Obviously, such a Northern tourist's purpose is somewhat akin to a child's experience with Disneyland: he wants to see a world of make-believe.

The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.

The approach to the depiction of the experience of creation may be analytic, as it is for Miss Litz, or spontaneous, as it is for Merle Marsicano.

An order can be chanced rather than chosen, and this approach produces an experience that is `` free and discovered rather than bound and remembered ''.

The style of life chosen by the beat generation, the rhythm and ritual they have adopted as uniquely their own, is designed to enhance the value of the sexual experience.

Love is the crucial dilemma of experience for Mann's heroes.

In the first instance, `` mimesis '' is here used to mean the recalling of experience in terms of vivid images rather than in terms of abstract ideas or conventional designations.

Mimesis is the nearest possible thing to the actual re-living of experience, in which the imagining person recovers through images something of the force and depth characteristic of experience itself.

As in experience one is seized by given entities and their interrelations and is forced to respond in value feelings to them, so one is similarly seized in the mimetic presentation of images.

Neither is primary experience understood according to the attitude of modern empiricism in which nothing is thought to be received other than signals of sensory qualities producing their responses in the appropriate sense organs.

The principal defender of this view of primary experience as `` causal efficacy '' is Alfred North Whitehead.

Whitehead is here questioning David Hume's understanding of the nature of experience ; ;

he is questioning, also, every epistemology which stems from Hume's presupposition that experience is merely sense data in abstraction from causal efficacy, and that causal efficacy is something intellectually imputed to the world, not directly perceived.

In this respect experience is broader and full of a richer variety of potential meanings than the mind of man or any of his arts or culture are capable of making clear and distinct.

A chief characteristic of experience in the mode of causal efficacy is one of derivation from the past.

This, however, cannot be done by a community whose very experience of truth is confused and incoherent: it has no absolute standard, and consequently cannot distinguish the absolute from the contingent.

To experience them, it is not necessary for a people to be actively aware of what is happening to it.

Today, as new nations rise from the former colonial empires, nationalism is one of the hurricane forces loose in the world.

Only recently new `` holes '' were discovered in our safety measures, and a search is now on for more.

Work is under way to see whether new restraining devices should be installed on all nuclear weapons.

Even though in most cases the completion of the definitive editions of their writings is still years off, enough documentation has already been assembled to warrant drawing a new composite profile of the leadership which performed the heroic dual feats of winning American independence and founding a new nation.

The field, then, is ripe for new Southerners to step to the fore and write of this twentieth-century phenomenon, the Southern Yankeefication: the new urban economy, the city-dweller, the pains of transition, the labor problems ; ;

Lacking the pioneer spirit necessary to write of a new economy, these writers seem to be contenting themselves with an old one that is now as defunct as Confederate money.

A new order is thrusting itself into being.

A new South is emerging after the post-bellum years of hesitation, uncertainty, and lack of action from the Negro in defining his new role in the amorphously defined socio-political organizations of the white man.

As the dancer is depersonalized, his accouterments are animized, and the combined elements give birth to a new being.

It only means that there will be new form, and that this form will be of such a type that it admits the chaos and does not try to say that the chaos is really something else.

This confession serves to make clear in part what is behind this sexual revolution: the craving for sensation for its own sake, the need for change, for new experiences.

The new fact the initiates of this cult have to learn is that they must move toward simplicity.

The professed mission of this disaffiliated generation is to find a new way of life which they can express in poetry and fiction, but what they produce is unfortunately disordered, nourished solely on the hysteria of negation.

If love reflects the nature of man, as Ortega Y Gasset believes, if the person in love betrays decisively what he is by his behavior in love, then the writers of the beat generation are creating a new literary genre.

Accordingly, it is the aim of this essay to advance a new theory of imitation ( which I shall call mimesis in order to distinguish it from earlier theories of imitation ) and a new theory of invention ( which I shall call symbol for reasons to be stated hereafter ).

The dweller at p is last to hear about a new cure, the slowest to announce to his neighbors his urgent distresses, the one who goes the farthest to trade, and the one with the greatest difficulty of all in putting over an idea or getting people to join him in a cooperative effort.

But is that not like going to a chemistry laboratory and blindly pouring out liquids and powders from an array of bottles and then, after stirring, expecting a new wonder drug inevitably to result??

But is the result new barnsful of tested knowledge on the basis of which we can with confidence solve our domestic and international problems??

The portrait that had developed, fragmentarily but consistently, was the portrait of a man to whom serious thinking is alien enough that the making of a decision inhibits, when it does not forestall, any ability to review the decision in the light of new evidence.

For paradigmatic history `` breaks '' rather than unfolds precisely when the movement is from order to disorder, and not from one order to a new order.

If he thus achieves a lyrical, dreamlike, drugged intensity, he pays the price for his indulgence by producing work -- Allen Ginsberg's `` Howl '' is a striking example of this tendency -- that is disoriented, Dionysian but without depth and without Apollonian control.

It is beyond the province of this epilogue to cover policy questions of such depth and range.

Master Gorton, having foully abused high and low at Aquidneck is now bewitching and bemaddening poor Providence, both with his unclean and foul censures of all the ministers of this country ( for which myself have in Christ's name withstood him ), and also denying all visible and external ordinances in depth of Familism: almost all suck in his poison, as at first they did at Aquidneck.

yet here was a depth of sensibility which is lacking in a considerable portion of the beneficiaries of our civilization.

When a hole is to be bored to a predetermined depth, mark the depth on the side of the stock, then run the bit down so that it is even with the mark.

In following this general principle, Mason provides the observer with a natural eye progression from foreground to background, and the illusion of depth is instantly created.

The infrared emission could then be assumed to originate at the surface of the moon, while the radio emission originates at some depth beneath the surface, where the temperature variation due to solar radiation is reduced in amplitude and shifted in phase.

Literal flatness now tends to assert itself as the main event of the picture, and the device boomerangs: the illusion of depth is rendered even more precarious than before.

The trompe-l'oeil illusion here is no longer enclosed between parallel flatnesses, but seems to thrust through the surface of the drawing paper and establish depth on top of it.

Planes defined as parallel to the surface also cut through it into real space, and a depth is suggested optically which is greater than that established pictorially.

The greater the depth of the water, the greater is the speed of the wave ; ;

Lagrange's law says that its velocity is equal to the square root of the product of the depth times the acceleration due to gravity.

but when the sounds of the two speakers are allowed to mix, there is excellent depth and dimension to the music.

The average depth of the Atlantic, with its adjacent seas, is ; without them it is.

The greatest depth, Milwaukee Deep with, is in the Puerto Rico Trench.

The depth of water at the apex of the ridge is less than in most places, while the bottom of the ridge is three times as deep.