I tested it in my scoped S & W and it was good enough to allow me to hit a chuck with every shot at 100 yards if I did my part by holding the handgun steadily.

From Fig. 6 the relationship between these parameters can readily be derived and the cutting force is Af where **yl is the shear strength of the coating and is a parameter of the coatings material, W is the width of the removed coating and T is its thickness.

Mr. Kililngsworth was a foreman with S and W Cafeteria.

Paris at this time hosted many expatriate writers: Ezra Pound, W. B. Yeats, Ernest Hemingway ; and artist Pablo Picasso.

The original Oscar mold was cast in 1928 at the C. W.

* Crosby, Alfred W .: The Columbian Exchange: Biological and Cultural Consequences of 1492.

* " Animal " ( Fuck Like a Beast )" by W. A. S. P.

New York: W. W. Norton & Company, 2000.

* Noe, Kenneth W. Perryville: This Grand Havoc of Battle.

* Russell W. Porter founded Stellafane and has been referred to as the " founder "< ref >

* Instrument panel light ( typically 2 W ): 166 mA.

* Headlights ( typically 60 W ): 5 A each.

* John W. Campbell, an influential science fiction writer who " shaped the Golden Age of Science Fiction "

He is an admirer of the work of W. Somerset Maugham, especially the Ashenden stories.

* Then and Now by W. Somerset Maugham

* 1874 – W. Somerset Maugham, English writer ( d. 1965 )

* 1915 W. Somerset Maugham's Of Human Bondage

** W. Somerset Maugham, English writer, best known of the Maughams.

Herbert, Thomas Hood, Douglas William Jerrold ( 1841 – 1857 ), James Leavey, George du Maurier, George Melly, John McCrae, A. A. Milne, Anthony Powell, W. C. Sellar and R. J. Yeatman, William Makepeace Thackeray, Sir Henry Lucy, John Hollingshead, Artemus Ward, Somerset Maugham, P. G.

Examples are Ashenden or: the British Agent ( 1928 ) by W. Somerset Maugham, about counter-revolutionary British espionage against Bolshevik Russia, and The Mystery of Tunnel 51 ( 1928 ) by Alexander Wilson whose novels conveyed an uncanny portrait of the first head of the Secret Intelligence Service, Mansfield Smith-Cumming, the original ' C '.

Some post-attack period novels are about intelligence officers and the profession of intelligence, and some are by insiders ( as were W. Somerset Maughum and Graham Greene for their generations ).

W. Somerset Maugham, who wrote over a hundred short stories, was one of the most popular authors of his time.

* Maugham, W. Somerset, 1938, The Summing Up.

* Maugham, W. Somerset, 1962, Looking Back.

* Works by W. Somerset Maugham at LibriVox ( audiobooks )

* W. Somerset Maugham at Internet Off-Broadway Database

* W. Somerset Maugham at the Internet Book List

* W. Somerset Maugham and Beaufort County, South Carolina – Beaufort County Library

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* Gerald Haxton, secretary and lover of W. Somerset Maugham ( d. 1944 )

Some, however, dealt with professional spies as in Hitchcock's Secret Agent ( 1936 ), based on W. Somerset Maugham's Ashenden stories.

* " The Letter ", a short story in W. Somerset Maugham's 1926 collection The Casuarina Tree

After more than 20 film roles, the role of the vicious and slatternly Mildred Rogers in the RKO Radio production of Of Human Bondage ( 1934 ), a film adaptation of W. Somerset Maugham's novel, earned Davis her first major critical acclaim.

Gauguin's life inspired W. Somerset Maugham's novel The Moon and Sixpence.

Liza of Lambeth ( 1897 ) was W. Somerset Maugham's first novel, which he wrote while working as a doctor at a hospital in Lambeth, then a working class district of London.

Howard had earlier co-starred with Davis in the film adaptation of W. Somerset Maugham's book Of Human Bondage ( 1934 ) and later in the romantic comedy It's Love I'm After ( 1937 ) ( also co-starring Olivia de Havilland ).

She played opposite Rex Harrison in his final acting role in a Broadway revival of W. Somerset Maugham's play The Circle in 1990.

The 1964 remake of W. Somerset Maugham's Of Human Bondage was a failure, as was The Outrage ( 1964 ), director Martin Ritt's remake of Akira Kurosawa's classic Rashomon, despite the presence of Paul Newman.

In 1933 he played the title role in W. Somerset Maugham's final play Sheppey at Wyndham's Theatre.

She appeared in W. Somerset Maugham's Home and Beauty in 1919, repeated Dora at His Majesty's Theatre in 1920 and elsewhere thereafter, and played numerous roles at the Playhouse Theatre.

Her television acting in the late 1960s and early 1970s included The Door of Opportunity ( 1970 ) with Ian Ogilvy, adapted from W. Somerset Maugham's story, followed by August Strindberg's The Stronger ( 1971 ) with Britt Ekland, and Terrible Jim Fitch ( 1971 ) by James Leo Herlihy, which once more paired Faithfull with Nicol Williamson.

The Yellow Book is also mentioned in W. Somerset Maugham's Of Human Bondage:

In 1964, she played a vulgar waitress in a remake of W. Somerset Maugham's drama Of Human Bondage opposite Laurence Harvey ; and replaced the late Marilyn Monroe as a sultry barmaid in Billy Wilder's Kiss Me, Stupid with Dean Martin and Ray Walston.

In 1926, she scored one of her greatest successes as the sophisticated spouse of a philandering husband in W. Somerset Maugham's comedy, The Constant Wife.

* The main character, Philip Carey, in W. Somerset Maugham's novel Of Human Bondage, has a club foot, a central theme in the work.

Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband ( 1965 / 66, in which she played the villainous Mrs Cheveley ), W. Somerset Maugham's Lady Frederick ( 1970 ), Relative Values ( Noël Coward revival, 1973 ), and the thrillers Spider's Web ( 1955, written for her by Agatha Christie ), Signpost to Murder ( 1962 ), and Double Edge ( 1975 ).

Other than re-releases of his films, Power wasn ’ t seen on screen again after his entry into the Marines until 1946, when he co-starred with Gene Tierney in The Razor's Edge, an adaptation of W. Somerset Maugham's novel of the same name.

Żubrówka is featured in W. Somerset Maugham's novel The Razor's Edge.

The title is a reference to W. Somerset Maugham's retelling of an old story, which appears as an epigraph for the novel: A merchant in Baghdad sends his servant to the marketplace for provisions.

From 1923-29 she appeared as the Principessa della Cercola in W. Somerset Maugham's Our Betters ( Globe, 1924 ) and as Mrs. Linden in Ibsen's A Doll's House ( Playhouse, 1925 ) in the West End, along with engagements at club theatres such as the Q Theatre and the Arts Theatre and a short 1926 Chekhov season at the small Barnes Theatre under Victor Komisarjevsky ( playing Charlotta Ivanovna, in The Cherry Orchard and Olga in Three Sisters ).

They appeared together in the UK in The School for Scandal at the Duke of York's Theatre in London's West End and on the subsequent British Council tour of Europe in 1983 – 84 and in W. Somerset Maugham's The Circle at the Chichester Festival Theatre.

Other appearances on Broadway included: W. Somerset Maugham's The Letter ( 1927 ), Sidney Howard's The Alien Corn ( 1933 ), Juliet in Romeo and Juliet ( 1934 ), Maxwell Anderson's The Wingless Victory ( 1936 ), S. N. Behrman's No Time for Comedy ( 1939 ), a Tony Award-winning Cleopatra in Antony and Cleopatra ( 1947 ), and a revival of Maugham's The Constant Wife ( 1951 ).