In his review of the original 1973 Broadway production, Clive Barnes in the New York Times called the musical " heady, civilized, sophisticated and enchanting.

In his New York Times review of the 2009 Broadway production, Ben Brantley noted that " the expression that hovers over Trevor Nunn's revival ... feels dangerously close to a smirk ... It is a smirk shrouded in shadows.

Howard Taubman in his New York Times review wrote that Laurents ' " book lacks the fantasy that would make the idea work, and his staging has not improved matters.

In her review for the New York Times, Janet Maslin praised, " Mr. Campbell's manly, mock-heroic posturing is perfectly in keeping with the director's droll outlook ".

* " After an Early Bedtime, Calvin and Hobbes Are Up and Running in a New Collection "-Washington Post book review including broad look at Watterson's career

A review by Food Standards Australia New Zealand and others of the 2009 Vendômois et al.

* Towards a New Science of Architecture Michael Mehaffy's review of The Nature of Order

Labor Service in Nazi Germany and New Deal America, 1933-1945, ( 2005 ), ISBN 0-521-83416-3. online review

In popular myth, the word ' documentary ' was coined by Scottish documentarian John Grierson in his review of Robert Flaherty's film Moana ( 1926 ), published in the New York Sun on 8 February 1926, written by " The Moviegoer " ( a pen name for Grierson ).

Don Heckman reported the bomb scare in his review for the New York Times entitled “ Don McLean Survives Two Obstacles .”

* Toulmin, Stephen, " Fall of a Genius ", a book review of " Alan Turing: The Enigma by Andrew Hodges ", in The New York Review of Books, 19 January 1984, p. 3ff.

" Vincent Canby, in his review for the New York Times, wrote, " film is not to be analyzed too solemnly, though.

In June, Burmese Days was published and Cyril Connolly's review in the New Statesman prompted Orwell to re-establish contact with his old friend.

" King Kong vs. Godzilla " ( film review ) The New York Times.

The New York Times did not review the film upon release, but film critic Howard Thompson gave it a positive review on a re-release at a children's matinee with the Bugs Bunny short, Napoleon Bunny-Part, in December 1970.

New York Times film critic Vincent Canby, who a decade before had given a negative review to Ghidorah, the Three-Headed Monster, gave Godzilla vs. Megalon a generally positive review.

Another ' Godzilla ' Movie ; Monster Is Now a Good Guy ( film review ) at The New York Times.

The New York Times reviewed the play saying " Mr. Davalos has molded a daft campus comedy out of this unlikely convergence ," and nytheatres review said the playwright " has imagined a fascinating alternate reality, and quite possibly, given the fictional Hamlet a back story that will inform the role for the future.

However The New York Times review of Deighton's novel appeared to treat Samson's remark as factual, and added the detail that Kennedy's audience found his remark funny:

In a 1989 review of his work, Vincent Canby of The New York Times called Jarmusch " the most adventurous and arresting film maker to surface in the American cinema in this decade ".

In the May 27, 2010, issue of The New York Review of Books, Columbia professor Mark Lilla analyzed five recent books dealing with American political party discontent in a review titled, " The Tea Party Jacobins ".

* New York Times book review of Blood and Thunder

The IMA Commission on New Minerals and Mineral Names recently adopted ( in 2009 ) a hierarchical scheme for the naming and classification of mineral groups and group names and established seven commissions and four working groups to review and classify minerals into an official listing of their published names.

In the same conversation, he criticizes The New York Times review of the film, which mistakes his message for being a call for voter organizing rather than media critique.

* June 12, 1922 review of Nanook of the North in the New York Times

* Johnson, George " Evolution Between the Ears ", " New York Times ," April 19, 1992, accessed April 16, 2007 ( a critical review of Gerald Edelman's 1992 book Brilliant Air, Brilliant Fire )

The New York Times review of the original 1976 production said " The lyrics are totally Western and — as is the custom with Mr. Sondheim — devilish, wittily and delightfully clever.

The New York Times review of the 1984 revival stated that " the show attempts an ironic marriage of Broadway and Oriental idioms in its staging, its storytelling techniques and, most of all, in its haunting Stephen Sondheim songs.

Giuliani eventually decided to forego the priesthood, instead attending New York University School of Law in Manhattan, where he made law review and graduated cum laude with a Juris Doctor in 1968.

In 2007, the Times printed another Editor ’ s Note after Hesser published a review of Vegetable Garden by Patricia Wells without disclosing that in 1999, Wells had contributed a jacket blurb for Hesser ’ s book The Cook and the Garden.

