* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

" However, in his review for the Chicago Reader, Dave Kehr, wrote " it fails to satisfy – it gives us too little of too much.

" Conversely, Pat Graham of Chicago Reader disliked the mix of horror and comedy, writing in his review that " The pop-up humor and smirkiness suggest Raimi's aspiring to the fashionable company of the brothers Coen, though on the basis of this strained effort I'd say he's overshot the mark.

Chicago Tribune critic Chris Jones, noted in his review of the Broadway musical, " Bloody, Bloody, Andrew Jackson " that the hybrid had become the most viable of the contemporary formats.

* Brian Whitaker, " Distorting Desire ", review, Joseph Abbad, Desiring Arabs, Chicago: University of Chicago Press, 2007, from Al-Bab. com, on Reflections of a Renegade blog site

The Chicago Sun-Times dubbed the Park Grill the " Clout Cafe " and included the contract award process in a year-end review of 2005 Daley administration scandals.

* Roger Ebert, review, The Last Emperor, Chicago Sun-Times, December 9, 1987.

In his review in the Chicago Sun-Times, a disappointed Roger Ebert wrote, " The characters in this movie may look like adults, but they think like teenagers.

Ebert is known for his film review column ( appearing in the Chicago Sun-Times since 1967, and later online ) and for the television programs Sneak Previews, At the Movies with Gene Siskel and Roger Ebert, and Siskel and Ebert and The Movies, all of which he co-hosted for a combined 23 years with Gene Siskel.

In 1975, Ebert and Gene Siskel of the Chicago Tribune began co-hosting a weekly film review television show, Sneak Previews, which was locally produced by the Chicago public broadcasting station WTTW.

Roger Ebert of the Chicago Sun-Times gave the film a three-star rating in his review, while Peter Rainer of the The Los Angeles Times wrote that " the action upstaged the actors.

Two months after the showing in Chicago and Wilmington's review, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being " culturally, historically, or aesthetically significant.

In his review for the Chicago Sun-Times, Roger Ebert wrote, " Diane Keaton gives us a fresh and nicely edged New York intellectual.

Roger Ebert awarded the film four out of four stars and wrote in his review for the Chicago Sun-Times, " The movie is a satire that contains just enough realistic ballast to be teasingly plausible ; like Dr. Strangelove, it makes you laugh, and then it makes you wonder.

Jonathan Rosenbaum, in his review for the Chicago Reader, praised Holly Hunter's performance as " something of a revelation: her short, feisty, socially gauche, aggressive-compulsive character may be the most intricately layered portrait of a career woman that contemporary Hollywood has given us ".

Film critic Roger Ebert of the Chicago Sun-Times wrote a positive review of the film, enjoying the story as well as the animation.

Roger Ebert's review for the Chicago Sun-Times was :" Any attempt to defend this movie on rational grounds is futile.

Roger Ebert derided the film with two stars in his review for the Chicago Sun-Times, and mentioned, " it lacks much of the flash, fire and humor of Muhammad Ali and is shot more in the tone of a eulogy than a celebration ".

Roger Ebert of the Chicago Sun-Times awarded the film three out of four stars, concluding his review by stating, " It's one of the most expensive B-pictures ever made, and I think that helps it fit the subject.

However, Jonathan Rosenbaum gave the film a mixed review in the Chicago Reader.

Roger Ebert, in his review for the Chicago Sun-Times, criticized the film for being " a mediocre movie with a good one trapped inside, wildly signaling to be set free ".

Dave Kehr, in his review for the Chicago Reader, wrote, " The first-time director, Harold Ramis, can't hold it together: the picture lurches from style to style ( including some ill-placed whimsy with a gopher puppet ) and collapses somewhere between sitcom and sketch farce ".

In August 2005, film critic Roger Ebert of the Chicago Sun-Times responded to the Schneider-Goldstein conflict in his review for Deuce Bigalow: European Gigolo.

In his review in the Chicago Sun-Times, Roger Ebert gave the film his highest four stars, calling it " a small film to treasure.

