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Krantz intended to release the sequence as a 15-minute short in case the picture's financing fell through ; Bakshi, however, was determined to complete the film as a feature.
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Krantz and intended
( Krantz was an EarthForce Marine, not intended to be part of the station's permanent crew ; he was assigned to supervise the final stages of construction, then to turn it over to an EarthForce Naval officer who would be the permanent CO ).
Krantz and release
Crumb disliked how the film presented the sexual content and politics, denouncing Fritz's dialogue in the final sequences of the film, which includes a quote from The Beatles song " The End ", as " red-neck and fascistic " Following the film's release, The People's Comics published the story " Fritz the Cat ' Superstar '", in which Crumb satirized Bakshi and Krantz.
His 2006 release, Underground, on which he records with an electric, more " groove "- based ensemble featuring Craig Taborn on keyboard ; Wayne Krantz or Adam Rogers on guitar ; and Nate Smith on drums, was followed closely by the 2007 release Follow the Red Line: Live at the Village Vanguard, featuring Adam Rogers on all six of its tracks.
Krantz and sequence
According to animator Mark Kausler, Krantz was so nervous about showing too much nudity and sexual activities that he had several versions of some sequences animated, for instance, in the " Maybellene " animation sequence.
Krantz and short
When they arrive, Krantz explains that the entire station has come unstuck in time, and that its crewmembers have been experiencing " flashes " that send them forward or backward in time for a short while.
Krantz and through
Two weeks after Bakshi returned to New York, Krantz entered his office and told Bakshi that he had acquired the film rights through Dana, who had Crumb's power of attorney and signed the contract.
Krantz had not compensated Bakshi for his work on Fritz the Cat, and halfway through the production of Heavy Traffic, Bakshi asked when he would be paid.
Halfway through the production of Heavy Traffic, Bakshi asked Krantz outright when he would be paid, and Krantz responded that " The picture didn't make any money, Ralph.
Krantz later acquired the film rights through Crumb's then-wife, Dana, who had Crumb's power of attorney and signed the contract.
Towards the end of the year, Krantz began coproducing Heavy Traffic with Samuel Z. Arkoff, but Krantz had not compensated Bakshi for his work on Fritz the Cat, and halfway through the production of Heavy Traffic, Bakshi asked when he would be paid.
Krantz and ;
Westwood One expanded into digital media with the hiring of radio veteran Gary Krantz in 2006 ; Krantz remained with the company until March 2008.
The crew receives a distress signal from Babylon 4, which had disappeared from Sector 14 four years earlier ; Major Krantz, the EarthForce commander of Babylon 4, requests assistance with evacuation.
( born Stanislaus Krantz ; November 4, 1908 – December 23, 1997 ) was an American cinematographer.
The dominant view is that it walked on all fours like modern gorillas and chimpanzees ; however, a minority opinion favor bipedal locomotion, most notably championed by the late Grover Krantz, but this assumption is based only on the very few jawbone remains found, all of which are U-shaped and widen towards the rear.
* Daniel Stokols, Chancellor's Professor, School of Social Ecology, University of California, Irvine ; edited Handbook of Environmental Psychology with Irwin Altman ; author, Persepctives on Environment and Behavior ; co-author, Health, Behavior, and Environmental Stress with Sheldon Cohen, Gary Evans, and David Krantz
He married Judith Tarcher, who became the noted American writer Judith Krantz, on February 19, 1954 ; they had two sons, Tony and Nicholas.
Krantz and Bakshi
Through producer Steve Krantz, Bakshi made his debut feature film, Fritz the Cat, released in 1972.
Hampft suggested that Bakshi work with producer Steve Krantz, who had recently fired Culhane as supervising director on the Canadian science fiction series Rocket Robin Hood.
Unknown to Bakshi, Krantz and producer Al Guest were in the middle of a lawsuit.
Failing to reach a settlement with Guest, Krantz told Bakshi to grab the series ' model sheets and return to the United States.