Olivier's 1937 performance at the Old Vic Theatre was popular with audiences but not with critics, with James Agate writing in a famous review in The Sunday Times, " Mr. Olivier does not speak poetry badly.

After the war ended Sartre established Les Temps Modernes ( Modern Times ), a quarterly literary and political review, and started writing full-time as well as continuing his political activism.

" In the Los Angeles Times review, critic Kenneth Turan noted that Dunst and Maguire made a real connection on screen, concluding that their relationship involved audiences to an extent rarely seen in films.

** A review by Bernard Cornwell in The Times

In his review for The New York Times, Vincent Canby, while quite critical of the film overall, praised Douglas ' work as " the funniest, canniest performance of his career ".

In his review in The New York Times, Vincent Canby called the film " an uproarious display of brilliance, nerve, dance, maudlin confessions, inside jokes and, especially, ego " and " an essentially funny movie that seeks to operate on too many levels at the same time ... some of it makes you wince, but a lot of it is great fun ... A key to the success of the production is the performance of Roy Scheider as Joe Gideon ... With an actor of less weight and intensity, All That Jazz might have evaporated as we watched it.

Vincent Canby, in an " NYT Critics ' Pick " review of the documentary, called McElwee a " film maker-anthropologist with a rare appreciation for the eccentric details of our edgy civilization "; the film " which was made in 1981, is a timely memoir of the 80's.

Vincent Canby began his review by calling the film " very beautiful and the first truly interesting American-made Western in years.

In a brief review, Vincent Canby wrote that it was " not exactly incoherent, but whatever it originally had on its mind seems to have slipped away ".

Vincent Canby, in his November 1976 review of the film for The New York Times, called the film " outrageous ... brilliantly, cruelly funny, a topical American comedy that confirms Paddy Chayefsky's position as a major new American satirist " and a film whose " wickedly distorted views of the way television looks, sounds, and, indeed, is, are the satirist's cardiogram of the hidden heart, not just of television but also of the society that supports it and is, in turn, supported.

" Vincent Canby's review for The New York Times praised Martin's performance: " the film has an actor who's one of America's best sketch artists, a man blessed with a great sense of timing, who is also self-effacing enough to meet the most cockeyed demands of the material.

" Vincent Canby, of the New York Times, gave the film a highly favorable review, going as far as to say that it " sets new standards for Mr. Allen as well as for all American movie makers.

In his review for The New York Times, Vincent Canby wrote, " As the fast-talking Aaron, Albert Brooks comes very close to stealing Broadcast News.

In his review for the New York Times, Vincent Canby wrote that Buckaroo Banzai " may well turn out to be a pilot film for other theatrical features, though this one would be hard to top for pure, nutty fun ".

In his review for The New York Times, Vincent Canby wrote, " It's by far the best thing he's ever done ", referring to Nicholson's performance.

Vincent Canby, in his review of the film for the New York Times, wrote: " Norma Rae is a seriously concerned contemporary drama, illuminated by some very good performances and one, Miss Field's, that is spectacular.

When the film was released, Vincent Canby, film critic for The New York Times, gave the film a positive review, writing, " Early in The Forbin Project, Colossus, a supercomputer that controls the United States ' military defense system, goes into an unprogrammed rage and launches a missile toward the Soviet Union.

A review of the exhibition by curator Everl Adair noted the influence of Vincent Van Gogh and Georgia O ' Keeffe on her paintings and concluded that her surviving corpus of art " represents the work of a talented, visionary woman who rose above tremendous odds to create a fascinating body of work — one that inspires us to celebrate the life that might have been.

In his review for the New York Times, Vincent Canby called the film a " surprisingly cheesy horror film to come from Mr. Carpenter, a director whose work is usually far more efficient and inventive.

The film received a mixed-to-negative review in The New York Times, with Vincent Canby saying " Staying with it through its almost three-hour running time becomes increasingly nerve-racking, like watching superimposed images that never synchronize.

Debussy's friend Paul Dukas lauded the opera, Romain Rolland described it as " one of the three or four outstanding achievements in French musical history ", and Vincent d ' Indy wrote an extensive review which compared the work to Wagner and early-17th-century Italian opera.

In a review in The New York Times, film critic Vincent Canby praised her for a " ravishing performance ".

In his review for The New York Times, Vincent Canby wrote, " Had Mr. Cronenberg settled simply for horror, as John Carpenter did in his classic Halloween ( though not in his not-so-classic The Fog ), Scanners might have been a Grand Guignol treat.

review of Vincent Persichetti: The Louisville Orchestra for Sequenza21. com