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Kurosawa's and him
" Yamamoto nurtured Kurosawa's talent, promoting him directly from third assistant director to chief assistant director after a year.
An art student ( a character wearing Kurosawa's trademark hat who provides the POV for the rest of the film ) finds himself inside the vibrant and sometimes chaotic world of Van Gogh's artwork, where he meets the artist in a field and converses with him.
He once met with Akira Kurosawa, who told him that he loved The Magnificent Seven ( which was a remake of Kurosawa's Seven Samurai ) and presented him with a samurai sword.
To stand in for a male influence in his upbringing, Sibylla plays him Akira Kurosawa's Seven Samurai, which he comes to know by heart.
Solomin was cast as a Russian imperial officer in many Soviet movies, including Akira Kurosawa's Dersu Uzala ( 1975 ), which won him a Japanese decoration for the outstanding contribution to the world culture ( 1993 ).

Kurosawa's and take
This description can be used to describe any number of Westerns, but also other films such as Die Hard, Top Gun, and Akira Kurosawa's Seven Samurai which are frequently cited examples of films that do not take place in the American West but have many themes and characteristics common to Westerns.

Kurosawa's and director
Some commentators have suggested that this incident would influence Kurosawa's later artistic career, as the director was seldom hesitant to confront unpleasant truths in his work.
In the last of Kurosawa's films as an assistant director, Horse ( Uma, 1941 ), Kurosawa took over most of the production, as Yamamoto was occupied with the shooting of another film.
Leone's film elicited a legal challenge from the Japanese director, though Kurosawa's film was in turn probably based on the Dashiell Hammett novel Red Harvest ( 1929 ).
The 1964 remake of W. Somerset Maugham's Of Human Bondage was a failure, as was The Outrage ( 1964 ), director Martin Ritt's remake of Akira Kurosawa's classic Rashomon, despite the presence of Paul Newman.
Screenwriter John Milius ' contribution was also worked in by writing a draft of the film inspired by Akira Kurosawa's studies in lone-gun detectives, while director Siegel tackled the material from the viewpoint of bigotry.
* Japanese director Akira Kurosawa's 1975 film Dersu Uzala, based on a book by Russian explorer Vladimir Arsenyev, describes the friendship of a Russian explorer and his Nanai guide named Dersu Uzala.
The 1952 re-release ( from which the 2009 Criterion DVD is made ) opens with ( translated from the original Japanese text ): " This film has been modified from the original version of Akira Kurosawa's debut film, which opened in 1943, without consulting the director or the production staff.
Born in Tokyo, he was a long-time member of director Akira Kurosawa's stock company, making his first appearance in a Kurosawa film alongside Takashi Shimura in 1952's Ikiru.
Despite being noted as one of Akira Kurosawa's most critically renowned postwar films, Nora Inu was once not held in such high regard by the director himself.

Kurosawa's and who
Teruyo Nogami, who was Kurosawa's long-time script supervisor, wrote in her memoirs that scriptwriter Hideo Oguni told Kurosawa that Mifune's performance had been " all wrong ".
It is unclear whether Katsu was fired or left of his own accord, but he was replaced by Tatsuya Nakadai, a well-known actor who had appeared in a number of Kurosawa's previous films.
( born August 8, 1952 in Sakai, Osaka, Japan ) is a Japanese singer, dancer and actor who has appeared in Akira Kurosawa's Ran and Toshio Matsumoto's Bara no Sōretsu.

Kurosawa's and was
In 1984, Marker was invited by producer Serge Silberman to document the making of Akira Kurosawa's film Ran.
" Pauline Kael, he notes, was willing to acknowledge this critical ennui and thus appreciate how a film such as Akira Kurosawa's Yojimbo ( 1961 ) " could exploit Western conventions while debunking its morality.
In the Sight & Sound directors ' poll, it was voted at number ten in 1992 and number nine in 2002, in both cases being tied with Kurosawa's own Rashomon ( 1950 ).
The Magnificent Seven a 1960 American western film directed by John Sturges was a remake of Akira Kurosawa's 1954 film, Seven Samurai.
His film A Fistful of Dollars ( Per un Pugno di Dollari, 1964 ) was based upon Akira Kurosawa's Edo-era samurai adventure Yojimbo ( 1961 ).
George Lucas's creation of R2-D2 was influenced by Akira Kurosawa's 1958 feature film The Hidden Fortress ( USA release 1962 ), particularly Tahei and Matakishi, the two comic relief characters that serve as sidekicks to General Makabe.
For instance The Magnificent Seven was a remake of Kurosawa's Seven Samurai, and A Fistful of Dollars was a remake of Kurosawa's Yojimbo, which itself was inspired by Red Harvest, an American detective novel by Dashiell Hammett.
It also bears some parallels with the American Westerns ; Akira Kurosawa's Seven Samurai, for example, was remade in a Western setting as The Magnificent Seven.
However, Daiei Motion Picture Company ( a producer of popular features at the time ) and the Japanese government had disagreed with the choice of Kurosawa's work on the grounds that it was " not enough of the Japanese movie industry " and felt that a work of Yasujiro Ozu would have been more illustrative of excellence in Japanese cinema.
Despite these reservations, the film was screened at the festival and won both the Italian Critics Award and the Golden Lion award — introducing western audiences, including western directors, more noticeably to both Kurosawa's films and techniques, such as shooting directly into the sun and using mirrors to reflect sunlight onto the actor's faces.
It was Kurosawa's first film to make use of a magnetic 4-track stereo soundtrack and principal photography took two years.
The set was intended to be historically accurate: the crew went as far as to use the right kind of aged wood that would have been used in the region at the time the film is set, at Kurosawa's request.
This was Kurosawa's first feature filmed in a widescreen format, Tohoscope, which he continued to use for the next decade.