Krantz told Bakshi that Hollywood studio executives would be unwilling to fund the film because of its content and Bakshi's lack of film experience.
Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.
Krantz arranged a meeting with Crumb, during which Bakshi presented the drawings he had created while learning the artist's distinctive style to prove that he could adapt Crumb's artwork to animation.
Krantz sent Bakshi to San Francisco, where he stayed with Crumb and his wife, Dana, in an attempt to persuade Crumb to sign the contract.
Bakshi refused, and Warner Bros. pulled out, leading Krantz to seek funds elsewhere.
Bakshi received a call from Krantz, who questioned him about Harlem Nights.
After locking Bakshi out of the studio the next day, Krantz called several directors, including Chuck Jones, in search of a replacement.
Arkoff threatened to withdraw his financial backing unless Krantz rehired Bakshi, who returned a week later.
In 1968, Ralph Bakshi, along with producer Steve Krantz, founded Bakshi Productions, establishing the studio as an alternative to mainstream animation by producing animation his own way and accelerating the advancement of female and minority animators.
However, Krantz told Bakshi that studio executives would be unwilling to fund the film because of its content and Bakshi's lack of film experience.
Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.
In the late 1960s, animator Ralph Bakshi and producer Steve Krantz founded Bakshi Productions, establishing the studio as an alternative to mainstream animation by producing animation his own way and accelerating the advancement of female and minority animators.
However, Krantz told Bakshi that studio executives would be unwilling to fund the film because of its content and Bakshi's lack of film experience.
Impressed by Crumb's sharp satire, Bakshi purchased the book and suggested to Krantz that it would work as a film.
Krantz and was
The members included Jean-Baptiste Krantz, Henri Dion and Léon Molinos, both of whom had known Eiffel for a long time: their report was favorable, and Eiffel got the job.
( Some later analysts, anthropologist Grover Krantz among them, have suggested Patterson's later estimate was about a foot too tall.
Krantz reports that " few years after the film was made, Patterson received a written letter from a man in Thailand who assured him a Sasquatch was being held in a Buddhist monastery.
Others ( including primatologist John Napier, who published before Dahinden and Krantz ) have expressed a different opinion, contending it was " likely that Patterson would have used 24 frame / s " because it " is best suited to TV transmission ," while conceding that " this is entirely speculative.
When anthropologists David J. Daegling and Daniel O. Schmitt examined the film, they concluded it was impossible to conclusively determine if the subject in the film is nonhuman, and additionally argued that flaws in the studies by Krantz and others invalidated their claims.
Also like Krantz, Grieve thought Patterson's estimate of the figure's height was inaccurate.
Heydrich was born in 1904 in Halle an der Saale to composer and opera singer Richard Bruno Heydrich and his wife Elisabeth Anna Maria Amalia Krantz, a Roman Catholic.
Heydrich's third name, " Eugen ", was his late maternal grandfather's first name ( Professor Eugen Krantz had been the director of the Dresden Royal Conservatory ).
Buller attacked Louis Botha again on 5 February at Vaal Krantz and was again defeated.
Although Krantz, in an attempt to get the film an R rating, prepared different versions of scenes involving sex and violence, Heavy Traffic was rated X.
Her second husband, who survived her, was publisher Jeremy Tarcher, a brother of the novelist Judith Krantz.
The skull of Khwit ( also spelled Kvit ) is still extant, and was examined by Dr. Grover Krantz in the early 1990s.
Krantz chose to join him, despite the fact that she was afraid of flying.
Although her husband had been insisting for years that she was a natural storyteller, Krantz believed that she was writing the book simply to prove to him that she was not able to write good fiction.
The year it was published, 1978, Krantz turned 50.
Perhaps the most famous person to donate his body for study was the anthropologist Grover Krantz, as described by his colleague David Hunt at the Smithsonian.
Though producer Krantz made varied attempts to produce an R-rated film, Heavy Traffic was given an X-rating by the MPAA.
The next day, Krantz locked Bakshi out of the studio, reportedly tapping Bakshi's phone because he was wary of his loyalty as an employee.
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