In her review for the New York Times, Janet Maslin praised, " Mr. Campbell's manly, mock-heroic posturing is perfectly in keeping with the director's droll outlook ".

Referring to his 1991 film releases, The New York Times ’ critic, Janet Maslin, praised Reeves ’ versatility, saying that he “ displays considerable discipline and range.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Janet Maslin of The New York Times said: " Generations is predictably flabby and impenetrable in places, but it has enough pomp, spectacle and high-tech small talk to keep the franchise afloat.

Janet Maslin praised Bridges ' performance in her review for The New York Times: " Mr. Bridges finds a role so right for him that he seems never to have been anywhere else.

" The New York Times ' Janet Maslin wrote, " The Professional is much too sentimental to sound shockingly amoral in the least.

In her New York Times review Janet Maslin wrote, Natalie Portman got film's " archest dialogue ", and called her " a budding knockout, and scene-stealingly good even in an overly showy role.

Janet Maslin of The New York Times wrote that film was " the best and funniest Clint Eastwood movie in quite a while ", and praised Eastwood's directing and the way he intricately juxtaposes the old West and the new.

Janet Maslin of The New York Times wrote that the film marked the highest point of Eastwood's directing career, and the film has since been cited as one of his most underrated directorial achievements.

The film received a mixed reception, with Janet Maslin of The New York Times writing, " his direction is galvanized by a sense of second chances and tragic misunderstandings, and by contrasting a larger sense of justice with the peculiar minutiae of crime.

Janet Maslin in The New York Times said Spacey was at his " wittiest and most agile " to date, and Roger Ebert of the Chicago Sun-Times singled Spacey out for successfully portraying a man who " does reckless and foolish things who doesn't deceive himself ".

Janet Maslin of The New York Times called it " as breezily escapist as a film this facile can be " and added, " Ms. MacDowell ... has a lovely, demure ease that makes George's appreciative gaze quite understandable.

In her review in The New York Times, Janet Maslin called the film a " romantic comedy with barely a laugh or a spark, and with a pace that makes it feel longer than Mr. Kasdan's previous work, Wyatt Earp.

New York Times critic Janet Maslin praised DiCaprio's performance, writing " the film's real show-stopping turn comes from Mr. DiCaprio, who makes Arnie's many tics so startling and vivid that at first he is difficult to watch.

Janet Maslin, in a review of an Addams biography for The New York Times, wrote, " Addams's persona sounds cooked up for the benefit of feature writers ... was at least partly a character contrived for the public eye ," noting that one outré publicity photo showed the humorist wearing a suit of armor at home, " but the shelves behind him hold books about painting and antiques, as well as a novel by John Updike.

Janet Maslin of the New York Times called it Almodóvar's " best film by far ," noting he " presents this womanly melodrama with an empathy to recall George Cukor's and an eye-dampening intensity to out-Sirk Douglas Sirk.

Sixty years later, Janet Maslin called it " one of the most haunting of all war films " and an " oasis of subtlety, moral intelligence and deep emotion on the cinematic landscape "; according to Maslin:

In August 1999, Rialto Pictures re-released the film in the United States, based on the Cinematheque negative found in Toulouse ; after watching the new print at Lincoln Plaza Cinemas, Janet Maslin called it " beautifully refurbished " and " especially lucid.

As noted by the New York Times reviewer Janet Maslin " Yes, there are enough spilled guts and severed limbs to satisfy the bloodthirstiest fan.

Janet Maslin of The New York Times wrote negatively of the film and stated that the beginning of the movie " is the only part of the film that is remotely engaging.

Although Janet Maslin of The New York Times admitted the film's plot was " demented ", she wrote that the film " has done a great deal to ensure the series ' longevity.

" Janet Maslin of The New York Times also gave a positive review.

In her review for The New York Times, Janet Maslin wrote, " Mr. Hopper finds nice new ways to convey crazy menace with each new role.

