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Buñuel's and only
However, in the short term, Buñuel's disconcerting public remark on Rey's performance in other Bardem's film, Sonatas ( 1959 ), " I love how this actor plays a corpse ", could only increase Rey's apprehensions ; but anyway Rey became eventually Buñuel's preferred actor and closest friend.
Initially, Friedkin intended to cast Francisco Rabal as Charnier, but could not remember his name after seeing him in Luis Buñuel's Belle de jour ; he only knew the person he had in mind was a Spanish actor who had worked with Buñuel.

Buñuel's and was
The film was the product of Deren's and Hammid's desire to create an avant garde personal film that dealt with devastating psychological problems, like the French surrealist films of the 1920s such as Salvador Dalí and Luis Buñuel's Un Chien Andalou ( 1929 ) and L ' Age d ' Or ( 1930 ).
Friedkin had asked his casting director to get a Spanish actor he had seen in Luis Buñuel's French film, Belle de Jour, who was actually Francisco Rabal, but Friedkin did not know his name, and Rey, who had played in several other films directed by Buñuel, was instead contacted.
It was Buñuel's first film and was initially released in 1929 to a limited showing in Paris, but became popular and ran for eight months.
In Buñuel's original script, the last shot was to feature the corpses " consumed by swarms of flies ".
" Buñuel's relationship with Dalí was somewhat more troubled, being tinged with jealousy over the growing intimacy between Dalí and Lorca and resentment over Dalí's early success as an artist.
Buñuel's interest in films was intensified by a viewing of Fritz Lang's Der müde Tod: " I came out of the Vieux Colombier completely transformed.
Through these interests, he met a number of influential people, including the pianist Ricardo Viñes, who was instrumental in securing Buñuel's selection as artistic director of the Dutch premiere of Manuel de Falla's puppet-opera El retablo de maese Pedro in 1926.
It was Buñuel's intention to shock and insult the intellectual bourgeoisie of his youth, later saying: " Historically the film represents a violent reaction against what in those days was called ‘ avant-garde ,’ which was aimed exclusively at artistic sensibility and the audience ’ s reason .” Against his hopes and expectations, the film was a huge success amongst the French bourgeoisie, leading Buñuel to exclaim in exasperation, " What can I do about the people who adore all that is new, even when it goes against their deepest convictions, or about the insincere, corrupt press, and the inane herd that saw beauty or poetry in something which was basically no more than a desperate impassioned call for murder?
Actually the just mentioned Buñuel's movies were co-productions: Viridiana was Spanish-Mexican, and Tristana Spanish-French-Italian.
Screening of Buñuel's movie was banned by the authorities at that time, the Government of the Second Spanish Republic, for allegedly exploiting the misery in which the local people lived.

Buñuel's and image
Writer Octavio Paz called Buñuel's work " the marriage of the film image to the poetic image, creating a new reality ,... scandalous and subversive.

Buñuel's and would
Carrière and the director would collaborate on the scripts of nearly all Buñuel's later films, including Belle de Jour ( 1967 ), The Discreet Charm of the Bourgeoisie ( 1972 ), The Phantom of Liberty ( 1974 ), That Obscure Object of Desire ( 1977 ) and The Milky Way ( 1969 ).

Buñuel's and .
The success ( or at least the controversy ) of Dalí and Buñuel's film L ' Age d ' Or in December 1930 had a regenerative effect, drawing a number of new recruits, and encouraging countless new artistic works the following year and throughout the 1930s.
Further prominent films from this early time in her career included Roman Polanski's suspense classic Repulsion ( 1965 ) and Luis Buñuel's Belle de Jour ( 1967 )— as the haut-bourgeois housewife who achieves sexual satisfaction working in a Parisian brothel.
), Luis Buñuel's The Discreet Charm of the Bourgeoisie.
In Luis Buñuel's Spanish film, Viridiana, a tableau vivant of Da Vinci's painting is staged with beggars.
In 1953 she starred in Luis Buñuel's box-office success El Bruto, for which she received an Ariel Award.
Earlier work, including Luis Buñuel's 1933 Land Without Bread, Orson Welles's 1938 radio broadcast of The War of the Worlds, various April Fool's Day news reports, and vérité style film and television during the 1960s and 1970s, served as precursor to the genre.
They were first added to a print of the film in 1960 under Buñuel's supervision.
In 1952, he starred in the Red Scare film Invasion U. S. A. and in 1954 in Luis Buñuel's Adventures of Robinson Crusoe, which earned him a nomination for the Academy Award for Best Actor ( Marlon Brando won for On the Waterfront instead ).
Episodes 1 and 4 were directed by Claude Chabrol ; episodes 2 and 3 by Luis Buñuel's son, Juan Luis Buñuel.
Six of Buñuel's films are included in Sight & Sound < nowiki >'</ nowiki > s 2012 critic's poll of the top 250 films of all time.
The film, financed by Buñuel's mother, consists of a series of startling images of a Freudian nature, starting with a woman's eyeball being sliced open with a razor blade.
On 1 – 15 November 1979, the Roxie hosted the U. S. premiere of Luis Buñuel's L ' Âge d ' Or ( 1930 ), a film that had been banned for almost 50 years.
Buñuel's friend, the Greek director Ado Kyrou, used this script as the basis for his 1972 film version.
Luis Buñuel's film Simón del desierto ( 1965 ) is loosely based on the story of Saint Simeon.

