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is and most
I want the room in the attic prepared for him He is a most unusual lad, quite precocious in many ways.
In fact it has caused us to give serious thought to moving our residence south, because it is not easy for the most objective Southerner to sit calmly by when his host is telling a roomful of people that the only way to deal with Southerners who oppose integration is to send in troops and shoot the bastards down.
but for this discussion the most important division is between those who have been reconstructed and those who haven't.
But apart from racial problems, the old unreconstructed South -- to use the moderate words favored by Mr. Thomas Griffith -- finds itself unsympathetic to most of what is different about the civilization of the North.
The general acceptance of the idea of governmental ( i.e., societal ) responsibility for the economic well-being of the American people is surely one of the two most significant watersheds in American constitutional history.
Accidental war is so sensitive a subject that most of the people who could become directly involved in one are told just enough so they can perform their portions of incredibly complex tasks.
Even though in most cases the completion of the definitive editions of their writings is still years off, enough documentation has already been assembled to warrant drawing a new composite profile of the leadership which performed the heroic dual feats of winning American independence and founding a new nation.
It is clear that, while most writers enjoy picturing the Negro as a woolly-headed, humble old agrarian who mutters `` yassuhs '' and `` sho' nufs '' with blissful deference to his white employer ( or, in Old South terms, `` massuh '' ), this stereotype is doomed to become in reality as obsolete as Caldwell's Lester.
Presenting an individualized Negro character, it would seem, is one of the most difficult assignments a Southern writer could tackle ; ;
All but the most rabid of Confederate flag wavers admit that the Old Southern tradition is defunct in actuality and sigh that its passing was accompanied by the disappearance of many genteel and aristocratic traditions of the reputedly languid ante-bellum way of life.
Yet often fear persists because, even with the most rigid ritual, one is never quite free from the uneasy feeling that one might make some mistake or that in every previous execution one had been unaware of the really decisive act.
Perhaps the most illuminating example of the reduction of fear through understanding is derived from our increased knowledge of the nature of disease.
The consciousness it mirrors may have come earlier to Europe than to America, but it is the consciousness that most `` mature '' societies arrive at when their successes in technological and economic systematization propel them into a time of examining the not-strictly-practical ends of culture.
And the life they lead is undisciplined and for the most part unproductive, even though they make a fetish of devoting themselves to some creative pursuit -- writing, painting, music.
The music which Lautner has composed for this episode is for the most part `` rather pretty and perfectly banal ''.
Presupposed in Plato's system is a doctrine of levels of insight, in which a certain kind of detached understanding is alone capable of penetrating to the most sublime wisdom.
As long as perception is seen as composed only of isolated sense data, most of the quality and interconnectedness of existence loses its objectivity, becomes an invention of consciousness, and the result is a philosophical scepticism.
And it is precisely in this poorer economic class that one finds, and has always found, the most racial friction.
It is something which most of us try to get out from under.
We assume for this illustration that the size of the land plots is so great that the distance between dwellings is greater than the voice can carry and that most of the communication is between nearest neighbors only, as shown in Figure 2.

is and widely-seen
A widely-seen example is the destruction of hillsides as footpaths are eroded by excessive numbers of visitors.

is and Norwegian
He is a member of the French Academy of Sciences and several foreign academies and societies, including the Danish Academy of Sciences, Norwegian Academy of Sciences, Russian Academy of Sciences, and US National Academy of Sciences.
* 2006 – Edvard Munch's famous painting The Scream, stolen on August 22, 2004, is recovered in a raid by Norwegian police.
The word acre is derived from Old English æcer originally meaning " open field ", cognate to west coast Norwegian ækre and Swedish åker, German Acker, Dutch akker, Latin ager, and Greek αγρός ( agros ).
* In Germanic languages, except English, East Sea is used: Afrikaans ( Oossee ), Danish ( Østersøen ), Dutch ( Oostzee ), German ( Ostsee ), Icelandic and Faroese ( Eystrasalt ), Norwegian ( Østersjøen ), and Swedish ( Östersjön ).
In Norwegian, caraway is called both karve and kummin / kømming while cumin is spisskummen, from the word spise, to eat.
In Swedish, Danish, Norwegian and Finnish, besides the ordinal naming of centuries another system is often used based on the hundreds part of the year, and consequently centuries start at even multiples of 100.
Another Indo-European example is star ( English ), str-( Sanskrit ), tara ( Hindi-Urdu ), étoile ( French ), ἀστήρ ( astēr ) ( Greek or ἀστέρι / ἄστρο, asteri / astro in Modern Greek ), stella ( Italian ), aster ( Latin ) stea ( Romanian and Venetian ), stairno ( Gothic ), astl ( Armenian ), Stern ( German ), ster ( Dutch and Afrikaans ), starn ( Scots ), stjerne ( Norwegian and Danish ), stjarna ( Icelandic ), stjärna ( Swedish ), stjørna ( Faroese ), setāre ( Persian ), stoorei ( Pashto ), seren ( Welsh ), steren ( Cornish ), estel ( Catalan ), estrella Spanish, estrella Asturian and Leonese, estrela ( Portuguese and Galician ) and estêre or stêrk ( Kurdish ), from the PIE, " star ".
It is believed that the 8-bit AVR architecture and first AVR microcontroller was conceived and designed by two students at the Norwegian Institute of Technology.
Belgian Forces identity tags are, like the Canadian and Norwegian, designed to be broken in two in case of fatality ; the lower half is returned to Belgian Defence tail, while the upper half remains on the body.
Military of the Netherlands identity tags, like the Canadian and Norwegian ones, are designed to be broken in two in case of a fatality ; the lower end is returned to Dutch Defence Headquarters, while the upper half remains on the body.
He is of German, Swedish and Norwegian descent.
He is a member of the Norwegian Academy of Science and Letters.
Danish is mutually intelligible with Norwegian and Swedish ( see " Classification ").
Danish, together with Swedish, derives from the East Norse dialect group, while the old Norwegian dialects before the influence of Danish and Bokmål is classified as a West Norse language together with Faroese and Icelandic.
Written Danish and Norwegian Bokmål are particularly close, though the phonology ( that is, the system of relationships among the speech sounds that constitute the fundamental components of the language ) and the prosody ( the patterns of stress and intonation ) differ somewhat.
The more widespread of the two Norwegian languages, Bokmål, is a daughter language of Danish.
Bokmål is based on Danish unlike the other Norwegian language, Nynorsk, which is based on the Norwegian dialects, with Old Norwegian as an important reference point.
Similarly, the Norwegian language is classified as a descendant of West Norse, while the written language used by the vast majority in Norway is derived from an older variant of standard Danish.

is and film
A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).
The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.
For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).
The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.
Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.
If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.
Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.
If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.
This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.
The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.
The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.
Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.
In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.
In narrative, time is essential, as it is in film.
Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.
The Great Train Robbery is a one-reel film.
The material of the Porter film is simplicity itself ; ;
The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.
The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.
The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

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