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Les and Danaïdes
The opera Les Danaïdes ( The Danaids ) is a five-act tragédie lyrique ; the plot was based on an ancient Greek legend that had been the basis for the first play in a trilogy by Aeschylus, entitled The Suppliants.
Les Danaïdes was received with great acclaim and its popularity with audiences and critics alike produced several further requests for new works for Paris audiences by Salieri.
Among the most successful of his 37 operas staged during his lifetime were Armida ( 1771 ), La fiera di Venezia ( 1772 ), La scuola de ' gelosi ( 1778 ), Der Rauchfangkehrer ( 1781 ), Les Danaïdes ( 1784 ), which was first presented as a work of Gluck's, La grotta di Trofonio ( 1785 ), Tarare ( 1787 ) ( Tarare was reworked and revised several times as was Les Danaïdes ), Axur, re d ' Ormus ( 1788 ), La cifra ( 1789 ), Palmira, regina di Persia ( 1795 ), Il mondo alla rovescia ( 1795 ), Falstaff ( 1799 ), and Cesare in Farmacusa ( 1800 ).
Since 2000, there have also been complete recordings issued or re-issued of the operas Axur Re d ' Ormus, Falstaff, Les Danaïdes, La Locandiera, La grotta di Trofonio, Prima la musica e poi le parole and Il mondo alla rovescia.
Gluck brought Salieri to Paris with him and bequeathed him the libretto for Les Danaïdes by Leblanc du Roullet and Baron Tschudi.
** Les Danaïdes

Les and followed
In France, there was Lettres persanes ( 1721 ) by Montesquieu, followed by Julie, ou la nouvelle Héloïse ( 1761 ) by Jean-Jacques Rousseau, and Laclos ' Les Liaisons dangereuses ( 1782 ), which used the epistolary form to great dramatic effect, because the sequence of events was not always related directly or explicitly.
Movies which followed in its wake included Betty Blue ( 37 ° 2 le matin, 1986 ) by Beineix, The Big Blue ( Le Grand bleu, 1988 ) by Luc Besson, and The Lovers on the Bridge ( Les Amants du Pont-Neuf, 1991 ) by Léos Carax.
A modest success, it was followed by Kelly's last musical film for MGM, Les Girls ( 1957 ), in which he partnered a trio of leading ladies, Mitzi Gaynor, Kay Kendall and Taina Elg.
Petrushka ( 1911 ) and The Rite of Spring ( 1913 ) followed shortly afterwards, and the two also worked together on Pulcinella ( 1920 ) and Les noces ( 1923 ).
The 1912 manifetso Du " Cubisme " by Metzinger and Gleizes was followed in 1913 by Les Peintres Cubistes, a collection of reflections and commentaries by Guillaume Apollinaire.
One of his most enduring pieces followed Benvenuto Cellini — the Grande messe des morts, first performed at Les Invalides in December of that year.
Further supporting roles followed in a variety of French films: Annick Lanoë's Les Nanas was to give Binoche her most noteworthy role to date, playing opposite established stars Marie-France Pisier and Macha Meril, in a mainstream comedy.
But while others followed the cool, balanced " neoclassic " works of Stravinsky, it was works like his Les noces ( The Wedding ), a pounding, quasi-folkloric evocation of prehistoric wedding rites, that appealed to Orff.
A detailed description of this process, and the ceremonial procession that followed, is preserved in Martin Da Canale's work ' Les Estoires de Venise ' ( English translation by Laura K. Morreale, Padua 2009 ).
Ionesco followed this with The Lesson ( La Leçon ) in 1951 and The Chairs ( Les Chaises ) in 1952.
The initial casino was opened in La Condamine in 1862, but was not a success ; its present location in the area called " Les Spelugues " ( The Caves ) of Monte Carlo, came only after several relocations in the years that followed.
During the 1920s, Poulenc's most immediate influences were Chabrier, Debussy, Satie, and Stravinsky, and he generally followed the irreverent, flippant aesthetic stance of Les Six with melodies influenced by Parisian music halls.
He then moved to Paris, presenting Le puits d ' amour ( 1843 ) in early 1843, followed by his opera based on Les quatre fils Aymon ( 1844 ) for the Opéra-Comique ( also popular in German-speaking countries for many years as Die Vier Haimonskinder ) and L ' étoile de Seville ( 1845 ) for the Opéra.
On leaving school with but slender means of support, he devoted himself to letters, and in 1842 published his first volume of verse ( Les Cariatides ), which was followed by Les Stalactites in 1846.
It was followed by two tragédies en musique, Castor et Pollux ( 1737 ) and Dardanus ( 1739 ), and another opéra-ballet, Les fêtes d ' Hébé ( also 1739 ).
This was due to be followed by a final tragédie en musique, Les Boréades ; but for unknown reasons, the opera was never produced and had to wait until the late 20th century for a proper staging.
This has been noted by Zeev Sternhell, Michel Winock ( who titled the first part of his book, Le Siècle des intellectuels, " Les Années Barrès " (" The Barrès ' Years "), followed by Les Années André Gide and Les Années Jean-Paul Sartre ), Pierre-André Taguieff, etc.
Scève was soon followed by Ronsard in Les Amours de Cassandre and by Du Bellay in Olive, these times collections of sonnets.
In a series of novellas, collected as Les Illuminés, ou les précurseurs du socialisme ( 1852 ), on themes suggested by the careers of Rétif de la Bretonne, Cagliostro and others, he described feelings that followed his third insanity.
Several one-off recordings followed, including a 2002 duet with opera singer Filippa Giordano of the " Barcarolle " from Jacques Offenbach's Les contes d ' Hoffman as well as the song " The Sun Will Shine Again ", written especially for Lyngstad by former Deep Purple member Jon Lord, and recorded in 2004.
During 1872 – 1873 he produced a volume of verse, Au bord de la mer, which was followed by others, the last, Les Aveux, appearing in 1882.

