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Page "Art film" ¶ 33
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Jean-Luc and Godard's
She later starred in Jean-Luc Godard's 1963 film Le Mépris.
In 1963, she starred in Jean-Luc Godard's critically acclaimed film Le Mépris.
A scene from Jean-Luc Godard's Nouvelle Vague film Breathless ( 1960 film ) | Breathless ( 1960 )
* Lang appears as himself in Jean-Luc Godard's 1963 film Le Mepris.
Jean-Luc Godard's Breathless ( 1960 ) was the first film to pay tribute to Bogart.
* In Jean-Luc Godard's film Le Mépris ( 1963 ), German film director Fritz Lang plays himself attempting to direct a film adaptation of the Odyssey.
" She has a brief cameo in Jean-Luc Godard's 2010 Film Socialisme, which was first screened in the Un Certain Regard section at the 2010 Cannes Film Festival.
His breakthrough role was in Jean-Luc Godard's Breathless ( 1960 ), which made him a major figure in the French New Wave.
In 1983, she auditioned for the female lead in Jean-Luc Godard's ' controversial Hail Mary, a modern retelling of the Virgin birth.
In 1972, Fonda starred as a reporter alongside Yves Montand in Jean-Luc Godard's and Jean-Pierre Gorin's film Tout Va Bien.
In 1968, they collaborated with Jean-Luc Godard on the film Sympathy for the Devil, which mixed Godard's political tracts with documentary footage of the song's evolution during the recording sessions at Olympic Studios in London.
Before that she played herself in Jean-Luc Godard's film Made in U. S. A .. Faithfull has also appeared in the 1967 film I'll Never Forget What's ' isname alongside Orson Welles ( where she notedly became the first person to say " fuck " in a mainstream studio picture ), in the French television film Anna, starring Anna Karina ( in which Faithfull sang Serge Gainsbourg's " Hier ou Demain "), as a leather-clad motorcyclist in the 1968 French film La Motocyclette ( English titles: Girl on a Motorcycle and Naked Under Leather ) opposite Alain Delon, and in Kenneth Anger's 1969 film Lucifer Rising, in which she played Lilith.
Jean-Luc Godard's French " new wave " film Alphaville ( 1965 ) posited a futuristic Paris commanded by an artificial intelligence which has outlawed all emotion.
* Jean-Luc Godard's Contempt ( Le Mépris ) ( 1963 ) opens with a quotation wrongly attributed to Bazin ( in fact the author of the quotation is French film critic and playwright Michel Mourlet from his article " Sur un art ignoré " in Cahiers du cinéma, no.
In 1966, he won the Silver Bear for Best Actor at the 16th Berlin International Film Festival for his role in Jean-Luc Godard's Masculin, féminin.
Akerman claims that, at the age of 15, after viewing Jean-Luc Godard's Pierrot le fou ( 1965 ), she decided to make movies the same night.
Breathless ( French: À bout de souffle ; literally " at breath's end ") is a 1960 French film directed by Jean-Luc Godard, and Godard's first feature film.
In Jean-Luc Godard's Breathless ( 1960 ), the student and aspiring journalist Patricia ( Jean Seberg ) sells the New York Herald Tribune along the Champs-Élysées.
" However Vincent Canby in The New York Times was more favourable and drew comparisons to " an upscale John Waters satire " and " Jean-Luc Godard's pre-Maoist period " In January 1988 the film was one of several attacked in the Sunday Times by Oxford University historian Norman Stone for their critique of Thatcherite society and values, Stone describing them as " worthless and insulting " and " riddled with left wing bias ".
For example, in Jean-Luc Godard's Breathless ( À bout de souffle ), after being told the film was too long and he must cut it down to one hour and a half he decided ( on the suggestion of Jean-Pierre Melville ) to remove several scenes from the feature using jump cuts, as they were filmed in one long take.
Scenes from Passion appear in Jean-Luc Godard's Vivre sa Vie ( 1962 ), in which the protagonist Nana sees the film at a cinema and identifies with Joan.
The New Wave of modern detective films may well begin with Jean-Luc Godard's offbeat Alphaville ( 1965 ) with its traditional, raincoat-and-fedora private eye placed in a futuristic, science fiction-based story.
* In Jean-Luc Godard's 1982 film, Passion, The Night Watch is reenacted with live actors in an opening shot.
The album's artwork depicted recreated scenes from Jean-Luc Godard's 1967 film Weekend.

Jean-Luc and Breathless
The Wild Palms is quoted in Jean-Luc Godard's 1959 film, Breathless (" À bout de souffle "), when Patricia claims to prefer to take " grief rather than nothing "; the same quote is cited in the 1986 John Hughes comedy Ferris Bueller's Day Off, when Principal Rooney " consoles " Sloan while waiting in front of the school.
In the seminal film of the French New Wave, À bout de souffle (" Breathless "), Jean-Luc Godard breaks the rule in the first five minutes in a car scene that jumps between the front and back seats, improvising an " aesthetic rebellion " for which the New Wave would become known.
Jean-Luc Godard used him as a minor character in his seminal New Wave film Breathless.
Probably the best-known tribute paid to Monogram came from French New Wave pioneer Jean-Luc Godard, who dedicated his 1960 film Breathless to Monogram, citing the studio's films as a major influence.

