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Kandinsky and also
In addition to these institutions, there is also an intermediate-level vocational school ( ROC Nijmegen ) and a number of secondary schools: Groenschool Nijmegen, Kandinsky College, Nijmeegse Scholengemeenschap Groenewoud ( NSG ), Citadel College, Stedelijke Scholengemeenschap Nijmegen ( SSGN ), Canisius College, St. Jorisschool, Lindenholt College, the Stedelijk Gymnasium ( formally the " Latijnse school ", founded in the 16th century ), the Karel de Grote College, Montessori College and the Dominicus College.
The artists, with their roots in Dada and Cubism, the abstraction of Wassily Kandinsky, Expressionism, and Post-Impressionism, also reached to older " bloodlines " such as Hieronymus Bosch, and the so-called primitive and naive arts.
Sadleir's interest in Kandinsky also led to Kandinsky's first works entering a British art collection ; Sadleir's father, Michael Sadler, acquired several woodprints and the abstract painting Fragment for Composition VII in 1913 following a visit by father and son to meet Kandinsky in Munich that year.
Kandinsky taught the basic design class for beginners and the course on advanced theory at the Bauhaus ; he also conducted painting classes and a workshop in which he augmented his colour theory with new elements of form psychology.
As the Der Blaue Reiter Almanac essays and theorizing with composer Arnold Schoenberg indicate, Kandinsky also expressed the communion between artist and viewer as being available to both the senses and the mind ( synesthesia ).
The city was also the birthplace of the Bauhaus movement, founded in 1919 by Walter Gropius, with artists Wassily Kandinsky, Paul Klee, Oskar Schlemmer, and Lyonel Feininger teaching in Weimar's Bauhaus School.
Lyotard has written extensively also on few contemporary artists of his choice: Valerio Adami, Daniel Buren, Marcel Duchamp, Bracha Ettinger and Barnett Newman, as well as on Paul Cézanne and Wassily Kandinsky.
Irwin whistling can be heard on his solo performances and albums, but also in appearances with the chamber music group Kandinsky Trio.
At the invitation of Wassily Kandinsky, Delaunay joined The Blue Rider ( Der Blaue Reiter ), a Munich-based group of abstract artists, in 1911, and his art took a turn for the abstract Delaunay was also successful in Germany, Switzerland, and Russia.
Robert Delaunay, also preoccupied with relations between color and music, highlighted the purity and independence of color, and successfully exhibited with the Blaue Reiter at the invitation of Kandinsky.
Eckbo was also influenced by the works of several abstract painters, including Wassily Kandinsky, László Moholy-Nagy and Kasimir Malevich.
" The phenomenon of ' hearing ' a color or the pairing of two or more senses -- synesthesia -- was also central to the work of Wassily Kandinsky, who was developing his own synesthetic paintings, or ' compositions ', in Europe around the same time.
Michel Henry was a student of ancient painting and of the great classical painting which preceded the scientistic figuration of the 18th and 19th Centuries, and also of abstract creations such as those of the painter Wassily Kandinsky.
Given that many of these avant-garde artists were born or grew up in what is present day Belarus and Ukraine ( including Kazimir Malevich, Aleksandra Ekster, Vladimir Tatlin, Wassily Kandinsky, David Burliuk, Alexander Archipenko ), some sources also talk about Ukrainian avant-garde.
Visitors can also become acquainted with two compositions by Kandinsky ’ s friend Vladimir Izdebski, who is known for his “ Salons de Paris ” series after the revolution of 1917, and also a unique collection by the famous Georgian artist Niko Pirosmani.
It also has works by Pablo Picasso and Wassily Kandinsky.
The museum also displays masterpieces of German Expressionism: representing painters of two early 20th century German artist groups, Die Brücke ( The bridge ) and Der Blaue Reiter ( The blue rider ), whose members included, among others, Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Emil Nolde and Franz Marc, August Macke, Paul Klee, Alexej von Jawlensky and Wassily Kandinsky.

Kandinsky and developed
From Charles Baudelaire to Tristan Tzara ( as, in painting, from Manet to Kandinsky ; or, in music, from Debussy to Luigi Russolo ), subsequent poets would deconstruct the grand edifice of poetry that had been developed over the centuries according to the Homeric model.

Kandinsky and theory
Kandinsky, the main artist of Der Blaue Reiter group, believed that with simple colours and shapes the spectator could perceive the moods and feelings in the paintings, a theory that encouraged him towards increased abstraction.
In particular, he wrote books about Le Corbusier, Kandinsky, Ludwig Mies van der Rohe, and artistic theory.

Kandinsky and geometric
Kandinsky was isolated in Paris, since abstract painting particularly geometric abstract painting was not valued ; the artistic fashions were primarily impressionism and cubism.
This style of hard-edge geometric abstraction recalls the earlier work of Kasimir Malevich, Wassily Kandinsky, Theo van Doesburg, and Piet Mondrian.
Wassily Kandinsky, one of the forerunners of pure non-objective painting, was among the first modern artists to explore this geometric approach in his abstract work.
Artists who have worked extensively in geometric abstraction include Nadir Afonso, Josef Albers, Richard Anuszkiewicz, Mino Argento, Max Bill, Ilya Bolotowsky, Nassos Daphnis, Ronald Davis, Tony DeLap, Burgoyne Diller, Theo van Doesburg, Thomas Downing, Günter Fruhtrunk, Al Held, Wassily Kandinsky, Ellsworth Kelly, Hilma af Klint, Frantisek Kupka, Michael Loew, Kazimir Malevich, Agnes Martin, John McLaughlin, Piet Mondrian, Barnett Newman, Kenneth Noland, Alejandro Otero, Ad Reinhardt, Jack Reilly, Bridget Riley, Alexander Rodchenko, Sean Scully, Leon Polk Smith, Frank Stella, Sophie Taeuber-Arp, Victor Vasarely, Charmion von Wiegand, Zanis Waldheims, Gordon Walters, Neil Williams and Larry Zox among others.

