He had seen a few nester wagons go through the country, the families almost starving to death, but he had never seen any of them on foot and as bad off as these two.

`` Maybe you and me will, girlie, but these two ain't goin' nowhere ''.

One is tempted to say that, on the difference between the concepts of sovereignty in these two preambles, the worst war of the Nineteenth century was fought.

The trick these two play upon Jacoby reveals their want not simply of decency but of imagination as well.

Whatever pole of this contrast one emphasizes and whatever the tension between these two approaches to understanding the artistic imagination, it will be readily seen that they are not mutually exclusive, that they belong together.

Of these there are surely few that would be more rewarding discoveries than Verner Von Heidenstam, the Swedish poet and novelist who received the award in 1916 and whose centennial was celebrated two years ago.

and it is surely clear that the first of these is the result of the way in which the individual's command of language interacts with the other two.

Each will decide on his own course somewhere between these two extreme cases according to the sense of responsibility which is determined for him by the particular circumstances of his own life.

Since two of these could be trustees of the college, actually it would be necessary to have the consent of only one elected official to impose a levy of millions of dollars of tax revenue.

They tried to outface him, but Joseph Simmons was as wide as two average men, and it would have taken braver men than these were to outface him.

She fell asleep leaning on her hand, hearing the house creaking as though it were a living a private life of its own these two hundred years, hearing the birds rustling in their cages and the occasional whirring of wings as one of them landed on the table and walked across the newspaper to perch in the crook of her arm.

However, neither of these two cities is on the desired July 1 to June 30 fiscal year.

The two Governments agree that the issuance of purchase authorizations for wheat and rice providing for purchase after June 30, 1961, shall be dependent upon the determination by the United States Government that these commodities are in surplus supply and available under Title 1, of the Act at that time.

The two Governments agree that they will take reasonable precautions to assure that all sales or purchases of surplus agricultural commodities, pursuant to the Agreement will not displace usual marketings of the United States of America in these commodities, or unduly disrupt world prices of agricultural commodities or normal patterns of commercial trade with friendly countries.

In the allocation pattern worked out for these frequencies, the provision of long-range service has to some extent been subordinated to the other two objectives -- assignment of multiple facilities, and assignment of stations in as many communities as possible.

The experiments of Romagnosi and others have already been noted but no one had determined the cause-and-effect relationship between these two primary forces.

The most active preparations obtained by these two groups of investigators appear to be similar in potency, composition and physical properties.

It is a very interesting fact that these two problems can be handled simultaneously and this is what we shall do in the next chapter.

Sometimes when there are many outcomes for a single trial, we group these outcomes into two classes, as in the example of the die, where we have arbitrarily constructed the classes `` ace '' and `` not-ace ''.

On these generators let Af and Af be, respectively, the harmonic conjugates of Af and Af with respect to the two points in which the corresponding generator meets Aj.

The invariant lines are the lines of the congruence of secants of **zg, since each of these meets Q in two points which are invariant.

A line through two of these points, Af and Af, will be transformed into the entire bilinear congruence having the tangents to **zg at Af and Af as directrices.

For each of these lines meets Q in three points, namely two points on **zg and one point on one of the multiple secants.

Furthermore, it may be possible to estimate the error due to bias in method ( as distinguished from sampling error ) in each of these sources, on such subjects as fertility, mortality, and migration during a given interval by using information from two largely independent sources in conjunction.

A t test on these two groups, shifters vs. nonshifters, gave a `` t '' value of 2.405 which is significant on the two-tail test at the

In addition to these activities, the NAEBM, with headquarters at 420 Lexington Avenue, New York City, as well as other associations and individual manufacturers, provide and distribute films, booklets, and public services in regard to proper boat handling and safety afloat.

these films and these sequences are also seeking out -- instinctively or by design -- the peculiarly cinematic elements of narrative.

The adventure novel exhibits these " protagonist on adventurous journey " characteristics as do many popular feature films, such as Star Wars and Raiders of the Lost Ark.

These were The Bump, starring Aubrey Smith ; Twice Two ; Five Pound Reward ; and Bookworms Some of these films survive in the archives of the British Film Institute.

This education, history, and background are hinted at in the Margaret Rutherford films ( see below ), in which Miss Marple mentions her awards at marksmanship, fencing and equestrianism ( although these hints are played for comedic value ).

Even in contemporary India the term rasa denoting " flavor " or " essence " is used colloquially to describe the aesthetic experiences in films ; " māsala mix " describes popular Hindi cinema films which serve a so called balanced emotional meal for the masses, savored as rasa by these spectators.

Each of these films contains experiments in narrative and intertextuality, reflecting De Palma's stated intention to become the " American Godard " while integrating several of the themes which permeated Hitchcock's work.

Of these films, The Bonfire of the Vanities would be De Palma's biggest box office disaster, losing millions.

Although Douglas was always second billed under Lancaster in these films, their roles were usually more or less the same size with the exceptions of I Walk Alone, in which Douglas played a villain, and in Seven Days in May, where Douglas ' part was larger than Lancaster's but not as dramatic.

With their careful construction — and in the case of Easy Street and The Immigrant, their social commentary — these films are considered by Chaplin scholars to be among his finest work.

Examples of these films include Being John Malkovich, The Princess Bride, Night at the Museum, Groundhog Day, Click and Shrek.

Some examples of these films include The Cable Guy, Ruthless People and Dr. Strangelove.

Popular examples of these types of films include Back to the Future, Spaceballs, Ghostbusters, Evolution, Innerspace, Galaxy Quest, Mars Attacks !, and Men in Black.

The visual humour of many of these silent films relied on slapstick and burlesque.

Some of these plays were later adapted into silent and sound films.

All these short films have been preserved.

Because of the large number of drama films, these movies have been sub-categorized:

Most of these films had been comedies, and Spiegel felt that Evil Dead II should be less straight horror than the first.

Under the terms of the accord, films produced using these funds can only be screened on television 24 months after their theatrical release.

There were nearly a thousand of these films made up to 1901, nearly all of them actualities.

The first known of these was a film shot by a Lumière cameraman from the back platform of a train leaving Jerusalem in 1896, and by 1898 there were a number of films shot from moving trains.

Both of these films had intertitles which were formed by the letters moving into place from a random scattering to form the words of the titles.

To understand what is going on in both these films, the audience had to know their stories beforehand, or be told them by a presenter.