Jean-Luc and 1960
When Jean-Luc Chaumeil revealed during the 1980s that Plantard's genealogical claims were fictional adaptations of Louis Saurel's article published in 1960, Plantard released a " cheque " dated 14 April 1960 showing his former wife Anne-Léa Hisler had been paid for the article contained in Les Cahiers de l ' Histoire, and therefore claiming she was the original author.
Other novels of his translated to the cinema are Il Disprezzo ( A Ghost at Noon or Contempt ) filmed by Jean-Luc Godard as Le Mépris ( Contempt ) ( 1963 ); La Noia ( Boredom ), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 ; and La Ciociara filmed by Vittorio de Sica as Two Women ( 1960 ).
Several films were based on his other novels: in 1960, Vittorio De Sica cinematically adapted La Ciociara with Sophia Loren ; in 1963 Jean-Luc Godard filmed Il Disprezzo ( Contempt ) ; in 1964 Francesco Maselli filmed Gli Indifferenti ( 1964 ).
Among many bizarre features of the film is a heavy treatment with green colour filters, aping the style of the colour plates in the manga, and the fact that the trailer for the film is a pastiche of Jean-Luc Godard's seminal trailer for À bout de souffle ( 1960 ).
In Jean-Luc Godard's film À bout de souffle ( 1960 ), the protagonist Michel uses the alias " Lazlo Kovacs " several times.
* 1960: À bout de souffle by Jean-Luc Godard
The Little Soldier () is a 1960 French film, written and directed by French filmmaker Jean-Luc Godard, but not released until 1963.
Other noteworthy European films which contained nudity include Era Lui, Si Si ( 1952, with Sophia Loren ), Ingmar Bergman's Summer with Monika ( 1953 ), Jean-Pierre Melville's Bob le flambeur ( 1956, with Isabelle Corey, then aged 16 ), François Truffaut's Shoot the Piano Player ( 1960 ), Brigitte Bardot's casual nude scenes in Contempt ( 1963 ) by Jean-Luc Godard, the French film The Game Is Over ( 1966, with Jane Fonda ), Luis Buñuel's Belle de Jour ( 1967, with Catherine Deneuve ), and Isadora ( 1968, with Vanessa Redgrave ).

Jean-Luc and used
* Jean-Luc Godard, in his film Sympathy for the Devil, used a crane for almost every shot in the movie, giving each scene a 360 degree tour of the tableau Godard presented to the viewer.
" Jean-Luc Godard and François Truffaut were rebelling against existing cultural values and used cinema as a means of expression simply because it was the most avant-garde medium at the time ," said Besson in The New York Times.
Though primarily featured in classical music, the cor anglais has also been used by a few musicians as a jazz instrument ; most prominent among these are Paul McCandless, Jean-Luc Fillon, Sonny Simmons, and Vinny Golia ( see also Oboists performing primarily outside classical genres ).
The disabling of a holodeck's safety protocols was used as a tactical advantage in Star Trek: First Contact, when under attack from the Borg, Jean-Luc Picard disables the security protocols and grabs a holographic tommy gun, shooting and killing two Borg drones.
Jean-Luc Godard, in La Chinoise ( 1967 ), Nicolas Roeg in Walkabout ( 1971 ), and the Brothers Quay in In Absentia ( 2000 ) used music by Karlheinz Stockhausen.
The techniques used to shock and awe the audience out of submission and were so bold and direct that Jean-Luc Godard has been accused of having contempt for his audience.
From 1975 Pierre Plantard used the surname Plantard de Saint-Clair, described as an epithet by Jean-Luc Chaumeil, following his interview with Plantard in the magazine l ’ Ère d ’ Aquarius.
Cornas used to produce wines which required long ageing, but under the impulse of winemaker Jean-Luc Colombo, a new more fruit forward style has emerged.
There, Rohmer established himself as a critic with a distinctive voice ; fellow Cahiers du Cinema contributor and French New Wave filmmaker Luc Moullet later remarked that, unlike the more aggressive and personal writings of younger critics like Francois Truffaut and Jean-Luc Godard, Rohmer favored a rhetorical style that made extensive use of questions and rarely used the first person singular.
Hans Lucas was a pseudonym used by Jean-Luc Godard when writing criticism during the 1950s for André Bazin's magazine Cahier du Cinéma, as well as for the magazine Godard founded during this time, Gazette du Cinéma.
His music has often been used by film directors, including Ken Loach and Jean-Luc Godard.
* Jean-Luc Godard, in collaboration with Jean-Pierre Gorin, used in 1972 the tableau setting for the entire factory scene in Tout va bien.
The song was used in a Star Trek: The Next Generation DVD extra, where Patrick Stewart, as Jean-Luc Picard, sung the song with slightly altered lyrics.
It also used the piece Computer Incantations For World Peace by Jean-Luc Ponty during its first years of News Scan.

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