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KEWB and Ron
The KNEW staff featured several KEWB veterans including air personalities Ron Lyons and Ron Reynolds, board operator Carl " The Caterpillar " Dahlstrom ( a nickname given him by Gary Owens ), and Casey Kasem's former operator Jim Tharp.
Led by News Director Gil Haar ( Eugene Gelhaar ), the veteran news team included Knowles Robertson, Ron Baker, Barney Lee ( continuing from the KEWB days ), and award-winning Mike Forrest ( who left in 1977 for a TV job in Philadelphia ).

KEWB and KNEW
KNEW recorded new station jingles using the original KEWB melody ( also used by KFWB, KDWB, and as a hit instrumental, " Image " by Hank Levine ).
It bought 910 AM KEWB which it renamed KNEW, because Metromedia owned WNEW in New York.

KEWB and .
These recordings received only minimal sales although the second Blue Velvets single was added to Oakland's KEWB top 40 playlist by famed disc jockey Casey Kasem, who was employed at the station.
These recordings received only minimal sales although the second Blue Velvets single was added to Oakland's KEWB top 40 playlist by disc jockey Casey Kasem, who was employed at the station.
CRAC, KEWB, SPERT-I, Godiva device, and BORAX experiments contributed to this research.
When he was hired in the early ' 60s at KEWB to do an overnight shift, he gradually phased out playing records, and began chatting with callers.
Shortly thereafter, Steele began his radio career working outside of L. A. at a small station, KBUC in Corona, CA then moving on to KEPR Kennewick, KIMA Yakima and KXLY Spokane, all in Washington ; KOIL Omaha, Nebraska ; KISN Portland, Oregon, and KEWB San Francisco before returning to Los Angeles to help kick off what would become one of the most influential radio stations in the country, 93 / KHJ, Boss Radio, in April 1965.
The station was soon sold to Crowell-Collier Broadcasting Company, who owned KFWB and KEWB in California.
KLX became KEWB on June 7, 1959.
KEWB was owned by Crowell Collier Broadcasting ( former publisher of Collier's Weekly magazine ) from 1959 to 1966.
KEWB 910AM debuted as a pop music station, pitting it against existing San Francisco Top 40 stations KYA 1260AM and KOBY 1550AM.
KYA outlasted KEWB.
Guided by programmer Chuck Blore, KEWB " Color Radio-Channel 91 " adopted the same on-air approach Blore implemented at Los Angeles sister station KFWB: current pop / rock hits, amusing format elements, and energetic, funny air personalities.
KEWB is considered the launching pad for the radio careers of Casey Kasem, Gary Owens, " The Real " Don Steele, and Robert W. Morgan.
Gary Owens did a humorous morning show at KEWB.
Morgan went by his last name while working the morning drive at KEWB.
Other notable KEWB personalities included Don McKinnon, Buck Herring, " Honest " John Trotter, Art Nelson, Bobby Dale, Perry Roberts, Chris Borden, Jim Wayne, Michael Jackson, and Ken Knox.
Hawkins restored the nickname " Channel 91 " and on-air elements echoing its earlier days as Top 40 rocker KEWB.
* KEWB ( FM ), a radio station ( 94. 7 FM ) licensed to serve Anderson, California, United States

DJs and Ron
Disco was an influence on house music, which was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings.
In this era, Chicago radio jocks The Hot Mix 5 and club DJs like Ron Hardy, Frankie Knuckles, and Marshall Jefferson played various styles of dance music, including older disco records, newer Italo Disco, hip hop and electro funk tracks, as well as electronic pop music by Kraftwerk and Yellow Magic Orchestra, and recent danceable R & B productions in the genre now known as boogie.
There is also another bootleg series of edits called " Music Box ", containing either genuine Ron Hardy re-edits or tributes by other DJs imitating his editing style.
Club play from pioneering DJs like Ron Hardy and Lil Louis, local dance music record shops, and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago and among visiting DJs & producers from Detroit.
Club play from pioneering DJs like Ron Hardy and Lil Louis, local dance music record shops, and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago and among visiting DJs & producers from Detroit.
Early 1960s disc jockeys included Dan Ingram, Herb Oscar Anderson, Charlie Greer, Scott Muni, Chuck Dunaway, Jack Carney, and Bob Lewis, but the best known WABC DJs are the ones that followed them in the mid-1960s and 1970s: Harry Harrison, Ron Lundy, Jim Nettleton, Jim Perry, Radio Hall of Fame members Dan Ingram ( who was among the first and held over from the early 60's ) and " Cousin Brucie " Bruce Morrow, Chuck Leonard, Bob Cruz ( a Dan Ingram sound alike ), Frank Kingston Smith, Roby Yonge, George Michael, and Johnny Donovan.
Notable DJs include Willie B., Missy, Uncle Nasty, Matt Need, Double A Ron, Dan, Tim Bourke, Eddie, Joe the Russian and B Lo, among others.
Programmers like Tom Donahue at KMPX and Ron Elz at KSHE in St. Louis developed stations where DJs had freedom to play long sets of music, often covering a variety of genres.
DJs – Joseph Lin, Emily David, Stevie G, Terry Engle, Ron Stuart, Tito Gray, Bill Thissen, Harry Jones, Vicki Lin and JR Lee.
* Millennium All-Stars ( with DJs Tony Touch, Mister Cee, Ron G, Funkmaster Flex, Doo Wop, DJ Enuff, Spinbad, and DJ Dale )
This was followed by greetings from former CBS-FM DJs Harry Harrison and Ron Lundy.
Under a country format the station sported DJs, including Jim Bonnett as " Big Jim " and was the station manager until 1966, Roger Price as " Pistol Pete " and P. D. 1962-1966, Johnny Dauro as " Lonesome John " and manager 1966-1970, George Lubgate as " Tiny Tim ", Ron Kitchen as " Ron the Dude " and P. D. 1966, Lowell Thomas ( Not the famous newscaster ) as " L. T.