Kandinsky and figures
For the most part, however, Kandinsky's paintings did not feature any human figures ; an exception is Sunday, Old Russia ( 1904 ), in which Kandinsky recreates a highly colourful ( and fanciful ) view of peasants and nobles in front of the walls of a town.

Kandinsky and their
By the following year their ranks had grown to include German painter, sculptor and designer Oskar Schlemmer who headed the theater workshop, and Swiss painter Paul Klee, joined in 1922 by Russian painter Wassily Kandinsky.
In Kandinsky ’ s work some characteristics are obvious, while certain touches are more discrete and veiled ; they reveal themselves only progressively to those who deepen their connection with his work.
Some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, Isaac Newton, have written their own colour theories.
Among their members were Kandinsky, Franz Marc, Paul Klee, and Auguste Macke.
The Cabaret exhibited radically experimental artists, many of whom went on to change the face of their artistic disciplines ; featured artists included Wassily Kandinsky, Paul Klee, Giorgio de Chirico, and Max Ernst.
In the artistic field, various artists such as Kandinsky cite many magnetic authors in their books ’ references with regards to their aptitude in tapping unconscious resources.
Wassily Kandinsky, Marianne von Werefkin and Alexej von Jawlensky were forced to move back to Russia because of their Russian citizenship.
Orphic painters cited analogies with music in their titles ; for example, Kupka ’ s Amorpha: Fugue in Two Colors ( 1912 ) and Francis Picabia ’ s abstract composition Dance at the Source ( 1912 ) and Wassily Kandinsky ’ s Über das Geistige in der Kunst ( 1912 ).
He explores painting's means of form and colour, and studies their effects on the inner life of one who looks at them filled with wonder, following the rigorous and almost phenomenological analysis proposed by Kandinsky.
Soon enough Münter and Kandinsky, along with the other artists, began painting their own designs on the glass pieces.
At the end of their relationship, there were a number of images that were returned to Kandinsky, but Münter stored many of the pieces in a warehouse for many years.

Kandinsky and
This freedom is characterised in his works by the treatment of planes rich in colours and gradations as in Yellow – red – blue ( 1925 ), where Kandinsky illustrates his distance from the constructivism and suprematism movements influential at the time.
In his writings, Kandinsky analyzed the geometrical elements which make up every painting the point and the line.
* 1958 Karl Otto Götz, Fred Thieler, Julius Bissier, Rolf Cavael, Werner Gilles, Otto Herbert Hajek, Wassily Kandinsky, Heinrich Kirchner, Fritz Koenig, Hans Mettel, Otto Pankok, Hans Platschek, E. Andreas Rauch, Karl Schmidt-Rottluff, Johanna Schütz-Wolff, Emil Schumacher, K. R. H. Sonderborg, Wilhelm Wessel, Hans Wimmer ( Curator: Eberhard Hanfstaengl )

Kandinsky and for
Art school, usually considered difficult, was easy for Kandinsky.
Hearing tones and chords as he painted, Kandinsky theorized that ( for example ), yellow is the colour of middle C on a brassy trumpet ; black is the colour of closure, and the end of things ; and that combinations of colours produce vibrational frequencies, akin to chords played on a piano.
During the studies Kandinsky made in preparation for Composition IV, he became exhausted while working on a painting and went for a walk.
" Inner necessity " is, for Kandinsky, the principle of art and the foundation of forms and the harmony of colours.
After Bayer had studied for four years at the Bauhaus under such teachers as Wassily Kandinsky, Paul Klee and László Moholy-Nagy, Gropius appointed Bayer director of printing and advertising.
To finance these moves, controversially, the foundation sold works by Kandinsky, Chagall and Modigliani to raise $ 47 million, drawing considerable criticism for trading masters for " trendy " latecomers.
For example, the result of flipping a coin, or on her preference for one of two relatively abstract paintings ( commonly, one by Klee and the other by Kandinsky ).
* 1944 in art-Birth of Odd Nerdrum, death of Wassily Kandinsky, Piet Mondrian, Edvard Munch, Francis Bacon completes Three Studies for Figures at the Base of a Crucifixion
Opened in its place is the Papalote museo del niño an interactive children's museum with up to thirty exhibitions and artistic experiences for children, such as Mindball, Kandinsky Rug, Gigantic Piano, and others.
Kandinsky wrote 20 year later that the name is derived from Marc's enthusiasm for horses and Kandinsky's love of riders, combined with both love of the color blue.
For Kandinsky, blue is the colour of spirituality: the darker the blue, the more it awakens human desire for the eternal ( see his 1911 book On the Spiritual in Art ).
In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter.
Despite popular belief, the chair was not designed for the non-objective painter Wassily Kandinsky, who was concurrently on the Bauhaus faculty.
However, Kandinsky had admired the completed design, and Breuer fabricated a duplicate for Kandinsky's personal quarters.
Gleizes ' iconography ( as of Delaunay, Le Fauconnier and Léger ) helps to explain why there is no period in his work corresponding to analytic Cubism, and how it was possible for Gleizes to become an abstract painter, more theoretically in tune with Kandinsky and Mondrian than Picasso and Braque, who remained associated with visual reality.
Despite the widespread popular belief that the chair was designed for painter Wassily Kandinsky, Breuer's colleague on the Bauhaus faculty, it was not ; Kandinsky admired Breuer's finished chair design, and only then did Breuer make an additional copy for Kandinsky's use in his home.

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