In a 2011 news story, Investor's Business Daily wrote, " Before the mortgage crisis, Attorney General Janet Reno accused banks of racism for failing to market mortgages to poor minorities with weak credit.

Yet the magazine played a role in a literary scandal and defamation lawsuit over two 1990s articles by Janet Malcolm, who wrote about Sigmund Freud's legacy.

Joshua Klein wrote, " or the first half of her recording career, Janet Jackson sounded like an artist with something to prove.

" A model of reinvention, author Jessie Carney Smith wrote that " Janet has continued to test the limits of her transformative power ", receiving accolades in music, film and concert tours throughout the course of her career.

Janet Maslin, in her review for The New York Times, wrote, " Mike Nichols, who directed Working Girl, also displays an uncharacteristically blunt touch, and in its later stages the story remains lively but seldom has the perceptiveness or acuity of Mr. Nichols's best work ".

In her review for New York Times, Janet Maslin wrote, " Restoration crams in more research and period detail than it can comfortably digest, but its story is not overwhelmed by such overkill ".

* He also wrote the foreword to Voices From the Past: A Classical Anthology for the Modern Reader, edited by James and Janet Maclean Todd ( 1955 ); and other works

In her review for The New York Times, Janet Maslin wrote, " Its jokes, characters and story line are as wispy as the ghosts themselves, and a good deal less substantial ".

In her review for The New York Times, Janet Maslin wrote, " But when that group sing-along arrives, Magnolia begins to self-destruct spectacularly.

In her review in The New York Times, Janet Maslin wrote, " Genuine fairy tales are rare ; so is film-making that is thoroughly original in an unobtrusive way.

Among the negative reviews, Janet Maslin from The New York Times wrote, " Mr. Lynch's taste for brain-dead grotesque has lost its novelty ".

New York Times film critic, Janet Maslin, thought the film was rather simple, and wrote, " Stiffly playing a filmmaker with a growing passion for the tango, Potter makes this a handsome, dryly meticulous film with no real fire anywhere beyond its supple dance scenes.

In her review for The New York Times, Janet Maslin wrote, " Despite her sullen posturing, which is all this role requires, Ms. Jolie has the sweetly cherubic looks of her father, Jon Voight ".

Janet Maslin, in The New York Times, wrote " The worst of it is painless ; the best is funny, sly, cheerful and, here and there, even genuinely inspired ", while Roger Ebert called it " truly dreadful ".

Janet Maslin of The New York Times gave a largely positive review, " Burton invests awe-inspiring ingenuity into the process of reinventing something very small ," she wrote.

Critical reaction to Brandy was generally positive, with Allmusic writer Eddie Huffman declaring Brandy " a lower-key Janet Jackson or a more stripped-down Mary J. Blige [...] with good songs and crisp production.

The dialogue and banter was considered a positive and defining aspect of the film ; Janet Maslin of The New York Times said that " Star Trek VI is definitely colorful, but even more of its color comes from conversation, which can take some amusingly florid turns.

Janet Maslin also offered a positive review, stating: " thanks to its hugely effective use of Beethoven's most thrilling, tumultuous music, this film exerts much the same hypnotic power ".

Although it received positive reviews from Janet Maslin and other critics, it took less than $ 13m and was considered a box office failure.

Critic Janet Maslin gave the film a positive review in The New York Times.

Janet Maslin of the New York Times wrote a positive review, summing the film up as " a mad scramble through the Felliniesque realm of Mr. Kusturica's imagination ".

Janet Maslin of the New York Times, in a largely positive review, described the film as " an anarchic, often hilarious adventure in dial-spinning, a collection of brief skits and wacko parodies that are sometimes quite clever, though they're just as often happily sophomoric, too.

Others, such as Jonathan Rosenbaum of Chicago Reader, Peter Travers of Rolling Stone, Janet Maslin of The New York Times, and Jack Mathews of the Los Angeles Times were more positive, with Rosenbaum in particular praising the movie's ' mellowness ' and ' charm '.