover

As the 1916-1917 season approached, however, the mood towards filmmaking in Jacksonville shifted and there were many residents opposed to the industry's presence.

1916-1917: Maj. Gen. W. Holmes

* Jerry on the Job ( 1916-1917 ): directed by Gregory La Cava ; animated by Will Powers, Walter Lantz ; screenwritten by H. E.

* Airco DH. 2 1916-1917

Dziga Vertov was central to the Soviet Kino-Pravda ( literally, " cinematic truth ") newsreel series of the 1920s.

David Abelevich Kaufman () ( 2 January 1896 – 12 February 1954 ) — better known by his pseudonym Dziga Vertov, or Vertof (, " spinning top ") — was a Soviet pioneer documentary film, newsreel director and cinema theorist.

His filming practices and theories influenced the cinéma vérité style of documentary moviemaking and the Dziga Vertov Group, a radical filmmaking cooperative which was active in the 1960s.

Vertov was born David Abelevich Kaufman () into a family of Jewish lineage in Białystok, Poland, then a part of the Russian Empire.

Vertov is known for many early writings, mainly while still in school, that focus on the individual versus the perceptive nature of the camera lens, which he was known to call his " second eye ".

Most of Vertov's early work was unpublished, and few manuscripts remain after the Second World War, though some material survived in later films and documentaries created by Vertov and his brothers, Boris Kaufman and Mikhail Kaufman.

The so-called " Council of Three ," a group issuing manifestoes in LEF, a radical Russian newsmagazine, was established in 1922 ; the group's " three " were Vertov, his ( future ) wife and editor Elizaveta Svilova, and his brother and cinematographer Mikhail Kaufman.

In 1922, the year that Nanook of the North was released, Vertov started the Kino-Pravda series.

By this point in his career, Vertov was clearly and emphatically dissatisfied with narrative tradition, and expresses his hostility towards dramatic fiction of any kind both openly and repeatedly ; he regarded drama as another " opiate of the masses ".

Vertov says in his essay " The Man with a Movie Camera " that he was fighting " for a decisive cleaning up of film-language, for its complete separation from the language of theater and literature.

" By the later segments of Kino-Pravda, Vertov was experimenting heavily, looking to abandon what he considered film clichés ( and receiving criticism for it ); his experimentation was even more pronounced and dramatic by the time of Man with a Movie Camera, which was filmed in Ukraine.

" Cine-Eye " is a montage method developed by Dziga Vertov which was first formulated in his work " WE: Variant of a Manifesto " in 1919.

Vertov believed film was too “ romantic ” and “ theatricalised ” due to the influence of literature, theater, and music, and that these psychological film-dramas “ prevent man from being as precise as a stop watch and hamper his desire for kinship with the machine .”

With the rise and official sanction of socialist realism in 1934, Vertov was forced to cut his personal artistic output significantly, eventually becoming little more than an editor for Soviet newsreels.

Lullaby, perhaps the last film in which Vertov was able to maintain his artistic vision, was released in 1937.

In 1962, the first Soviet monograph on Vertov was published, followed by another collection, ' Dziga Vertov: Articles, Diaries, Projects.

Around this time he was involved in the creation of the Filmliga based in Amsterdam which drew foreign filmmakers to Holland such as Alberto Cavalcanti, René Clair, Sergei Eisenstein, Vsevolod Pudovkin, and Dziga Vertov who also became his friends.

Eisenstein's first film, Glumov's Diary ( for the theatre production Wiseman ), was also made in that same year with Dziga Vertov hired initially as an " instructor.

Vertov was one of the first to be able to find a mid-ground between a narrative media and a database form of media.

Vertov — born David Abelevich Kaufman — was an early pioneer in documentary film-making during the late 1920s.