[permalink] [id link]
Laurents, ignoring criticism about the show's message being trite and its absurdist style difficult to comprehend, poured his energies into restaging rather than dealing with the crux of the problem.
from
Wikipedia
Some Related Sentences
Laurents and about
Eager to work with both Laurents and Sondheim, Angela Lansbury accepted the lead role as Mayoress Cora Hoover Hooper, despite her strong misgivings about the script and her ability to handle the score.
In 1949, Jerome Robbins approached Leonard Bernstein and Arthur Laurents about collaborating on a contemporary musical adaptation of Romeo and Juliet.
In 1955, theatrical producer Martin Gabel was working on a stage adaptation of the James M. Cain novel Serenade, about an opera singer who comes to the realization he is homosexual, and he invited Laurents to write the book.
In 1982, Pollack approached Laurents about a sequel Stark had proposed, but nothing transpired following their initial discussion.
The story was adapted from a play by Arthur Laurents, originally about anti-Semitism in the army, but revised and made into a film about the persecution of a black soldier.
Once again placed on suspension, he departed for Europe, where he spent time in Italy, Austria and Germany with Laurents before being contacted about an upcoming film by Alfred Hitchcock.
Laurents and being
Laurents thought the script was not as good as he remembered it being, and agreed to rewrite it once Stark agreed to sell the rights to the characters and their story to Streisand.
Laurents and its
Laurents decided to develop a story with a similar character at its center, but was unsure what other elements to add.
Laurents and style
Laurents explained the style that the creative team finally decided on:
Laurents and into
Another song, " Kid Stuff ", was added and quickly removed during the Washington, D. C. tryout when Laurents convinced the others it was helping tip the balance of the show into typical musical comedy.
During his time in Venice, Granger renewed his friendship with Peggy Guggenheim, whom he had met during his earlier trip to Italy with Arthur Laurents, and he met Mike Todd, who cajoled him into making a cameo appearance as a gondolier in his epic Around the World in 80 Days.
Finally, just before opening night, Laurents directed him always to look into Hearn's eyes, whenever the two men were on stage, so the audience would sense the depth of the couple's feelings for each other.
Laurents and than
Sondheim discovered that Laurents hated doing backers ' auditions and he took over that responsibility, playing and singing more than 30.
Bernstein suggested they rework East Side Story and set it in Los Angeles, but Laurents felt he was more familiar with Puerto Ricans and Harlem than he was with Mexican Americans and Olvera Street.
Both stars appeared to be playing themselves more often than their characters, and Streisand often used a grand accent that Laurents felt hurt her performance.
Laurents was not a fan of drag or camp entertainment and thought Holt and Brown never would find enough investors to finance a gay-themed project at a time when, during the early years of the AIDS epidemic, homophobia was more intense than ever.
Laurents and with
Anyone Can Whistle is a musical with a book by Arthur Laurents and music and lyrics by Stephen Sondheim.
Sondheim worked closely with book writer Arthur Laurents to create the show.
West Side Story is an American musical with a book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim, and conception and choreography by Jerome Robbins.
Laurents liked the lyrics but was not impressed with the music.
He arrived in Hollywood to choreograph the dance sequences for The King and I, and he and Laurents began developing the musical while working on their respective projects, keeping in touch with Bernstein, who had returned to New York.
When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind, he backed out of the film, freeing him to devote all his time to the stage musical.
Robbins was involved with Bells Are Ringing, then Bernstein with Candide, and in January 1957 A Clearing in the Woods, Laurents ' latest play, opened and quickly closed.
In 2007, Arthur Laurents stated, " I've come up with a way of doing Side Story that will make it absolutely contemporary without changing a word or a note.
* Stage ( Musical ): In 1991, a Broadway musical, Nick & Nora with a book by Arthur Laurents, lyrics by Richard Maltby, Jr., and music by Charles Strouse was based on the characters.
It later was reported she was negotiating with Daniel Mann instead, and Laurents would be adapting his play for the screen.
Laurents ' screenplay allegedly was unsatisfactory, and newly hired director David Lean tried to improve it with associate producer Norman Spencer and writers Donald Ogden Stewart and S. N.
The screenplay by Arthur Laurents was based on his college days at Cornell University and his experiences with the House Un-American Activities Committee.
The fiery campus radical organized rallies and a peace strike, and the memory of her fervor remained with Laurents long after the two lost touch.
Laurents had been impressed with They Shoot Horses, Don't They?
Stark was less enthused, but agreed because Pollack assured him he could deliver Robert Redford for the role of Hubbell, which Laurents had written with Ryan O ' Neal in mind.
A decade after the film was released, Redford, having made peace with Laurents, contacted him to discuss the possibility of collaborating on a new project, and eventually the two settled on a sequel to The Way We Were.
In 1996, Streisand came across the sequel Laurents had written, and decided she wanted to produce and direct it as well as co-star with Redford, but didn't want to work with Stark.
Laurents and .
The show was first announced in The New York Times on October 5, 1961: " For the winter of 1962, Laurents is nurturing another musical project, The Natives Are Restless.
A meager description was furnished by Mr. Laurents, who refused to elaborate.
In a letter to Bloomgarden from Laurents, he wrote, " I beg you not to mention the money problems or any difficulties to Steve anymore.
" This behavior is considered unusual for Laurents, which runs contrary to his current reputation.
Laurents had wanted Barbra Streisand for the role of Fay, but she turned it down to star in Funny Girl.
Howard Taubman in his New York Times review wrote that Laurents ' " book lacks the fantasy that would make the idea work, and his staging has not improved matters.
Eager to write his first musical, Laurents immediately agreed.
Bernstein wanted to present the material in operatic form, but Robbins and Laurents resisted the suggestion.
They described the project as " lyric theatre ", and Laurents wrote a first draft he called East Side Story.
Laurents accepted and suggested Bernstein and Robbins join the creative team.
Laurents, however, was committed to Gabel, who introduced him to the young composer / lyricist Stephen Sondheim.
Sondheim did not care for Laurents ' opinion.
Laurents was soon hired to write the screenplay for a remake of the 1934 Greta Garbo film The Painted Veil for Ava Gardner.
0.186 seconds.