Help


[permalink] [id link]
+
Page "North by Northwest" ¶ 57
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

François and Truffaut's
Victor's life was dramatized in François Truffaut's 1970 film L ' Enfant sauvage ( marketed in the UK as The Wild Boy and in the US as The Wild Child ).
He is included in François Truffaut's 1959 film, The 400 Blows.
Interestingly, both film versions — François Truffaut's La sirène du ( Mississippi Mermaid, 1969 ) and Michael Cristofer's Original Sin ( 2001 ) — place the action at a later time ( and elsewhere ).
* Giraudoux's name is graffitied on a Parisian wall in François Truffaut's 1959 film The 400 Blows as a reference to the writer.
François Truffaut's 1980 film Le Dernier Métro was set during the German occupation of Paris and won ten Césars for its story of a theatre production taking place while its Jewish director is concealed by his wife in the theatre's basement.
The following year, she landed her first major role in François Truffaut's The Story of Adèle H. Critics enthused over her performance, with Pauline Kael calling her acting talents " Prodigious ".
Following this, he starred in François Truffaut's final film, Confidentially Yours.
She earned respect from European critics for her performance in François Truffaut's Day for Night ( 1973 ), starred in Le Magnifique ( 1973 ) with Jean-Paul Belmondo and The Sunday Woman ( 1975 ) with Marcello Mastroianni.
In 1966, he played book-burning fireman Guy Montag in François Truffaut's film adaptation of the cult-classic Fahrenheit 451 by Ray Bradbury.
In 1966, Christie played a dual role in François Truffaut's adaptation of the Ray Bradbury novel Fahrenheit 451, where she starred opposite Oskar Werner.
In the mid-1960s he composed the highly-regarded music score for François Truffaut's Fahrenheit 451.
* Georges Delerue – " Julien et Barbara " from François Truffaut's Vivement Dimanche!
These ideas would have a pivotal importance on the development of the auteur theory, the manifesto for which was François Truffaut's 1954 Cahiers article " A Certain Tendency of the French Cinema ".
Breathless, together with François Truffaut's The 400 Blows and Alain Resnais's Hiroshima, Mon Amour, both released a year earlier, brought international acclaim to the French nouvelle vague.
This gesture was used in François Truffaut's 1966 film Fahrenheit 451.
The mild-mannered Daniel Ceccaldi is famous as Claude Jade's father Lucien Darbon in François Truffaut's movies Stolen Kisses and Bed and Board.
The production ran so late that both Almendros and camera operator John Bailey had to leave due to a prior commitment on François Truffaut's The Man Who Loved Women ( 1977 ).
In the opening scene of François Truffaut's cinematic adaptation of Fahrenheit 451, several firemen are preparing books for burning.
François Truffaut's 1966 film Fahrenheit 451 uses spoken opening credits instead of written ones, in keeping with the film's story of a world without reading matter.
Among her roles of this period is the older married woman in François Truffaut's Baisers volés ( 1968 ).
He then appeared in Ken Russell's The Music Lovers ( 1970 ), Barney Platts-Mills's Private Road ( 1971 ), and François Truffaut's The Story of Adele H. ( 1975 ), but eventually became disenchanted with acting after spending several years out of work and living on social security payments and began writing screenplays.
Her other films include Philippe de Broca's movie L ' Homme de Rio, François Truffaut's La Peau douce, Roman Polanski's Cul-de-sac and Where the Spies Are, the film of James Leasor's book, Passport to Oblivion.
She was nominated for the Academy Award for Best Supporting Actress in 1975 for her performance in François Truffaut's Day for Night.
Antoine and Colette () is the second film — a short — in François Truffaut's series about Antoine Doinel, the character he follows from boyhood to adulthood through five films.

François and book-length
In his book-length interview Hitchcock / Truffaut ( 1967 ) with François Truffaut, Hitchcock said that he wanted to do " something fun, light-hearted, and generally free of the symbolism permeating his other movies.
In his book-length interview with François Truffaut, Hitchcock / Truffaut, Hitchcock told Truffaut that he originally wanted William Holden for the Guy Haines role, but Holden declined.
Hitchcock would later voice his unhappiness with the film in François Truffaut's book-length interview Hitchcock / Truffaut.
In the book-length interview Hitchcock / Truffaut ( 1967 ), in response to fellow filmmaker François Truffaut's assertion that aspects of the remake were by far superior, Hitchcock replied " Let's say the first version is the work of a talented amateur and the second was made by a professional ".

François and interview
It included a high-definition digital transfer of Peter Bogdanovich ’ s director ’ s cut, two audio commentaries, one from 1991, featuring Bogdanovich and actors Cybill Shepherd, Randy Quaid, Cloris Leachman, and Frank Marshall ; the other from 2009, featuring Bogdanovich “ The Last Picture Show ”: A Look Back, ( 1999 ) and Picture This ( 1990 ), documentaries about the making of the film, A Discussion with Filmmaker Peter Bogdanovich, a 2009 Q & A, screen tests and location footage, and excerpts from a 1972 television interview with director François Truffaut about the New Hollywood.
His first marriage of ten years to Natalie Sullivan ended in divorce when he returned from the war to find her, as he later put it in a television interview, " not alone "; she was in fact with French president Charles de Gaulle's chef de cabinet, François Coulet, with whom she was to spend the rest of her life.
In a 1954 interview with Jacques Rivette and François Truffaut, reprinted in Jean Renoir: Interviews, Renoir said " Working on the script inspired me to make a break and perhaps get away from naturalism completely, to try to touch on a more classical, more poetic genre.
French wine critic François Mauss claimed, in an interview given to a local newspaper Lyon Mag, that the reason for the backlash was the poor quality of Beaujolais Nouveau that had flooded the market in recent decades.
Devereaux sends his son-in-law François to interview and extract information out of Jarré.
In an interview with François Truffaut, Hitchcock said that he and his wife Alma Reville wrote the first draft of the script together, before bringing in Scottish playwright James Bridie to do a polishing – but Selznick was dissatisfied with the result, and would view the previous days rushes, do a rewrite, and send the new scenes to the set to be shot.
François Mitterrand confirmed in a long interview that he had asked Jacques Attali to write this book, and acknowledged that he had proofread it and had been given the possibility to make corrections.
* An interview with François Planque
In an interview in the " Dare-Dare " program of Radio Suisse Romande ( available on their Web site ) and an interview on the Auracan. com site on the occasion of the February 2007 launch of " Les couleurs de Marcade " the most recent album in the " Cycle de Cyann " series, François Bourgeon revealed the nature of the collaboration between him and Claude Lacroix.

François and Hitchcock
Interviewed in 1966 by François Truffaut, Alfred Hitchcock illustrated the term " MacGuffin " with this story:
He once commented to François Truffaut – in Hitchcock / Truffaut ( Simon and Schuster, 1967 ) – that this particular cameo was difficult to achieve, due to the lack of passers-by in the film.
In François Truffaut's book Hitchcock / Truffaut ( ISBN 2-07-073574-5 ) Alfred Hitchcock himself described the film as " awful " and said he was " not sorry there are no known prints ".
In conversation with François Truffaut, Hitchcock said that he included the scene deliberately to show the audience how difficult it can be to kill a man.
* In Truffaut / Hitchcock, Hitchcock told François Truffaut that Under Capricorn was such a failure that Bankers Trust Company, which had financed the film, repossessed the film, which then was unavailable until the first US network television screening in 1968.
Hitchcock told François Truffaut that this film was the lowest ebb of his career.
Alfred Hitchcock refers to the effect in his conversations with François Truffaut, using actor James Stewart as the example.

4.447 seconds.