words and Our
But now We join Our voice to that of Our predecessor John XXIII of venerable memory, and We make Our own his words: " No statement of the problem and no solution to it is acceptable which does violence to man's essential dignity ; those who propose such solutions base them on an utterly materialistic conception of man himself and his life.
Our judgment therefore comes down to which we find more wasteful and inelegant: many worlds or many words.
The first tabloid, Blitz was started by Russy Karanjia on February 1, 1941 with the words " Our Blitz, India's Blitz against Hitler !".
* July 6 – American Revolution: The Continental Congress issues Declaration of the Causes and Necessity of Taking Up Arms, which contains the words: " Our cause is just.
Bryan's words gave rise to later economic and political philosophies, including Huey Long's 1930s Share Our Wealth program, with its trigger phrase, " Every Man a King " inspired by Bryan's speech.
" The Rosary and the Scapular are inseparable " were words attributed to the Virgin Mary by Lucia Santos, one of the three children who reported the Marian apparitions of Our Lady of Fátima in 1917 and later the Pontevedra apparitions in 1925, Fátima, Portugal and Pontevedra in Galicia, Spain.
Allied squadrons stationed nearby presented memorial wreaths, one of which was inscribed with the words, " To Our Gallant and Worthy Foe ".
Cambodian schoolchildren in French Indochina at one point in the early 1940s began their school-day with prayers to Marshal Philippe Pétain, opening with the words, " Our father, which art our Leader, glorious be thy name ... deliver us from evil ".
Our light Bf 108 rocked in the superheated air, as we sped above the curling smoke, and Kelly had the last words on it.
" Mitchel took as the motto for the paper the words of Wolf Tone, " Our independence must be had at all hazards.
* O God, Our Help in Ages Past – words by Isaac Watts, music by William Croft
Clarence also speaks Richard's " Three glorious suns, each one a perfect sun ,/ Not separated with the racking clouds / But severed in a pale clear-shining sky " ( ll. 26 – 28 ); Edward's " Sweet Duke of York, our prop to lean upon / Now thou art gone, we have no staff, no stay " ( ll. 68 – 69 ); and Richard's " Great lord of Warwick, if we should recount / Our baleful news, and at each word's deliverance / Stab poniards in our flesh till all were told ,/ The words would add more anguish than the wounds " ( ll. 96 – 100 ).
Regarding " Didacts and Narpets " ( which consists mostly of a drum solo ), in the October 1991 news release from the Rush Backstage Club, Neil Peart said: " Okay, I may have answered this before, but if not, the shouted words in that song represent an argument between Our Hero and the Didacts and Narpets-teachers and parents.
Clarence also speaks Richard's " Three glorious suns, each one a perfect sun ,/ Not separated with the racking clouds / But severed in a pale clear-shining sky "; Edward's " Sweet Duke of York, our prop to lean upon / Now thou art gone, we have no staff, no stay "; and Richard's " Great lord of Warwick, if we should recount / Our baleful news, and at each word's deliverance / Stab poniards in our flesh till all were told ,/ The words would add more anguish than the wounds ".
Our own word for the piano, however, is the result of a gradual truncation over time of the words shown in boldface above.
Our ability to talk to ourselves and think in words is a major part of the human experience of consciousness.
The song Our Premier with words by George F. Cameron and music by Oscar Telgmann was written in Kingston, Ontario circa 1885.
Sheet music for " Brave McClellan is Our Leader Now ," with words by Mrs. M. A.
Tautiška giesmė ( The National Hymn ) is the national anthem of Lithuania, also known by its opening words " Lietuva, Tėvyne mūsų " ( official translation of the lyrics: " Lithuania, Our Homeland ", literally: " Lithuania, Our Fatherland ") and as " Lietuvos himnas " ( Hymn of Lithuania ).
First built in 1884 by the Dartford, England engineering firm of J & E Hall Ltd as the Cyclic Elevator, the name paternoster (" Our Father ", the first two words of the Lord's Prayer in Latin ) was originally applied to the device because the elevator is in the form of a loop and is thus similar to rosary beads used as an aid in reciting prayers.
The Chief Rabbi, Sir Jonathan Sacks, and the head of the London Beth Din, Dayan Chanoch Ehrentreu, responded that, because of what they considered to be Jacobs's heretical beliefs, " they believed that had Jacobs uttered the words ' Our God who gave us the Torah of truth ', he would have made a false statement ".

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