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Jacques-Louis and David's
Jacques-Louis David was, in his time, regarded as the leading painter in France, and arguably all of Western Europe ; many of the painters honored by the restored Bourbons following the French Revolution had been David's pupils.
* Vaughan, William and Weston, Helen ( eds ), Jacques-Louis David's Marat, Cambridge ( 2000 )
Jacques-Louis David's Oath of the Horatii, 1784, with a scene from ancient history.
Exemplifying the French School are the early Avignon Pietà of Enguerrand Quarton ; the anonymous painting of King Jean le Bon ( c. 1360 ), possibly the oldest independent portrait in Western painting to survive from the postclassical era ; Hyacinthe Rigaud's Louis XIV ; Jacques-Louis David's The Coronation of Napoleon ; and Eugène Delacroix's Liberty Leading the People.
Beginning with Jacques-Louis David's painting The Oath of the Horatii ( 1784 ), an association of the gesture with Roman republican and imperial culture emerged through 18th century French art.
Cavaradossi studied art in Paris with Jacques-Louis David and lived in David's atelier during the French Revolution.
Neoclassicism in painting gained a new sense of direction with the sensational success of Jacques-Louis David's Oath of the Horatii at the Paris Salon of 1785.
The painter Jacques-Louis David's famous sketch, le Serment du jeu de paume (' the Tennis Court Oath ') now hangs in the court of the Palace of Versailles.
When Speed recalls his knowledge of French History, a rendition of Jacques-Louis David's painting of Napoleon Crossing the Alps, which depicts Napoleon riding Marengo, is drawn in the episode.
In 1800, Napoleon's army used the pass to enter Italy, an event depicted in Jacques-Louis David's Napoleon at the Saint-Bernard Pass and Hippolyte Delaroche's Bonaparte Crossing the Alps, both notable oil paintings.
Jacques-Louis David's painting The Oath of the Horatii ( 1784 ) provided the starting point for the gesture that became later known as the Roman salute.
Jacques-Louis David's painting The Oath of the Horatii ( 1784 ) provided the starting point for the gesture that became later known as the Roman Salute.
Jacques-Louis David's Andromache Mourning Hector was his reception offering in 1783 ; today it is in the collections of the Louvre Museum.
Jacques-Louis David's portrait of Madame Récamier.
The format suggests a children's book, but it contains enough allusiveness and advanced vocabulary to make it an unlikely read for a child: the entry for T quotes Blake's " The Tyger ," a seal is compared to Jacques-Louis David's portrait of Madame Récamier, and a braying donkey is described as " practicing solfeggio.
It marks a return to art history for him, treating eight artists through eight key works: Caravaggio's David with the Head of Goliath, Bernini's Ecstasy of St Theresa, Rembrandt's Conspiracy of Claudius Civilis, Jacques-Louis David's The Death Of Marat, J. M. W. Turner's The Slave Ship, Vincent van Gogh's Wheat Field with Crows, Picasso's Guernica, and Mark Rothko's Seagram Murals.
Above the grand staircase there is a reproduction of the first version of Jacques-Louis David's painting The Crowning of Josephine by Napoleon.
In this way he, by degrees, transferred from the shop window to his paper at home the chief figures from Jacques-Louis David's picture of Napoleon crossing the Alps, which, by particular request, he copied in bright colours as a frontispiece to a little schoolfellow's new prayer-book, for sixpence.
In the late 18th century, students in Jacques-Louis David's studio followed a rigorous program of instruction.
His most notable paintings include a copy of Jacques-Louis David's The Death of Marat ( 1793 ) and a series of works covering the life of the Virgin Mary, painted from 1810 – 1820 for the choir of the church of Notre-Dame de la Daurade in Toulouse.
Jacques-Louis David's 1784 painting Oath of the Horatii | The Oath of the Horatii, illustrating a dramatic moment from Livy's history of Rome, embodies eighteenth century ideas about civic virtue.
The story is perhaps best known from Jacques-Louis David's painting The Farewell of Telemachus and Eucharis, painted during David's exile in Brussels ( 1818 ), and now at the J. Paul Getty Museum.
At the start of the French Revolution in 1789, he was elected deputy to the States-General by the Third Estate of Vitry-le-François, and joined the National Assembly ( his portrait stands in the foreground in Jacques-Louis David's celebrated sketch of the Oath of the Tennis Court ).