Kurosawa's and among
Stephen King has acknowledged multiple sources of influence for this story, including Akira Kurosawa's Seven Samurai, its stepchild The Magnificent Seven, Sergio Leone's " Man with No Name " trilogy, and other works by Howard Hawks and John Sturges, among others.

Kurosawa's and Kurosawa
" Only four months later, Kurosawa's eldest brother also died, leaving Akira, at age 23, the only one of the Kurosawa brothers still living, together with his three surviving sisters.
Usagi Yojimbo is heavily influenced by Japanese cinema and has included references to the work of Akira Kurosawa ( the title of the series is derived from Kurosawa's 1960 film Yojimbo ) and to icons of popular Japanese cinema such as Lone Wolf and Cub, Zatoichi, and Godzilla.
Shimura appeared in the director's debut film Sanshiro Sugata ( 1943 ), and the last film of Kurosawa's in which he acted was Kagemusha ( 1980 ), for which Kurosawa specifically wrote a part for Shimura.
It won ’ t be the last ," the film was effectively an unofficial and unlicensed remake of Akira Kurosawa's 1961 film Yojimbo ( written by Kurosawa and Ryuzo Kikushima ), lifting themes and character types from that samurai film.
Allegedly one segment of the Kurosawa film Dreams was actually directed by Honda following Kurosawa's detailed storyboards.
Katsu left the production, however, before the first day of shooting was over ; in an interview for the Criterion Collection DVD, executive producer Coppola states that Katsu angered Kurosawa by arriving with his own camera crew to record Kurosawa's filmmaking methods.

Kurosawa's and studio
This was Kurosawa's second film for the Shochiku studio, after the previous year's Scandal.
Originally intended to be a two-part film with a running time of 265 minutes, the film was severely cut at the request of the studio, against Kurosawa's wishes, after a single poorly-received screening of the full-length version.

Kurosawa's and .
Kurosawa's responsibilities increased, and he worked at tasks ranging from stage construction and film development to location scouting, script polishing, rehearsals, lighting, dubbing, editing and second-unit directing.
Akira Kurosawa's 1957 adaptation Throne of Blood makes the character into Capitan Miki ( played by Minoru Chiaki ), slain by Macbeth's equivalent ( Captain Washizu ) when his wife explains that she is with child.
The film focuses more on Kurosawa's remote but polite personality than on the making of the film.
Among the films shown in its founding year were Akira Kurosawa's Throne of Blood and Satyajit Ray's Pather Panchali.
The decade started with Akira Kurosawa's Rashomon ( 1950 ), which won the Academy Award for Best Foreign Language Film and the Golden Lion at the Venice Film Festival and marked the entrance of Japanese cinema onto the world stage.
The latter type of works include Akira Kurosawa's film Kagemusha, which portrays Nobunaga as energetic, athletic and respectful towards his enemies.
It is acknowledged that the story of Fistful of Dollars closely resembles Akira Kurosawa's Yojimbo.
* In Akira Kurosawa's film Dodesukaden a mentally ill boy pretends to be a tram conductor.
At three hours, twenty-seven minutes ( 207 minutes ), Seven Samurai would be the longest picture of Kurosawa's career.
It is a western-style remake based on Akira Kurosawa's 1954 Japanese film Seven Samurai.
* January 15 – Release, in Japan, of the film Throne of Blood, Akira Kurosawa's reworking of Macbeth.
In contrast to the cold drab greys of Brook and Kozintsev, Kurosawa's film is full of vibrant colour: external scenes in yellows, blues and greens, interiors in browns and ambers, and Emi Wada's Oscar-winning colour-coded costumes for each family member's soldiers.
Multiple scenes attempted in Major Dundee, including slow motion action sequences ( inspired by Akira Kurosawa's work in Seven Samurai ), characters leaving a village as if in a funeral procession and the use of inexperienced locals as extras, would be perfected in The Wild Bunch.

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