In her review for the New York Times, Janet Maslin praised, " Mr. Campbell's manly, mock-heroic posturing is perfectly in keeping with the director's droll outlook ".

Referring to his 1991 film releases, The New York Times ’ critic, Janet Maslin, praised Reeves ’ versatility, saying that he “ displays considerable discipline and range.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Janet Maslin of The New York Times said: " Generations is predictably flabby and impenetrable in places, but it has enough pomp, spectacle and high-tech small talk to keep the franchise afloat.

Janet Maslin praised Bridges ' performance in her review for The New York Times: " Mr. Bridges finds a role so right for him that he seems never to have been anywhere else.

" The New York Times ' Janet Maslin wrote, " The Professional is much too sentimental to sound shockingly amoral in the least.

In her New York Times review Janet Maslin wrote, Natalie Portman got film's " archest dialogue ", and called her " a budding knockout, and scene-stealingly good even in an overly showy role.

Janet Maslin wrote a strongly positive review in the New York Times, describing the film as " a delightful and witty compendium of the film maker's favorite things.

Janet Maslin of The New York Times wrote that film was " the best and funniest Clint Eastwood movie in quite a while ", and praised Eastwood's directing and the way he intricately juxtaposes the old West and the new.

Janet Maslin of The New York Times wrote that the film marked the highest point of Eastwood's directing career, and the film has since been cited as one of his most underrated directorial achievements.

The film received a mixed reception, with Janet Maslin of The New York Times writing, " his direction is galvanized by a sense of second chances and tragic misunderstandings, and by contrasting a larger sense of justice with the peculiar minutiae of crime.

Janet Maslin in The New York Times said Spacey was at his " wittiest and most agile " to date, and Roger Ebert of the Chicago Sun-Times singled Spacey out for successfully portraying a man who " does reckless and foolish things who doesn't deceive himself ".

Janet Maslin of The New York Times called it " as breezily escapist as a film this facile can be " and added, " Ms. MacDowell ... has a lovely, demure ease that makes George's appreciative gaze quite understandable.

In her review in The New York Times, Janet Maslin called the film a " romantic comedy with barely a laugh or a spark, and with a pace that makes it feel longer than Mr. Kasdan's previous work, Wyatt Earp.

New York Times critic Janet Maslin praised DiCaprio's performance, writing " the film's real show-stopping turn comes from Mr. DiCaprio, who makes Arnie's many tics so startling and vivid that at first he is difficult to watch.

Janet Maslin, in a review of an Addams biography for The New York Times, wrote, " Addams's persona sounds cooked up for the benefit of feature writers ... was at least partly a character contrived for the public eye ," noting that one outré publicity photo showed the humorist wearing a suit of armor at home, " but the shelves behind him hold books about painting and antiques, as well as a novel by John Updike.

Janet Maslin of the New York Times called it Almodóvar's " best film by far ," noting he " presents this womanly melodrama with an empathy to recall George Cukor's and an eye-dampening intensity to out-Sirk Douglas Sirk.

Sixty years later, Janet Maslin called it " one of the most haunting of all war films " and an " oasis of subtlety, moral intelligence and deep emotion on the cinematic landscape "; according to Maslin:

In August 1999, Rialto Pictures re-released the film in the United States, based on the Cinematheque negative found in Toulouse ; after watching the new print at Lincoln Plaza Cinemas, Janet Maslin called it " beautifully refurbished " and " especially lucid.

As noted by the New York Times reviewer Janet Maslin " Yes, there are enough spilled guts and severed limbs to satisfy the bloodthirstiest fan.

Although Janet Maslin of The New York Times admitted the film's plot was " demented ", she wrote that the film " has done a great deal to ensure the series ' longevity.

" Janet Maslin of The New York Times also gave a positive review.

In her review for The New York Times, Janet Maslin wrote, " Mr. Hopper finds nice new ways to convey crazy menace with each new role.

* 1924 – Janet Frame, New Zealand author ( d. 2004 )

* 2004 – Janet Frame, New Zealand writer ( b. 1924 )

Sondheim was born to a Jewish family in New York City, Etta Janet " Foxy " ( née Fox ) and Herbert Sondheim.

Other films shot in widescreen were the musical Happy Days ( 1929 ) which premiered at the Roxy Theater, New York City, on February 13, 1930, starring Janet Gaynor and Charles Farrell and a 12 year old Betty Grable as a chorus girl ; Song o ’ My Heart, a musical feature starring Irish tenor John McCormack and directed by Frank Borzage ( Seventh Heaven, A Farewell to Arms ), which was shipped from the labs on March 17, 1930, but never released and may no longer survive, according to film historian Miles Kreuger ( the 35mm version, however, debuted in New York on March 11, 1930 ); and the western The Big Trail ( 1930 ) starring John Wayne and Tyrone Power, Sr. which premiered at Grauman's Chinese Theatre in Hollywood on October 2, 1930, all of which were also made in the 70mm Fox Grandeur process.

