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Page "Jean Auguste Dominique Ingres" ¶ 45
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Ingres's and him
Their consistently high quality belies Ingres's often-stated complaint that the demands of portraiture robbed him of time he could have spent painting historical subjects.

Ingres's and one
Among Ingres's historical and mythological paintings, the most satisfactory are usually those depicting one or two figures.
Ingres's well-known passion for playing the violin gave to the French language a colloquialism, " violon d ' Ingres ", meaning a second skill beyond the one by which a person is mainly known.

Ingres's and has
Chaussard ( Le Pausanias Français, 1806 ) condemned Ingres's style as gothic and asked: How, with so much talent, a line so flawless, an attention to detail so thorough, has M. Ingres succeeded in painting a bad picture?
Ingres's influence on later generations of artists has been considerable.

Ingres's and Ingres
His friendship with Bartolini, whose worldly success in the intervening years stood in sharp contrast to Ingres's poverty, quickly became strained, and Ingres found new quarters.
In Roger Freeing Angelica, the female figure shows the finest qualities of Ingres's work, while the effigy of Roger flying to the rescue on his hippogriff sounds a jarring note, for Ingres was rarely successful in the depiction of movement and drama.
Ingres in Fashion: Representations of Dress and Appearance in Ingres's Images of Women.

Ingres's and is
The answer is that he wanted to do something singular, something extraordinary ... M. Ingres's intention is nothing less than to make art regress by four centuries, to carry us back to its infancy, to revive the manner of Jean de Bruges.

Ingres's and power
The most famous of all of Ingres's portraits, depicting the journalist Louis-François Bertin, quickly became a symbol of the rising economic and political power of the bourgeoisie.

Ingres's and .
Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest legacy.
Ingres's musical talent was further developed under the tutelage of the violinist Lejeune.
At the Salon, his paintings — Self-Portrait, portraits of the Rivière family, and Napoleon I on his Imperial Throne — produced a disturbing impression on the public, due to not only Ingres's stylistic idiosyncrasies but also his adoption of Carolingian imagery in representing Napoleon.
In 1810 Ingres's pension at the Villa Medici ended, but he decided to stay in Rome and seek patronage from the French occupation government.
The subject's elongated proportions, reminiscent of 16th-century Mannerism | Mannerist painters, reflect Ingres's search for the pure form of his model.
Napoléon Joseph Charles Paul Bonaparte, president of the jury, proposed an exceptional recompense for their author, and obtained from emperor Napoleon III Ingres's nomination as grand officer of the Légion d ' honneur.
Ingres's tomb.
Ingres's style was formed early in life and changed comparatively little.
Ingres's choice of subjects reflected his literary tastes, which were severely limited: he read and reread Homer, Virgil, Plutarch, Dante, histories, and the lives of the artists.
By the time of Ingres's retrospective at the Exposition Universelle in 1855, an emerging consensus viewed his portrait paintings as his masterpieces.
His student Robert Balze described Ingres's working routine in executing his portrait drawings, each of which required four hours, as " an hour and a half in the morning, then two-and-a-half hours in the afternoon, he very rarely retouched it the next day.
Ingres's coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, to the disapproval of critics.
Later artists have used the concept for motives ranging from genuine respect for the deceased ( Constantino Brumidi's fresco The Apotheosis of Washington on the dome of the United States Capitol Building in Washington, D. C .), to artistic comment ( Salvador Dalí's or Ingres's The Apotheosis of Homer ), to mock-heroic and burlesque apotheoses for comedic effect.

