It supported Pollock's work on formalistic grounds as simply the best painting of its day and the culmination of an art tradition going back via Cubism and Cézanne to Monet, in which painting became ever ' purer ' and more concentrated in what was ' essential ' to it, the making of marks on a flat surface.

It supported Pollock's work on formalistic grounds as simply the best painting of its day and the culmination of an art tradition going back via Cubism and Cézanne to Monet, in which painting became ever " purer " and more concentrated in what was " essential " to it, the making of marks on a flat surface.

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