DJs and returned
The broadcast duo were on the air once again as part of the WLS " The Big 89 Rewind " on Memorial Day, 2007 and 2008 where the station returned to its " MusicRadio " programming, featuring many of the former WLS personalities and special guests, other DJs, etc.
It was a recreation of the WSAI that dominated Cincinnati ratings in the 1960s and early 1970s and returned original WSAI DJs to the air, such as Dusty Rhodes, Jack Stahl, Ted McAllister and Casey Piotrowski.
Three of the fired DJs and staff ( Dan Taylor, Bob Shannon, and Mr. G ) returned to the station, along with newsman Al Meredith ( who had stayed at the station during Jack-FM doing his Sunday morning public affairs show ), as well as DJ Pat St. John who had previously left CBS-FM for Q104. 3 about a year before the flip to Jack.
( A few DJs returned to the station from before, but many were either not invited to return or left in protest.
It returned on Saturday November 7, 2009 at 12. 00 UTC with original shows, DJs, jingles, and grooves at http :// www. theVoiceOfPeace. co. il
In 2009 she returned to the festival with Joker, The Gaslamp Killer and Martyn, and in 2010 again with Flying Lotus and also with new British producers / DJs Roska and Joy Orbison.

DJs and during
DJs generally answer the phone and edit the call during music plays.
Rock music entered the mainstream during the 1950s because of controversial white DJs such as Dewey Phillips, Alan Freed, Dick Clark and Wolfman Jack with an appreciation for black music.
WNEW-FM was among the first stations to give Bruce Springsteen significant airplay, and conducted live broadcasts of key Springsteen concerts in 1975 and 1978 ; Springsteen would sometimes call up the DJs during records.
The remaining classic DJs left on the station departed one by one during 1998.
Music of all types, from live jazz to DJs spinning techno, can be found in the bars and nightclubs and there are a number of festivals and special outdoor concerts during the summer.
Scratching would during the 1980s become a staple of hip hop music, being used by producers and DJs on records and in live shows.
More sophisticated methods of scratching were developed during that decade, with crews and individual DJs concentrating on the manipulation of the record in time with the manipulation of the cross fader on the mixer to create new rhythms and sonic artefacts with a variety of sounds.
The spelling and indeed the use of the word " Ghettotech " is contentious, with many Detroit DJs and artists preferring not to use the term, although Disco D is credited with developing the usage during his days as a teenager on the scene.
During the 1980s, the station would remain on air during morning / afternoon academic hours, going off air in the evening and weekends unless DJs were willing to volunteer.
Several festivals featuring foreign DJs take place in the country, many of them on the Ohrid Lake during the summer season.
More surprising numbers of airchecks have survived from listeners during the Top 40 era, many of whom recorded talented DJs to learn how to be DJs, and many who recorded Top 40 music because it was cheaper than buying the 45s.
This has allowed them to feature some of the world ’ s biggest DJs during the Drive @ 5 Streetmix, such as Tiesto, David Guetta, Armin Van Buuren, Ferry Corsten, Benny Benassi and special appearances by Paul Van Dyk and other world renowned DJs in various timeslots.
With the Butler family no longer owning the newspaper or broadcast properties, WBEN attempted to contemporize the sound during the mid-late 1970s by firing some of it's longtime on-air institutions, hiring DJs and playing Top-40 music.
The album sold moderately well — including on-site sales at the Hungry i during the Kingston Trio's engagement there through the summer — but it was DJs Paul Colburn and Bill Terry at station KLUB in Salt Lake City whose enthusiasm for a single cut on the record spurred the next development in the group's history.
The Orb established the genre in 1989 as DJs during night-club events called The Land of Oz, based at the night-club Heaven.
Another contributing factor was the underground power of the Spanish Radio market: Popular local DJs played marathon sets of Sánchez's music during the days following his death, and announced the time and location of the Norwalk wake to a broad audience of young Spanish-speaking listeners.
She was most popular during the mid 1990s in the Nordic countries, in Asia and Australia in the end of 1990s to mid 2000s but is still active and releasing material more recently as United DJs vs. Pandora.
Following Hurricane Katrina, 99X staged a weekend promotion during which they sent all their DJs out to help with disaster relief efforts while the music was aired from then-music-director Jay Harren's iPod.
A famous tape, or aircheck, of WABC from 1964 features some of the DJs speaking from a window of the Beatles ' hotel room during the Fab Four's visit to New York City, while Dan Ingram, back in the studio, played WABC jingles to thousands of teenagers in the streets below, who enthusiastically sang along with them.
The label symbolizes the international explosion of dance music during the 1990s and first manifesto for high-end DJs such as Sasha, Paul Oakenfold, John Digweed, Danny Tenaglia, Nick Warren, Dave Seaman, Darren Emerson, and James Lavelle.
DJs who have " free-format " shows are required to play three genres of music during their show.
The exceptions to this policy are during " live mics " when bands play live at the station in an area affectionately known as " the pit ", the occasional " Freak Week " of freeform programming, and the " Month of Mayhem " ( May ) when DJs are encouraged to come up with original programming focused on a band, a genre or another creative theme.

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