The Art of Discworld confirms that the Librarian was indeed Dr. Horace Worblehat, and that his fears of turning back into human are baseless at most.

While no detailed description of his physical appearance shows up in any of the Discworld novels, Pratchett says in the companion work, The Art of Discworld, that he has always imagined Vimes as a younger, slightly bulkier version of British actor Pete Postlethwaite.

In The Art of Discworld, Pratchett explains that Vimes protects himself from the Beast with the symbol of his own badge, which prevents him from becoming the criminal he despises, at least in his own mind.

As the series progresses, she also begins to take on roles educating children, so that, as Pratchett mentions in The Art of Discworld, she has " ended up, via that unconscious evolution that dogs characters, a kind of Goth Mary Poppins ".

In The Art of Discworld, Paul Kidby draws Susan in Edwardian clothing, which he feels fits well with her job as a nanny in Hogfather.

In The Art of Discworld, Pratchett identifies The Little Grey Men and Down the Bright Stream, both by " BB ", the nom-de-plume of Denys Watkins-Pitchford, as possible inspiration, featuring faries that could talk to animals, but " there was nothing tinkly about them ; they lived in a world of dangers.

In The Art of Discworld, cover artist Paul Kidby acknowledged Connolly as the inspiration for Yan's look.

In the Discworld Companion, Pratchett describes Wee Mad Arthur, an Ankh Morpork gnome, as an urbanised Nac Mac Feegle, ( however, he is later revealed to be a Feegle ( see above )) and Paul Kidby's illustration of Buggy Swires in The Art of Discworld is indistinguishable from the pictsies on the cover of The Wee Free Men.

In The Art of Discworld, Pratchett says, " I've always suspected that Nanny is, deep down, the most powerful of the witches and part of her charm lies in the way she prevents people from finding this out.

In the " Art of Discworld ," Terry Pratchett notes that he has always believed that Nanny Ogg is the most powerful of the witches, but that she is far too clever to let it be known.

In The Art of Discworld, Pratchett mentions a fossil species of Mesozoic ginkgo known as Ginkgoites nannyoggiae.

In The Discworld Companion, Pratchett claimed that Foul Ol Ron and his Canting Crew were listed as a special Guild classification all their own, having previously referred to Ron as " a Mutterer in good standing " in Men at Arms ; however, in The Art of Discworld and later novels he claims that they are not members of the Guild, which has too many rules for their tastes.

As Terry Pratchett notes in The Art of Discworld, humour, as a profession, is hard, and nowhere is it harder than in the Fools ' Guild.

The portfolio was published in 1996 and followed in 2004 by The Art of Discworld.

Terry Pratchett even says in The Art of Discworld that he has received a number of letters from terminally ill fans in which they hope that Death will resemble the Discworld incarnation ( he also says that those particular letters usually cause him to spend some time staring at the wall ).

In The Art of Discworld, Pratchett explains that " the wizards invented something sufficiently computer-like that computerness entered into it.

In The Art of Discworld Pratchett says that Carrot has a bright future ahead of him, " should Lord Vetinari not survive the next assassination attempt.

Pratchett describes the Assassins ' Guild in The Art of Discworld as a typical British public school with the knobs turned up to eleven.

The Art of Discworld is a descriptive book of the world of the Discworld as portrayed in Terry Pratchett's Discworld series.

The season continued with Shakespeare's All's Well That Ends Well, Nation which was based on the novel by Terry Pratchett and adapted by Mark Ravenhill and Alan Bennett's The Habit of Art ''.

Art is a term that describes a diverse range of human activities and the products of those activities, but here refers to the visual arts, which cover the creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media.

Cruciferae, an older name, meaning " cross-bearing ", describes the four petals of mustard flowers, which are reminiscent of a cross ; it is one of eight plant family names without the suffix-aceae that are authorized alternative names ( according to ICBN Art.

Michigan State University Comic Art Collection librarian Randy Scott describes these as " large sheets of paper on which newspaper comics have traditionally been distributed to subscribing newspapers.

Israel has always strongly objected to the Charter, which describes the establishment of the state of Israel as " entirely illegal " ( Art.

In " The Art of Romare Bearden ", Ruth Fine describes his themes as " universal ".

The subword "< i > wushi </ i >," ( 武士 ) when bifurcated into two parts, the first term "< i > wu </ i >" ( 武 ) describes a person competent in martial arts such as King Wu, with the second term "< i > shi </ i >," ( 士 ) meaning army .< ref > 易經道 Yijing Dao, 鳴鶴在陰, Calling crane in the shade, Biroco-The Art of Doing Nothing, 2003-2012, 馬夏 ( Ma, Xia ) < i > et </ i >.

Fludd's philosophy is presented in Utriusque Cosmi, Maioris scilicet et Minoris, metaphysica, physica, atque technica Historia ( The metaphysical, physical, and technical history of the two worlds, namely the greater and the lesser, published in Germany between 1617 and 1621 ); according to Frances Yates, his memory system ( which she describes in detail in The Art of Memory, pp. 321 – 341 ) may reflect the layout of Shakespeare's Globe Theatre ( The Art of Memory, Chapter XVI ).

Probably the earliest non-Western dramaturgic work is the Indian Sanskrit " Natayasatra " (' The Art of Theatre ') written about 100 AD, which describes the elements, forms and narrative elements of the ten major types of ancient Indian dance dramas.

The Book The Art of the Metaobject Protocol describes the use and implementation of the CLOS MOP.

* The Art of Nomography describes the design of nomograms using geometry, determinants, and transformations.

Samir al-Kalil's book Monument: Art, Vulgarity, and Responsibility in Iraq describes the Arc of Triumph and Saddam's programme of producing lavish monument celebrating his reign.

The American scholar of Asian cultures Ernest Fenollosa describes the Guze Kannon he uncovered at Hōryū-ji along with the Tamamushi Shrine as ” two great monuments of sixth-century Corean Art ”.

The term Viennese Actionism describes a short and violent movement in 20th-century art that can be regarded as part of the many independent efforts of the 1960s to develop " action art " ( Fluxus, Happening, Performance, Body Art, etc .).

He also published a book, The Art of Color, which describes these ideas as a furthering of Adolf Hölzel's color wheel.

It has also attracted criticism from experts, including Art Caplan, a bioethicist, who describes the diet as " stupid " and " outrageous ".

He details these ideas in his 1970 booklet " The Art of Community "; his 2003 articles " The Enterprise of Community: Market Competition, Land, and Environment " and " Looking Back and Forward " ( which describes the influence of his grandfather ); and his 2005 article on stateless social organization " From Upstate New York to the Horn of Africa ".

Comparing the building to the Sullivan Center and the Art Institute of Chicago Building, Kamin describes the museum as an homage to two of Chicago's architectural influences: Ludwig Mies van der Rohe and Louis Sullivan.

In an interview, John Szarkowski of New York's Museum of Modern Art ( MoMA ) describes his first, 1969 encounter with the young Eggleston as being " absolutely out of the blue ".

In an interview with Phong Bui in The Brooklyn Rail, Close describes an early encounter with a Jackson Pollock painting at the Seattle Art Museum: " I went to the Seattle Art Museum with my mother for the first time when I was 11.

In an interview in the Museum of Modern Art, New York, conducted in 2006, the poet John Ashbery describes how he wanted to sit next to Michel Butor at a dinner in New York.

Allen has written three books, Getting Things Done: The Art of Stress-Free Productivity, which describes his productivity program, Ready for Anything: 52 Productivity Principles for Work and Life, a collection of newsletter articles he has written, and Making It All Work: Winning at the Game of Work and Business of Life, a follow-up to