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Snorri and Sturluson's
According to Gylfaginning, a book of Snorri Sturluson's Prose Edda, Baldr's wife is Nanna and their son is Forseti.
It is briefly described in Snorri Sturluson's Gylfaginning as one of the halls of Asgard:
The first part of Snorri Sturluson's Skáldskaparmál is a dialogue between Ægir and Bragi about the nature of poetry, particularly skaldic poetry.
Gylfaginning, or the Tricking of Gylfi ( c. 20, 000 words ), is the first part of Snorri Sturluson's Prose Edda after Prologue.
In the Gylfaginning part of Snorri Sturluson's Prose Edda Höðr is introduced in an ominous way.
According to the Ragnarök prophecies in Snorri Sturluson's Gylfaginning, the first part of his Prose Edda, the sons of Muspell will break the Bifröst bridge, signaling the end of times:
According to Snorri Sturluson's interpretation of the Völuspá, the three most important norns, Urðr ( Wyrd ), Verðandi and Skuld come out from a hall standing at the Well of Urðr ( well of fate ) and they draw water from the well and take sand that lies around it, which they pour over Yggdrasill so that its branches will not rot.
Moreover, artistic license permitted such terms to be used for mortal women in Old Norse poetry, or to quote Snorri Sturluson's Skáldskaparmál on the various names used for women:
According to Snorri Sturluson's Prose Edda book Skáldskaparmál, in his retelling of the Poetic Edda poem Lokasenna, she is married to Ægir and they have nine daughters together.
Norse sources of the high medieval period, most prominently Snorri Sturluson's Heimskringla, also give a Polish princess as Cnut's mother, whom they call Gunhild and a daughter of Burislav, the king of Vindland.
Several historic works, known as the kings ' sagas were written in Norway and Iceland in the 12th and 13th centuries, the best known of which is Snorri Sturluson's Heimskringla ( c. 1220 ).
The full list of sons according to Snorri Sturluson's Heimskringla.
1334 ), and many of its stanzas are quoted or paraphrased in Snorri Sturluson's Prose Edda ( composed ca.
The Icelandic sources, in particular Snorri Sturluson's Heimskringla, state that Sigurd, like Olaf's father, was a great-grandson of King Harald Fairhair in the male line.
According to Snorri Sturluson's Heimskringla, he was named Magnus ( Magnús in Old Norse ) by Sigvatr Þórðarson, his father's Icelandic skald, after Charlemagne, Carolus Magnus in Latin.
Traditionally, following Völuspá and Snorri Sturluson's account in the Prose Edda, scholarship on the Vanir has focused on the Æsir – Vanir War, its possible basis in a war between tribes, and whether the Vanir originated as the deities of a distinct people.
In Snorri Sturluson's Prose Edda, Baldr goes to Hel upon death and subsequently Hermóðr uses Sleipnir to attempt to retrieve him.
Along with Snorri Sturluson's Prose Edda, the Poetic Edda is the most important extant source on Norse mythology and Germanic heroic legends, and from the early 19th century onwards has had a powerful influence on later Scandinavian literatures, not merely through the stories it contains but through the visionary force and dramatic quality of many of the poems.
Finally there is a short piece of prose summarizing the tale of Loki's binding, which is told in fuller form in the Gylfaginning section of Snorri Sturluson's Prose Edda.
* Snorri Sturluson's Háttatal in the original language
According to the Gylfaginning part of Snorri Sturluson's Prose Edda, Níðhöggr is a being which gnaws one of the three roots of Yggdrasill.
Halfdan is mentioned in Snorri Sturluson's Heimskringla ( c. 1230 ), Fagrskinna ( c. 1220 ), Ágrip ( c. 1190 ) and Historia Norwegiæ ( late 12th century ).
She is attested in Gylfaginning, a part of Snorri Sturluson's Prose Edda, in association with Ginnungagap and Ymir.
The only extant source of this myth is Snorri Sturluson's Prose Edda.
In Norse mythology, Nepr ( anglicized as Nep ) is the father of the goddess Nanna, according to Snorri Sturluson's Gylfaginning only.

Snorri and Haustlöng
The Skáldskaparmál, in which Snorri relates the fight between Thor and Hrungnir, mentions a very different cause, and Þjóðólfr of Hvinir's Haustlöng only describes the fight without giving the reason for it.

Snorri and source
Snorri quotes his own source saying: " The sun will go black, earth sink in the sea, heaven be stripped of its bright stars ;...." ( Section 56 ).
For events of mid-12th century, Snorri explicitly names the now lost work Hryggjarstykki as his source.
Snorri Sturluson gives an extensive account of Olaf in Heimskringla, ( c. 1230 ), using Oddr Snorrason's saga as his main source.
In contrast, in a concurrently published response, Clive Tolley argues that the term must have originated in historical usage, and as such " it is something of a misrepresentation of the evidence to suggest that Snorri is the main source for the vanir.
Orchard theorizes that, otherwise, Snorri may have had access to a lost source, and that the little information Snorri presents may be derived from the meaning of her name.
Snorri Sturluson often quotes Grímnismál and clearly used it as his source for this information.
Snorri might have been using a source in which annar ' second, another ' was intended to mean Odin, for he himself had just previously written of Odin: " The earth was his daughter and his wife ...".
The work is now lost but was used as a source by later authors, including Snorri Sturluson.
The next source for Närke appears in Heimskringla by Snorri Sturluson, where we learn that Nerike had a king named Olof the Sharp-sighted whose granddaughter married king Ingjald ill-ruler, the king of Sweden.
The Skjöldunga saga was used by Snorri Sturluson as a source when he told the story of Aðils ( Eadgils ) and Yrsa.
The poem goes into detail about the Norse cosmogony and was evidently used extensively as a source document by Snorri Sturluson in the construction of the Prose Edda who quotes it.
The Anglo-Saxon Chronicle does not make it clear that Wægdæg and Wecta are identical ( or perhaps it is Snorri or a source who has wrongly conflated Wecta with Wægdæg ).
An important source of information about poetic forms in Old Norse is the Prose Edda of Snorri Sturluson.
An immediate source for the Heimskringla of Snorri Sturluson, Fagrskinna is a central text in the genre of kings ' sagas.

Snorri and Njörðr
Njörðr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, in euhemerized form as a beloved mythological early king of Sweden in Heimskringla, also written by Snorri Sturluson in the 13th century, as one of three gods invoked in the 14th century Hauksbók ring oath, and in numerous Scandinavian place names.
In contrast, continuing the same journal thread, Leszek P. Słupecki argues that the Vanir remained distinct from the Æsir — except for Freyja and Freyr, whom he follows Snorri in seeing as having been born after Njörðr became a hostage among the Æsir, and thus regards as Æsic — and therefore that Ragnarök " no importance for their world ".
" Further, Snorri writes that, after this, Njörðr dwelt in Nóatún, Freyr dwelt in Uppsala, Heimdall at Himinbjörg, Thor at Þrúðvangr, Baldr at Breiðablik and that to everyone Odin gave fine estates.

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