Jacques-Louis and were
History painting was the dominant form of academic painting in the various national academies in the 18th century, and for most of the 19th ; in France artists such as Henri Jean-Baptiste Victoire Fradelle, Antoine-Jean, Baron Gros, Jacques-Louis David, Ingres, Claude Joseph Vernet, Carle Vernet, Pierre-Narcisse Guérin were among the leading figures.
Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest legacy.
However, his influence on later composers, and on post-WWII avant garde music developments in Europe and America were immense, particularly in Paris under the influence of the Webern disciple, Rene Leibowitz and at Darmstadt ; and concurrently, in New York City under the influences of another Webern disciple, the composer, Stefan Wolpe and the French composer-conductor, Jacques-Louis Monod.
Similarly in Revolutionary and Napoleonic France, republicanism and Roman martial virtues were upheld by the state, as can be seen in the architecture of the Panthéon, the Arc de Triomphe, and the paintings of Jacques-Louis David.
The festivals of the Revolution were staged by Jacques-Louis David as antique rituals.
His parents were Jacques-Louis Lions, a mathematician and at that time professor at the University of Nancy, who in particular became President of the International Mathematical Union, and Andrée Olivier, his wife.

Jacques-Louis and be
Jacques-Louis David (; ) ( 30 August 1748 – 29 December 1825 ) was an influential French painter in the Neoclassical style, considered to be the preeminent painter of the era.
The only thing that all Downtown music might be said to have in common is that, at least at the time of its original appearance, it was too bizarre – by dint of excessive length, stasis, simplicity, extemporaneity, consonance, noisiness, pop influence, vernacular reference, or other purported infraction – to have been considered " serious " modern music by proponents of " uptown " music performed from the 1960s through the 1980s at the Juilliard School, Columbia University, and Lincoln Center, under the direction of the composers Charles Wuorinen and Harvey Sollberger in concerts by The Group for Contemporary Music, and concerts directed by the French conductor and pianist, Jacques-Louis Monod with the Guild of Composers.
The influence of Jacques-Louis David can be seen in the painting's scale, in the sculptural tautness of the figures and in the heightened manner in which a particularly significant " fruitful moment "— the first awareness of the approaching ship — is described.
Beethoven came to many to be seen in relation to contemporaries such as Goethe and Jacques-Louis David-having both neo-classical and Romantic elements to their work.
Cartellier's statue, modeled from Josephine's kneeling image in the painting of the coronation of Napoléon Bonaparte by Jacques-Louis David, can be seen at the Church of Saint-Pierre-Saint-Paul in Rueil-Malmaison.
Concerto No. 2 in D major is an example of grace and balance, two characteristics to be found in the fine portrait of the composer by Jacques-Louis David, qualities which are associated with Mozart, explaining why Devienne was called the French Mozart.
It is thought he helped make his art teacher Jacques-Louis David be executed.

Jacques-Louis and after
The art of Jacques-Louis David after the Terror, ed.
Thus the ceremony held at the site of the demolished Bastille, organized by the foremost artistic director of the Revolution, Jacques-Louis David, in August 1793 to mark the inauguration of the new republican constitution, an event coming shortly after the final abolition of all forms of feudal privilege, featured a cantata based on Rousseau's democratic pantheistic deism as expounded in the celebrated " Profession de foi d ' un vicaire savoyard " in Book Four of Émile.
His murder was memorialized in a celebrated painting by Jacques-Louis David which shows Marat after Corday had stabbed him to death in his bathtub.
At nineteen, after some lessons from Dumont, miniature painter to Marie Antoinette, he became a pupil of Jacques-Louis David.
Image: David patroclus mimsstudios grisaille. jpg | Student copy in grisaille after Jacques-Louis David
Les derniers moments de Michel Lepeletier, an engraving by Anatole Desvoge after the painting by Jacques-Louis David

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