Les and tradition
In 1924 he published one of his most famous works Les rois thaumaturges: étude sur le caractère surnaturel attribué à la puissance royale particulièrement en France et en Angleterre ( translated in English as The magic-working kings or The royal touch: sacred monarchy and scrofula in England and France ) in which he collected, described and studied the documents pertaining to the ancient tradition that the kings of the Middle Ages were able to cure the disease of scrofula simply by touching people suffering from it.
Berlioz's epic masterpiece Les Troyens, the culmination of the Gluckian tradition, was not given a full performance for almost a hundred years.
Gluck's greatest French admirer would be Hector Berlioz, whose epic Les Troyens may be seen as the culmination of the Gluckian tradition.
" Rameau's music includes pieces in the pure tradition of the French suite: imitative (" Le rappel des oiseaux ," " La poule ") and character (" Les tendres plaintes ", " L ' entretien des Muses ") pieces and works of pure virtuosity that resemble Scarlatti (" Les tourbillons ," " Les trois mains ") as well as pieces that reveal the experiments of a theorist and musical innovator (" L ' Enharmonique ", " Les Cyclopes "), which had a marked influence on Daquin, Royer, and Jacques Duphly.
Then he experienced worldwide acclaim with Les affaires sont les affaires ( Business is business 1903 )-his classical comedy of manners and characters in the tradition of Molière.
However, there is a significant tradition in French-language operas of the 19th Century to give the leading female role to mezzos, as for example in Béatrice et Bénédict, La Damnation de Faust, Don Quichotte, La Favorite, Mignon, Samson et Dalila, Les Troyens, and Werther as well as Carmen.
Bean ) and new ones ( Les Carlyon ) alike and by oral tradition of the survivors.
Following the folk and singer-songwriter tradition, Jabier Muguruza ( born 1960 ) took up a solo career in 1994 after quitting other projects ( Les Mecaniciens ,...).
As is a Nashville metropolitan tradition, specially-designed Gibson Les Paul guitars are presented to race winners in place of conventional trophies.
Taylor credits Duke ’ s strong tradition of student-led jazz ensembles, and Les Brown's association with Duke in particular, as initially drawing him to the university.
* Aglo, John ( 2001 ), Les Fondements philosophiques de la morale dans une société à tradition orale, L ' Harmattan, Paris.
The chef ’ s costume, the jacket and hat, or “ toque ”, are steeped in history and tradition which members honor by dressing appropriately for each regular event and by wearing a Les Marmitons jacket and hat.
With the bizarre painting that appalled and electrified the cognoscenti, which understood the Les Demoiselles was at once a response to Matisse's Le bonheur de vivre ( 1905 – 1906 ) and an assault upon the tradition from which it derived, Picasso effectively appropriated the role of avant-garde wild beast — a role that, as far as public opinion was concerned, he was never to relinquish.
: Whereas Matisse had drawn upon a long tradition of European painting — from Giorgione, Poussin, and Watteau to Ingres, Cézanne, and Gauguin — to create a modern version of a pastoral paradise in Le bonheur de vivre, Picasso had turned to an alien tradition of primitive art to create in Les Demoiselles a netherworld of strange gods and violent emotions.

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