On the basis of this analysis, Krantz argues that a speed of 24 frames per second can be quickly dismissed and that " may safely rule out 16 frames per second and accept the speed of 18.

" Similarly, Krantz argues that of the many opinions offered about the Patterson film, " nly a few of these opinions are based on technical expertise and careful study of the film itself "

Krantz has argued, based on his extrapolation of the shape of its mandible, that Gigantopithecus blacki could have been bipedal.

Abbott declined, and Krantz argued this call the same day of the encounter is evidence against a hoax, at least on Patterson's part.

Patterson appeared on several popular talk shows to show the film and promote the documentary on Merv Griffin's program, with Krantz offering his analysis of the film, and also on Joey Bishop's talk show.

Buller attacked Louis Botha again on 5 February at Vaal Krantz and was again defeated.

Hampft suggested that Bakshi work with producer Steve Krantz, who had recently fired Culhane as supervising director on the Canadian science fiction series Rocket Robin Hood.

Krantz had not compensated Bakshi for his work on Fritz the Cat, and halfway through the production of Heavy Traffic, Bakshi asked when he would be paid.

Performing on the album are Wayne Krantz ( guitar ), Jon Herington ( guitar ), Keith Carlock ( drums ), Freddy Washington ( bass ), Ted Baker ( piano ), and Walt Weiskopf ( sax ).

Krantz brings Sinclair and Garibldi to a detained alian named Zathras, who appeared on Babylon 4 just as its problems began.

Judith Krantz ( born Judith Tarcher on January 9, 1928 in New York City ), is an American novelist who writes in the romance genre.

The following year, Krantz returned to New York, where she embarked on a career in magazine journalism.

Krantz serves on the Advisory Board of Compassion & Choices, an organization dedicated to providing choices for the dying.

However, Steve Krantz had not yet paid Bakshi for his work on Fritz the Cat.

While working on Heavy Traffic, Bakshi received a call from Krantz, who questioned him about Harlem Nights.

John Sparey remembers being issued a memo asking Sparey to stop posting caricatures of Krantz on the middle of his door.

Anthropologist Grover Krantz has gone on record as saying that he had no idea what the cast represented.

Krantz is an author, scientific researcher and co-inventor on 7 US Patents.

Judith Krantz's Till We Meet Again was a 1989 TV mini-series based on the Judith Krantz novel, Till We Meet Again.

He adopted his professional name, Cortez, to capitalize on the fame of his older brother, Jacob Krantz, who had been transformed into the film matinee idol Ricardo Cortez.

He was replaced by Tobias Krantz on 17 June 2009.

The dominant view is that it walked on all fours like modern gorillas and chimpanzees ; however, a minority opinion favor bipedal locomotion, most notably championed by the late Grover Krantz, but this assumption is based only on the very few jawbone remains found, all of which are U-shaped and widen towards the rear.

These stories served as the basis for a pair of film adaptations produced by Steve Krantz, Fritz the Cat 1972, directed by Ralph Bakshi, and The Nine Lives of Fritz the Cat 1974, directed by Robert Taylor.

Michael Rugg, of the Bigfoot Discovery Museum, presented a comparison between human, Gigantopithecus and Meganthropus skulls ( reconstructions made by Grover Krantz ) in episodes 131 and 132 of the Bigfoot Discovery Museum Show.

When anthropologists David J. Daegling and Daniel O. Schmitt examined the film, they concluded it was impossible to conclusively determine if the subject in the film is nonhuman, and additionally argued that flaws in the studies by Krantz and others invalidated their claims.

Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.

In 1968, Ralph Bakshi, along with producer Steve Krantz, founded Bakshi Productions, establishing the studio as an alternative to mainstream animation by producing animation his own way and accelerating the advancement of female and minority animators.

Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.

In the late 1960s, animator Ralph Bakshi and producer Steve Krantz founded Bakshi Productions, establishing the studio as an alternative to mainstream animation by producing animation his own way and accelerating the advancement of female and minority animators.

Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.

Rocket Robin Hood is a Canadian animated television series, placing the characters and conflicts of the classic Robin Hood legend in a futuristic, outer space setting, produced by Krantz Films, Inc. from 1966 to 1969.

This position has been adopted by several authorities, such as Koenigswald and Krantz, but they were still regarded as a vocal minority.

Three attempts by General Sir Redvers Buller to break the siege resulted in defeat for the British forces at the battles of Colenso, Spion Kop and Vaal Krantz.

The skull of Khwit ( also spelled Kvit ) is still extant, and was examined by Dr. Grover Krantz in the early 1990s.

After Grantray-Lawrence went bankrupt, the second and third seasons were produced at a dramatically reduced budget by Krantz Films under Ralph Bakshi.

* Produced by Krantz Animation, Inc.

* Distributed by Steve Krantz Productions ( Krantz Films ), Inc.

* Produced by Krantz Animation, Inc.

In 1953 Krantz attended a Fourth of July party hosted by her high school friend, Barbara Walters.

In an unusual turn of events for the time, the books were not copyrighted under her own name but by Steve Krantz Productions.

Perhaps the most famous person to donate his body for study was the anthropologist Grover Krantz, as described by his colleague David Hunt at the Smithsonian.

Though producer Krantz made varied attempts to produce an R-rated film, Heavy Traffic was given an X-rating by the MPAA.

During the film's production, Krantz attempted to maintain some level of control by issuing memos to Bakshi and other artists requesting various changes.