* New Zealand author and poet Janet Frame received a literary award in 1951 the day before a scheduled lobotomy was to take place, and it was never performed.

" Janet Malcolm interviewed Masson at length when writing her long New Yorker article on this controversy, which she later expanded into In the Freud Archives, a book that also dealt with Eissler and Peter Swales.

In 1890 Robert Louis Stevenson, his wife Fanny Vandegrift Stevenson, and her son Lloyd Osbourne sailed on the Janet Nicoll, a trading steamer owned by Henderson and Macfarlane of Auckland, New Zealand, which operated between Sydney, Auckland and into the central Pacific.

Paris Journal was written by Janet Flanner, Paris writer for the New Yorker, 1925-1975.

Antoon's 1990 production at the New York Shakespeare Festival, starring Morgan Freeman and Tracey Ullman, which was set in the old west ; Bill Alexander's 1992 RSC production at the Barbican, starring Anton Lesser and Amanda Harris, in which the Induction was rewritten in modern language, and the play-within-the-play featured actors carrying scripts and continually forgetting lines ; Delia Taylor's 1999 production at the Clark Street Playhouse, which featured an all female cast, with Diane Manning as Petruchio and Elizabeth Perotti as Katherina ; Phyllida Lloyd's 2003 production at the Globe, again with an all female cast, starring Janet McTeer as Petruchio and Kathryn Hunter as Katherina ; Gregory Doran's 2003 RSC production at the Royal Shakespeare Theatre, where the play was presented with Fletcher's The Tamer Tamed as a two-part piece, with Jasper Britton and Alexandra Gilbreath ( playing both Katherina in The Shrew and Maria ( Petruchio's second wife ) in The Tamer Tamed ); Edward Hall's 2006 Propeller Company production at the Courtyard Theatre as part of the RSC's presentation of the Complete Works, featuring an all-male cast, with Dugald Bruce Lockhart as Petruchio and Simon Scardifield as Katherina ; and Conall Morrison's 2008 RSC production at the Royal Shakespeare Theatre, starring Stephen Boxer and Michelle Gomez.

The disc also includes a commentary by film historian Janet Bergstrom, twenty minutes of outtakes and a short film called Reri in New York.

Janet Maslin, a critic for The New York Times, described Cartwright as " a chubby, lumbering, slightly cross-eyed actress whose naturalness adds greatly to the film's impact ".

Janet Maslin, in her review for The New York Times, wrote, " Mike Nichols, who directed Working Girl, also displays an uncharacteristically blunt touch, and in its later stages the story remains lively but seldom has the perceptiveness or acuity of Mr. Nichols's best work ".

Janet Maslin in her review for The New York Times comments, " Ms. Goldberg plays the character's amazement, irritation and great gift for back talk to the hilt.

In a 2011 news story, Investor's Business Daily wrote, " Before the mortgage crisis, Attorney General Janet Reno accused banks of racism for failing to market mortgages to poor minorities with weak credit.

Yet the magazine played a role in a literary scandal and defamation lawsuit over two 1990s articles by Janet Malcolm, who wrote about Sigmund Freud's legacy.

Joshua Klein wrote, " or the first half of her recording career, Janet Jackson sounded like an artist with something to prove.

" A model of reinvention, author Jessie Carney Smith wrote that " Janet has continued to test the limits of her transformative power ", receiving accolades in music, film and concert tours throughout the course of her career.

In her review for New York Times, Janet Maslin wrote, " Restoration crams in more research and period detail than it can comfortably digest, but its story is not overwhelmed by such overkill ".

* He also wrote the foreword to Voices From the Past: A Classical Anthology for the Modern Reader, edited by James and Janet Maclean Todd ( 1955 ); and other works

In her review for The New York Times, Janet Maslin wrote, " Its jokes, characters and story line are as wispy as the ghosts themselves, and a good deal less substantial ".

In her review for The New York Times, Janet Maslin wrote, " But when that group sing-along arrives, Magnolia begins to self-destruct spectacularly.

In her review in The New York Times, Janet Maslin wrote, " Genuine fairy tales are rare ; so is film-making that is thoroughly original in an unobtrusive way.

Among the negative reviews, Janet Maslin from The New York Times wrote, " Mr. Lynch's taste for brain-dead grotesque has lost its novelty ".

New York Times film critic, Janet Maslin, thought the film was rather simple, and wrote, " Stiffly playing a filmmaker with a growing passion for the tango, Potter makes this a handsome, dryly meticulous film with no real fire anywhere beyond its supple dance scenes.

In her review for The New York Times, Janet Maslin wrote, " Despite her sullen posturing, which is all this role requires, Ms. Jolie has the sweetly cherubic looks of her father, Jon Voight ".

Janet Maslin, in The New York Times, wrote " The worst of it is painless ; the best is funny, sly, cheerful and, here and there, even genuinely inspired ", while Roger Ebert called it " truly dreadful ".

Janet Maslin of The New York Times gave a largely positive review, " Burton invests awe-inspiring ingenuity into the process of reinventing something very small ," she wrote.