The following year, in preparation for the Salon de la Section d ' Or, Metzinger and Gleizes wrote and published Du " Cubisme " in an effort to dispel the confusion raging around the word, and as a major defence of Cubism ( which had caused a public scandal following the 1911 Salon des Indépendants and the 1912 Salon d ' Automne in Paris ).

The concept developed in Du " Cubisme " of observing a subject from different points in space and time simultaneously, i. e., the act of moving around an object to seize it from several successive angles fused into a single image (' multiple viewpoints ' or ' mobile perspective '), is now a generally recognized phenomenon of the Cubist style.

The 1912 manifetso Du " Cubisme " by Metzinger and Gleizes was followed in 1913 by Les Peintres Cubistes, a collection of reflections and commentaries by Guillaume Apollinaire.

It was against this background of public anger that Jean Metzinger and Albert Gleizes wrote Du " Cubisme " ( published by Eugène Figuière in 1912, translated to English and Russian in 1913 ).

The fact that the 1912 exhibition had been curated to show the successive stages through which Cubism had transited, and that Du " Cubisme " had been published for the occasion, indicates the artists ' intention of making their work comprehensible to a wide audience ( art critics, art collectors, art dealers and the general public ).

In Du " Cubisme " Metzinger and Gleizes explicitly related the sense of time to multiple perspective, giving symbolic expression to the notion of ‘ duration ’ proposed by the philosopher Henri Bergson according to which life is subjectively experienced as a continuum, with the past flowing into the present and the present merging into the future.

The term solid relates to the Cubist-influenced geometric structure, an insight prompted by the epigraph from Albert Gleizes and Jean Metzinger ’ s Du Cubisme ( 1912 ).

* Jean Metzinger and Albert Gleizes publish the first major treatise on Cubism, Du Cubisme.

Jean Metzinger and Albert Gleizes wrote the first major treatise on Cubism, Du " Cubisme " in 1912.

While Pablo Picasso and Georges Braque are generally acknowledged as the founders of the twentieth-century movement that became known as Cubism, it was Jean Metzinger, together with Albert Gleizes, that created the first major treatise on the new art-form, Du " Cubisme ", in preparation for the Salon de la Section d ' Or held in October 2012.

Du " Cubisme ", published the same year by Eugène Figuière in Paris, represented the first theoretical interpretation, elucidation and justification of Cubism, and was endorsed by both Picasso and Braque.

Du " Cubisme ", which preceded Apollinaire's well known essays, Les Peintres Cubistes ( 1912, published 1913 ), emphasized the Platonic belief that the mind is the birthplace of the idea: " to discern a form is to verify a pre-existing idea.

" Du " Cubisme " quickly gained popularity running through fifteen editions the same year and was translated into several European languages including Russian and English ( the following year ).

Jean Metzinger and Albert Gleizes wrote with reference to non-Euclidean geometry in their 1912 manifesto, Du " Cubisme ".

Metzinger, for example, writes in a Pan article, two years before the publication of Du " Cubisme " that the greatest challenge to the modern artist is not to ' cancel ' tradition, but to accept " it is in us ," acquired by living.

The idea of moving around an object in order to see it from different view-points is treated in Du " Cubisme " ( 1912 ).

In Du " Cubisme " Metzinger and Gleizes had realized that figurative aspects of the new art could be abandoned: " we visit an exhibition to contemplate painting, not to enlarge our knowledge of geography, anatomy etc.

One of the essential arguments of Du " Cubisme ", was that knowledge of the world is to be gained through ' sensations ' alone.

In Du " Cubisme " Metzinger and Gleizes write that we can only know our sensations, not because they reject them as a means of inspiration.

Yet in Du " Cubisme " Jean Metzinger and Albert Gleizes articulate: " If we wished to relate the space of the painters to geometry, we should have to refer it to the non-Euclidian mathematicians ; we should have to study, at some length, certain of Riemann's theorems.

Undoubtedly though, both Metzinger and Gleizes implemented the theoretical principles derived in Du " Cubisme " onto canvas ; something clearly visible in their works produced at the time.

Bohr read the book by Jean Metzinger and Albert Gleizes on cubist theory, Du Cubisme.

Published in Du " Cubisme " by Jean Metzinger and Albert Gleizes, 1912, and Les Peintres Cubistes by Guillaume Apollinaire, 1913, Paris.

Reproduced in Du " Cubisme ", by Jean Metzinger and Albert Gleizes, 1912, Paris.

In celebration of the 100th anniversary of the publication of Du " Cubisme " by Jean Metzinger and Albert Gleizes, the Musée de La Poste in Paris presents a show entitled " Gleizes-Metzinger.

