The 1982 science fiction film Star Trek II: The Wrath of Khan used " Amazing Grace " amid a context of Christian symbolism, to memorialize the death of Mr. Spock but more practically, because the song has become " instantly recognizable to many in the audience as music that sounds appropriate for a funeral " according to a Star Trek scholar.

The song was later featured in the film The Birdcage ( 1996 ) and performed by Robin Williams and Christine Baranski.

" And the song " New York, New York " ( by Betty Comden and Adolph Green from the 1940s musical comedy and film, " On the Town ") explains that " The Bronx is up and the Battery's down.

Benny Andersson has written music to several films for screen and television ; the first attempt in the early 1970s for the obscure Swedish movie The Seduction Of Inga: the film flopped, but the ' Björn & Benny ' single " She's My Kind Of Girl " surprised the composers by being released in Japan and becoming a Top 10 hit ( the song renamed in Japan as " The Little Girl Of The Cold Wind ").

The soundtrack does not include every song played in the film, which also included " In the Wind " by War Babies and " Inner Mind " by Eon.

Her stories have been retold in song, film, ballet and animation.

The song is heard in a choral rendition by Ken Darby in the 1968 John Wayne film, The Green Berets, based on Moore's book.

* The song is used to humorous effect in Michael Moore's film Canadian Bacon as ill-informed Americans prepare for an invasion by Canada.

* In the movie Wag the Dog, the fictitious unit 303 Special Forces has a song created titled " The Men of the 303 " that is played to a deliberately similar but original tune written by Huey Lewis for the film.

* In the film Caddyshack, Carl Spackler, played by Bill Murray, mumbles the song under his breath while he is connecting the wires to the plunger as he prepares for his final battle with his gopher nemesis.

Also in the early 1970s, the soundtrack for the ground-breaking animated film Fritz The Cat contained his song " Bo Diddley ", in which a crow idly finger-pops along to the track.

Chaplin's performance of a gibberish song did, however, give the Tramp a voice for the only time on film.

The song " Perhaps, Perhaps, Perhaps " was included in the soundtrack of the Australian film Strictly Ballroom, and became a theme song for the British TV show, Coupling, with Mari Wilson performing it for the title sequence.

( The VHS version of the 1980s, sharing the removal of the Scarecrow's laugh from Terry Gilkyson's title song, was expanded to include the story material from all three TV episodes, while retaining feature film structure and credits ; it was available for a relatively short amount of time.

" 9 to 5 ", the theme song to the feature film 9 to 5 ( 1980 ) Parton starred in along with Jane Fonda and Lily Tomlin, not only reached number one on the country charts, but also, in February 1981, reached number one on the pop and the adult-contemporary charts, giving her a triple-number-one hit.

Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, " That film of yours — I've got a new song for it.

In March 1982, the month before Paul Schrader's film Cat People came out, Bowie's title song, " Cat People ( Putting Out Fire )", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie's song " I'm Afraid of Americans " from the Paul Verhoeven film Showgirls was re-recorded for the album, and remixed by Trent Reznor for a single release.

He sang in a duet of his 1972 song " Changes " with Butterfly Boucher for the 2004 animated film Shrek 2.

During a relatively quiet 2005, he recorded the vocals for the song "( She Can ) Do That ", co-written with Brian Transeau, for the film Stealth.

The Bonzo Dog Doo Dah Band is seen playing its song " Death Cab for Cutie " ( also performed in The Beatles ' film Magical Mystery Tour ) in the DVD, Episode 7.

It was remade as Pocketful of Miracles in 1961, with Bette Davis in the Apple Annie role ( fused with the old woman from Runyon's short story " The Brain Goes Home "); Frank Sinatra recorded the upbeat title song ( his rendition is not used in the film ).

The song " Baby Doll " was used in the film Tapeheads, with newly recorded Swedish lyrics, and was credited to ( and shown in a music video by ) a fictitious Swedish band called Cube-Squared.

Fuller went into a collaborative partnership with composer Ben Weisman and co-wrote one song, " Rock-A-Hula Baby ", for the film.

A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.