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was and one
When they were closer and he saw that one was a woman, he was more puzzled than ever.
Morgan hesitated, thinking that if this was a trick, it was a good one.
There was no one but me.
The pony herd was the one flaw in our defense ; ;
Next to him was a young boy I was sure had sat near me at one of the trading sessions.
He grabbed her by the shoulders and went down on one knee, taking her weight so that some of the wind was driven out of him.
There was only one place where Jake Carwood's description had gone badly awry: the peace and quiet.
The town was about what Wilson expected: one main street with its rows of false-fronted buildings, a water tower, a few warehouses, a single hotel ; ;
only the counter at one end was lighted by a long fluorescent tube suspended directly above it.
In the mornings, I was informed, fluorescent tubes, similar to the one above the counter, illuminated the entire hall.
No one was behind it, but in the rear wall of the office I noticed, for the first time, a door which had been left partially open.
The one thing they had in common was their hatred.
When they reached their neighbor's house, Pamela said a few polite words to Grace and kissed Melissa lightly on the forehead, the impulse prompted by a stray thought -- of the type to which she was frequently subject these days -- that they might never see one another again.
There was only one place where the mountain might receive her -- that unnamed, unnameable pool harbored in its secret bosom.
But she was caught in it, and she faced the terrible possibility that, if it were a dream, it was one from which she might never awaken.
That was another one of those traps.
At one and the same time, she was within it but still searching for the drawbridge that would give her entry.
All the doors were open at this hour except one, and it was toward this that Stevens made his way with Russ close at his shoulder.
An Ah coudn ansuh him an so Ah said ' Aw right, Ah gay-ess, an his fathuh didn uttuh one wohd an aftuh Huhmun was gone, the majuh laughed an tole me thet he an the bawh had been hevin an occasional drink t'gethuh f'ovuh a yeah, onleh an occasional one, but just the same it was behahn mah back, an Ah doan think thet's nahce at all, d'you ''??

was and Rohmer's
According to Cay Van Ash, Rohmer's biographer and former assistant who became the first author to continue the series after Rohmer's death, " Fu Manchu " was a title of honour, which meant " the Warlike Manchu.
It was Rohmer's contention that he based Fu Manchu and other " Yellow Peril " mysteries on real Chinese crime figures he knew during his time as a newspaper reporter covering Limehouse activities.
The character was conceived in late 1972 when Marvel Comics acquired the comic book rights to Sax Rohmer's pulp novel villain Dr. Fu Manchu while they also held the rights to the Kung Fu television program.
The book's eponymous villain was influenced by Sax Rohmer's Fu Manchu stories.
Fleming's inspiration for the Dr. No character was Sax Rohmer's villain Dr Fu Manchu, the books about who Fleming had read and enjoyed in earlier years.
Rohmer's best known article was " Le Celluloid et le marbe " (" Celluloid and Marble ") in 1955, which examined the relationship between film and other arts.
In 1963 Les Films du Losange produced the New Wave omnibus film Six in Paris, in which Rohmer's short " Place de l ' Etoile " was the centerpiece.
My Night at Maud's was Rohmer's first successful film both commercially and critically.
" It was Rohmer's first film shot in color, with Rohmer explaining " the presence of the lake and the mountains is stronger in color than in black and white.
In 2007, Rohmer's final film, The Romance of Astrea and Celadon, was shown during the Venice Film Festival, at which he spoke of retiring.
His style was famously criticised by Gene Hackman's character in the 1975 film Night Moves who describes viewing Rohmer's films as " kind of like watching paint dry ".
Rohmer's mother died without ever knowing that her son Maurice was in fact a famous film director named Eric Rohmer.
" wherein he posits that No's mother was an agent of Fu Manchu named Madame de Medici, who was in turn the daughter of Fu Xi, from Sax Rohmer's novel The Golden Scorpion.
" The exchange from Night Moves was quoted in director Éric Rohmer's New York Times obituary in 2010.

was and most
Once again, Tom Horn was the first and most likely suspect, and he was brought in for questioning immediately.
Jackson was doing most of the talking.
Over the rapidly-diminishing outline of a jump seat piled high with luggage Herry's black brushcut was just discernible, near, or enviably near that spot where -- hidden -- more delicately-textured, most beautifully tinted hair must still be streaming back in cool, oh cool wind sweetly perfumed with sagebrush and yucca flowers and engine fumes.
Now, he was just in the late poems of Holderlin and therefore had most of the nineteenth century before him -- plus next semester's class preparation.
Mary Jane might not be the most intelligent woman, but she was one of the most determined.
And while he was ever alert for game, and most particularly a tiger, Penny marvelled at the Eden they were traversing.
He was most eager to make the dive ; ;
Col. Henri Garvier was one of New Orleans' most important and enlightened slave owners.
He proudly wore the blue livery of her house, for the girl was Madame Delphine Lalaurie, wife of the prominent surgeon, Dr. Louis Lalaurie, who bore one of the South's oldest and most cherished names.
She was a top horsewoman and one of the city's most gracious hostesses.
Time's editor, Thomas Griffith, in his book, The Waist-High Culture, wrote: `` most of what was different about it ( the Deep South ) I found myself unsympathetic to.
What they wished for most was security ; ;
what they feared most was war or political instability in their own country.
All but the most rabid of Confederate flag wavers admit that the Old Southern tradition is defunct in actuality and sigh that its passing was accompanied by the disappearance of many genteel and aristocratic traditions of the reputedly languid ante-bellum way of life.
But the most notable thing about the incantation of these ex-liberals was that the one-time shibboleth of socialism was conspicuously absent.
Anyone who tried to remedy some of the most glaring defects in our form of democracy was denounced as a traitorous red whose real purpose was the destruction of our government.
Mann understood better than most men the incest comedy at the center of the myth and the psychological truth in which dread is shown as the other face as longing was for him just the kind of deep and complicated joke he liked to tell.
After a year in a studio on Sheridan Square, having married an American girl who was a native of Virginia, Helion moved to a village in the Blue Ridge mountains, where he produced some of the most imposing of his abstract canvases.
While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.
and, `` I do think that families are the most beautiful things in all the world '', burst out Jo some five hundred pages later in that popular story of the March family, which had first appeared when Henrietta was eight ; ;
Only what else was she singing but the old Song of Songs, that most ancient of tunes that nature plays with such unfailing response upon young nerves??

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