pupil and wrote
Anaximenes was a pupil of Zoilus and, like his teacher, wrote a work on Homer.
David remarked to his friends who visited his studio " this is what is killing me " such was his determination to complete the work, but by October it must have already been well advanced, as his former pupil Gros wrote to congratulate him, having heard reports of the painting's merits.
Aristotle ( 384-322 BC ), Plato ’ s greatest pupil, wrote a treatise on methods of reasoning used in deductive proofs ( see Logic ) which was not substantially improved upon until the 19th century.
The clothing of the sitters in Reynolds ' portraits was usually painted either by one his pupils, his studio assistant Giuseppe Marchi, or the specialist drapery painter Peter Toms James Northcote, his pupil, wrote of this arrangement that " the imitation of particular stuffs is not the work of genius, but is to be acquired easily by practice, and this was what his pupils could do by care and time more than he himself chose to bestow ; but his own slight and masterly work was still the best.
To the contrary, both J. M. W. Turner and James Northcote were fervent acolytes: Turner requested he be laid to rest at Reynolds ' side, and Northcote ( who lived for four years as Reynolds ' pupil ) wrote to his family " I know him thoroughly, and all his faults, I am sure, and yet almost worship him.
His pupil Gustav Jenner wrote, " Brahms has acquired, not without reason, the reputation for being a grump, even though few could also be as lovable as he.
* After the Maharal of Prague had initiated organised Mishnah study ( Chevrat ha-Mishnayoth ), Yomtov Lipman Heller ( who is often believed to be his pupil but came to Prague already as a mature scholar ) wrote a commentary called Tosafot Yom Tov.
When, in 1887, the French and Italian Governments agreed upon moving the mortal remains of Rossini into the Basilica di Santa Croce, in Florence, Alboni, then a sixty-one-year-old lady living in seclusion, wrote to the Italian Foreign Minister, Di Robilant, proposing that the Petite Messe Solennelle, " the last musical composition by Rossini ", be performed in Santa Croce the day of the funeral, and " demanding the honour, as an Italian and a pupil of the immortal Maestro ," of singing it herself in her " dear and beloved homeland ".
As his pupil John Collier wrote, ' it is impossible to reconcile the art of Alma-Tadema with that of Matisse, Gauguin and Picasso.
In 1482 he wrote a Commentum planetarium in theoricas Georgii Purbachii — a commentary on Georg von Peuerbach's text, New Theories of the Planets — published in Milan by his pupil, Jan Otto de Kraceusae.
When Bossuet was chosen to be the tutor of the Dauphin, oldest child of Louis XIV, he wrote several works for the edification of his pupil, one of which was Politics Derived from the Words of Holy Scripture, a discourse on the principles of royal absolutism.
Describing the post-war times, Pete Townshend wrote in his autobiography, " Until he was expelled, Roger had been a good pupil.
Carl Czerny, a pupil of Beethoven, claimed that " Beethoven wrote these Variations in a merry freak ".
He also wrote stories for his friend and pupil Milo Manara for Tutto ricominciò con un ' estate indiana and El Gaucho.
Koriun, a pupil of Mesrob Mashtots, in his book The Life of Mashtots, wrote about how his tutor created the alphabet:
He wrote " Gli orti esperidi ," which was set to music by Nicola Porpora, and sung by Porpora's pupil, the castrato Farinelli, making a spectacular début, it won the most enthusiastic applause.
Green grew up in Gloucestershire and attended Eton College, where he became friends with fellow pupil Anthony Powell and wrote most of his first novel, Blindness.
" Louis Vierne, a pupil and later organist titulaire of Notre-Dame, wrote in his memoirs that Franck showed a " constant concern for the dignity of his art, for the nobility of his mission, and for the fervent sincerity of his sermon in sound.
Thomas Aquinas ( 1225 – 1274 ), the pupil of Albertus Magnus, wrote a dozen commentaries on the works of Aristotle.
His pupil Solomon Parḥon, who wrote at Salerno in 1160, relates that Judah repented having used the new metrical methods, and had declared he would not again employ them.
More importantly, he met Paul Foot, another former Shrewsbury pupil not yet the left-wing radical he became, who was to be a lifelong friend, and whose biography Ingrams wrote after Foot's early death.
His son, Geoffrey, born in 1922 and a former pupil of Warwick School, wrote several books about the cars and one about their partnership ( see below ).
It was dedicated to Edward Blyth and Dr. Thomas C. Jerdon who, he wrote done more for Indian Ornithology than all other modern observers put together and he described himself as their friend and pupil.
He studied the violin under Giovanni Battista Viotti and taught at the Paris Conservatoire together with Pierre Rode ( also a pupil of Viotti ) and Rodolphe Kreutzer, who wrote the conservatoire's official violin method ( published in the early 19th century ).

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