Chicago Sun-Times film critic Roger Ebert discussed in his review the film's major goal, writing, " Most dances are for people who are falling in love.

Many critics reviewed the album, Pitchfork Media quotes " The Richard D. James Album is 43. 5 minutes of pure electronic genius " A review by the Chicago Sun-Times < nowiki >'</ nowiki > Jim DeRogatis said of the album: " James has turned inward for inspiration, painting aural pictures of real and imagined scenes from his West Country childhood.

As noted by Roger Ebert in his review for the Chicago Sun-Times, "... anachronisms, guest stars, quixotic poker-faced heroes and utterly pointless scripts ," were the hallmark of films helmed by Cox.

Roger Ebert of the Chicago Sun-Times praised the film in his review saying, " The Prince of Egypt is one of the best-looking animated films ever made.

Roger Ebert of the Chicago Sun-Times was particularly enthusiastic in his review: he called it " one of the best films of the year ", and listed it as one of his five best films of 1999, stating " this could have been a clinical movie of the week, but instead it's a sad song about a free spirit who tried to fly a little too close to the flame ".

Roger Ebert in his Chicago Sun-Times review praised it as " an anarchic slob movie, a celebration of all that is irreverent, reckless, foolhardy, undisciplined, and occasionally scatological.

Roger Ebert of the Chicago Sun-Times gave a highly positive review, awarding the film three and a half stars out of four, remarking:

However, in his review for the Chicago Sun-Times, Roger Ebert wrote, " special effects don't mean much unless we care about the characters who are surrounded by them, and in this movie the characters often seem to exist only to fill up the foregrounds ", and felt that it was " straight out of the era of Charlie Chan and Fu Manchu, with no apologies and all of the usual stereotypes ".

In his Chicago Sun-Times review, Roger Ebert compliments the acting in the film, including lead Prinze.

Summing up Barrymore's appeal, Roger Ebert, in his review of 50 First Dates, described Barrymore as having a " smiling, coy sincerity ," describing the film as " ingratiating and lovable.

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

Although movie critic Roger Ebert was not impressed with most of the other actors, he writes in his review, " ... we discover once again what a warm and engaging actor Peter Falk is.

On May 12, Clemens broke a long silence to denounce an heavily-researched expose by four investigative reporters from the New York Daily News, called American Icon: The Fall of Roger Clemens and the Rise of Steroids in America's Pastime Clemens went on ESPN's Mike and Mike show to call the book " garbage ", but a review by Michiko Kakutani of The New York Times called the book " gripping " and compared it to the work of Bob Woodward.

In Roger Ebert's review of the 2004 movie Secret Window, he stated, " A lot of people were outraged that was honored at the National Book Awards, as if a popular writer could not be taken seriously.

* Roger Ebert review of The Wild Bunch

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

* " Great Movies " review by Roger Ebert

In 2004, a review article by Simpson and Roger noted that the Protista were " a grab-bag for all eukaryotes that are not animals, plants or fungi ".

" Film critic Roger Ebert gave Mulan three and a half stars out of four in his written review.

" Roger Ebert gave the theatrical version of the film a less than positive review, but later gave a positive review of the director's cut.

* Roger Ebert review

" In his review of the film, Roger Ebert says that " Chaplin was technically not playing the Tramp ", but Ebert also states that, " He put the Little Tramp and $ 1. 5 million of his own money on the line to ridicule Hitler ".

" In a 2000 review for All About Eve, ( 1950 ) Roger Ebert noted, " Davis was a character, an icon with a grand style, so even her excesses are realistic.

Roger Ebert gave Bonnie and Clyde a largely positive review, giving it four stars out of a possible four.

* Is featured on Roger Ebert's " Great Movies " list, though Ebert's original review of the film granted it only three out of four stars.

" In a later review, Roger Ebert solidified the status of the film, " If I were asked to name the single scene in all of romantic comedy that was sexiest and funniest at the same time, I would advise beginning at six seconds past the 20-minute mark in Preston Sturges's " The Lady Eve '.