* Du " Cubisme ", written with Albert Gleizes, Edition Figuière, Paris, 1912 ( First English edition: Cubism, Unwin, London, 1913 )

* 1912-1946, Afterword to reprint of Du " Cubisme " by A. Gleizes and J. Metzinger, pp. 75 – 79, Paris, Compagnie française des Arts Graphiques, 1947

Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, Du " Cubisme ", 1912.

Albert Gleizes and Jean Metzinger, in preparation for the Salon de la Section d ' Or, published a major defence of Cubism, resulting in the first theoretical essay on the new movement, entitled Du " Cubisme " ( published by Eugène Figuière in 1912, translated to English and Russian in 1913 ).

Completed the same year that Albert Gleizes co-authored the book Du " Cubisme " with Jean Metzinger.

If Gleizes and Metzinger write in Du " Cubisme " that we can only know our sensations, it is not because they wish to disregard them, but, on the contrary, to understand them more deeply as the primary source for their own work.

The polemic resulted in the publication of Du cubisme et des moyens de le comprendre by Albert Gleizes, followed in 1922 by La Peinture et ses lois, within which appear the notion of translation and rotation that would ultimately characterize both the pictorial and theoretical aspects of Gleizes ' art.

File: Jean Metzinger, 1911-12, The Harbor, location unknown, reproduced in Du " Cubism " 1912. jpg | Jean Metzinger, 1911-12, The Harbor.

One of the masters of the form was Du Fu, who wrote during the Tang Dynasty ( 8th century ).

In 1816 he wrote the German text O Du Fröhliche .. to the melody of one of the most popular Christmas songs, O Sanctissima.

Idle wrote the lyrics and book for Spamalot, collaborating with John Du Prez on much of the music.

Other notable Feydeau farces include L ' Hôtel du libre échange, Le Dindon ( Sauce for the Goose, 1896 ) and the series of plays he wrote after 1908 grouped under the title " Du Mariage au Divorce " (" On purge bébé ", " Feu la mère de madame ", Léonie est en avance " and " Mais ne te promène donc pas toute nue ").

In 1614 Constantijn wrote his first Dutch poem, inspired by the French poet Guillaume de Salluste Du Bartas, in which he praises rural life.

In the field of juvenile and young adult literature, Darren Shan wrote a twelve-book series ( The Saga of Darren Shan ) about a boy who becomes a vampire's assistant, beginning with Cirque Du Freak ( 2000 ) and ending with Sons of Destiny ( 2006 ).

Dybeck himself originally wrote the beginning as " Du gamla, Du friska " ( Thou ancient, Thou hale ), but in the late 1850s personally changed the lyrics to " Du gamla, Du fria " ( Thou ancient, Thou free ).

It excited violent dislike to Ronsard on the part of the Huguenots, who wrote constant pasquinades against him, strove ( by a ridiculous exaggeration of the Dionysiac festival at Arcueil, in which the friends had indulged to celebrate the success of the first French tragedy, Jodelle's Cleopatre ) to represent him as a libertine and an atheist, and ( which seems to have annoyed him more than anything else ) set up his follower Du Bartas as his rival.

Among popular novelists Daphne Du Maurier wrote Rebecca, a mystery novel, in 1938 and W. Somerset Maugham ( 1874-1965 ) Of Human Bondage ( 1915 ), a strongly autobiographical novel, is generally agreed to be his masterpiece.

When the Concordat was made in 1801 between Pius VII and Napoleon, Barruel wrote: Du Pape et de ses Droits Religieux.

Besides important contributions to La France and the Revue des deux mondes, he wrote Du mysticisme au XVIIIe siècle ( 1852-1854 ), L ' Idée de Dieu ( 1864 ), Le Matérialisme et la science ( 1868 ), Le Pessimisme au XIX ' siècle ( 1878 ), Jours d ' épreuve ( 1872 ), M. Littré et le positivisme ( 1883 ), George Sand ( 1887 ), Mélanges et portraits ( i888 ), La Philosophie de Goethe ( 2nd ed., 1880 ).

He wrote poems in the shi form, modelled on those of Du Fu.

Through her daughter who married Louis-Mathurin Busson du Maurier, Clarke was the ancestress of author Daphne Du Maurier, who wrote the novel Mary Anne about her life.

After the show ended in December 2004, Andrack took a " creative break ", and wrote a book about hiking ( Du musst wandern.

Du Bois wrote in an article for the NAACP journal Crisis, his article “ Criteria of Negro Art ,” in which he argued that all art is propaganda and his art would always be political.

Conti also wrote Lettres sur la grâce, and Du devoir des grands et des devoirs des gouverneurs de province.

He wrote himself to the president, to Du Paty, and to General Boisdeffre without receiving any replies.

Du Bois wrote in Dusk of Dawn that he intended for The Crisis to represent his personal opinions: